Charleston Renaissance Man

A study of the life, work, and extraordinary influence of an innovative architect Albert Simons came of age during the vibrant years of the Charleston Renaissance in the early twentieth century. His influential social circle included artists, musicians, writers, historians, and preservationists, many supporting the cultural revival that was reshaping the city. Through his architectural design and passion for preservation, Simons contributed tremendously to the cultural environment of the Charleston Renaissance. His work helped to mold the cityscape and set a course that would both preserve the historic South Carolina city and carry it forward, allowing it to become the thriving urban center it is today. Simons brought both a sense of history and place, born of his deep roots in Charleston, as well as a cosmopolitanism developed during his years of training at the University of Pennsylvania and travels on the European continent. The melding of those sensibilities was a perfect match for the age and made him a true Charleston Renaissance Man. While he preferred the more traditional Beaux-Arts, Classical, and Colonial Revival styles, Simons had the unique ability to balance traditional and modern styles. He believed preservation in Charleston was about retaining the city's architectural heritage but doing so in a way that allowed the city to grow and progress—to be a living city. Looking forward and simultaneously looking back is quintessentially Charleston and a hallmark of Simons's life and work. Featuring more than 100 color and black and white photographs and illustrations alongside author Ralph Muldrow's compelling storytelling, this fascinating book reveals the deep connection between Simons and the Charleston cityscape. With a foreword by Witold Rybczynski, the award-winning author of numerous books including Charleston Fancy: Little Houses and Big Ideas in the Holy City, Muldrow's Charleston Renaissance Man is a celebration of Charleston's unique architectural character and the architect who embodied the Charleston Renaissance.

Terry's dad wrote an autobiography of his life, primarily because he was a quiet man, viewed as strange or a nonconformist by family and friends, and he wanted to set the record straight on who he was, who he is, what he believes, and the journeys he took along the way to cope with problems and live his life. Terry's dad and she had a fraught relationship, similar to the one he had with Terry's mother. However, his behavior, as she perceived it, was distant and unloving. Through his writing, he invited his daughter to know him, and she did. However, she felt there was more to the story, and as her eyes were opened to the facets of him, she came to better understand how their relationship influenced her development as a person. His story is delightful, almost Huckleberry Finn in some aspects, and Terry strove to add background and context to the many adventures he had in his life. She "dialogues" with her dad along the way and fills in the reader on her perspective of him and the family relationship and dynamics. Prepare to be absorbed in a man's life through the entire twentieth century and enjoy reading about his life as much as Terry did.

The dancers, Jack Diamond, King of all dancers and JUBA the sensation set the stage for the other plays – all about some of our great musicians Duke Ellington, Billy Strayhorn, Lena Horne, Thelonious Monk, Buddy Powell, Scott Joplin.

Charleston is a city of stories. As in any city of historical significance, some of its best stories now lie buried with its dead. Ted Ashton Phillips, Jr., was custodian of many of the stories of those Charlestonians interred in Magnolia Cemetery, the picturesque burial ground located along the Cooper River north of downtown. Phillips's fascination with Magnolia began at the age of sixteen, when he worked there as a groundskeeper and assistant gravedigger. He followed his passion into the research represented in this collective biography of more than two hundred representative Charlestonians from many eras, now buried among the thirty thousand permanent residents of Magnolia Cemetery. Taking its title from the poem that William Gilmore Simms delivered at the 1850 consecration of the cemetery, City of the Silent is a unique guide to some of the complex personalities who have contributed to the Holy City's rich culture. The book includes entries on writers, artists, statesmen, educators, religious leaders, scientists, war heroes, financiers, captains of industry, slave traders, socialites, criminals, victims, and others. Some of these men and women are as distinguished as author Josephine Pinckney, civil rights champion J. Waties Waring, and artist Alice Ravenel Huger Smith. Others are as notorious as bootlegger Frank "Rumpty Rattles" Hogan, adulterous killer Dr. Thomas McDow, and brothel-keeper Belle Percival. Most of Phillips's subjects achieved prominence while alive, but a few are better known for their manner of death. The members of the third and final crew of the Confederate submarine H. L. Hunley, interred with great ceremony in 2004 after the discovery of their vessel in Charleston harbor, are among the newest Magnolia residents depicted in the portrait gallery. Each authoritative profile offers a vivid depiction of a memorable individual rendered in conversational tone with refreshing wit and apt anecdotes. These artfully braided stories describe an intricate network of family ties, civic institutions, business enterprises, and local landmarks. Together the biographies provide an affectionate, insightful history of an influential society and establish Magnolia as a center of community traditions that extend from the mid–nineteenth century to the present. City of the Silent is a celebration of intertwining lives and an engrossing account of Charleston's past as witnessed by those no longer able to tell their own tales. In addition to the biographical sketches, City of the Silent includes a foreword by Josephine Humphreys, Charleston writer and longtime friend of the author, and an afterword by Phillips's daughter Alice McPherson Phillips. The volume also features an introductory essay by historian Thomas J. Brown examining how the cemetery became a leading site of historical memory in the aftermath of the Civil War, and sets of maps and thematic tours that invite visitors to locate the featured graves within Magnolia's evocative grounds.

