Chasing The Albino Pygmy Giraffe

“Chasing the Albino Pygmy Giraffe” is a laugh aloud yet insightful parody about how little Chinese and Americans understand one another. The story unfolds as a college professor leads a group of American and Chinese students 3,500 miles across the heart of Western China down the fabled Silk Road. Along the way, the travelers brave everything from squat toilets and donkey meat to insurrection and the Red Army. Author Charles Haddad is eminently qualified to spoof Chinese and Americans alike. Not only has he seen more of China than most Chinese themselves. Haddad speaks Chinese and is well versed in Chinese history and culture. While fiction, Haddad’s tale rings true. It offers great insight for those worrying about the future of Sino-American relations. And worry they should, suggests this humorous adventure story.

Consider “Pity the Poor Reader” as an un-textbook, an irreverent “Elements of style.” Like Elements, it’s designed to compliment textbooks. Pity is concise, memorable and portable. Under 300 pages, Pity serves as an aspiring writer’s keepsake. Concision lies at the heart of Pity. The key concepts of writing well are distilled into irreverent, memorable lines and axioms. Many of them are organized as lists that are easily printed