Based on years of research and thousands of notes left by John Bennett, Mr. Skylark is an unusually intimate biography of a pivotal figure in the Charleston Renaissance, the brief period between the two World Wars that first witnessed many of the cultural and artistic changes soon to sweep the South. The book not only examines Bennett's life but also reveals the rich tapestry of the literary and social history of Charleston. An outsider who became an insider by marrying into the local aristocracy, Bennett was perfectly placed to observe social and artistic change and to prompt it. He published the first scholarly treatise on Gullah, the language of the coastal Southern blacks, and collected African American spirituals and tales. But after breaking several racial taboos of the time, he was publicly condemned, and it was only through mentoring such writers as Hervey Allen and DuBose Heyward that he was eventually welcomed back into the heart of the city. Today, the Charleston aesthetic, which mourned the loss of beauty in a modernizing South, is often overlooked in the study of Southern literature, but Bennett, through his extensive private correspondence and notes, offers insight into the forces that shaped this cultural movement. Restored to us in all his complexity and humor, Bennett is important for his own accomplishments, but also for providing a lens through which to view southern literary history and the complexities of a changing South.

This comprehensive A-to-Z reference is “an impressive contribution to jazz history and surprisingly good reading” (Michael Ullman, author of Jazz Lives). This informative bookdocuments the careers of South Carolina jazz and blues musicians from the nineteenth century to the present. The musicians range from the renowned (James Brown, Dizzy Gillespie), to the notable (Freddie Green, Josh White), the largely forgotten (Fud Livingston, Josie Miles), the obscure (Lottie Frost Hightower, Horace “Spoons” Williams), and the unknown (Vince Arnold, Johnny Wilson). Though the term “jazz” is commonly understood, if difficult to define, “blues” has evolved over time to include R&B, doo-wop, and soul. Performers in these genres are also represented, as are members of the Jenkins Orphanage bands of Charleston. Also covered are nineteenth-century musicians who performed what might be called proto-jazz or proto-blues in string bands, medicine shows, vaudeville, and the like. Organized alphabetically, from Johnny Acey to Webster Young, the entries include basic biographical information, South Carolina residences, career details, compositions, recordings as leaders and as band members, films, awards, websites, and lists of resources for additional reading. Former host of Jazz in Retrospect on NPR Benjamin Franklin V has ensured biographical accuracy to the greatest degree possible by consulting numerous public documents, and information in these records permitted him to dispel myths and correct misinformation that have surrounded South Carolina’s musical history for generations. “Elucidates South Carolina as a profoundly crucial puzzle piece alongside New Orleans, Chicago, Kansas City and New York.” —Harry Skoler, professor, Berklee College of Music Includes photos

The most up-to-date and comprehensive guidebook to the state of South Carolina Beaches and golf are what most people think of when they think of South Carolina, and the state has those amenities in abundance. But off the well-worn paths are battlefields from both the Revolutionary and Civil wars and significant guide-posts in African American history. South Carolina’s culture has great variety too, from classic Southern attitudes and food to the Geechee-Gullah Cultural Heritage Corridor in the Lowcountry and the Palmetto Trail and Scottish influences Upstate. As with every title in the Explorer’s Guide series, you’ll get thoroughly researched recommendations, up-to-date information on hours and prices, and tips for enjoying the region to its fullest. South Carolina is a destination steeped in fascinating history and natural beauty. With Page Ivey’s advice, you can experience everything the Palmetto State has to offer.

"The essays tell how these and other individuals faced the tensions and contradictions of their time and place. While some traced their lineage back to the city's first families, others were relative newcomers. Some broke new ground racially and sexually as well as artistically; others perpetuated the myths of the Old South. Some were censured at home but praised in New York, London, and Paris. The essays also underscore the significance and growth of such cultural institutions as the Poetry Society of South Carolina, the Charleston Museum, and the Gibbes Art Gallery."--BOOK JACKET.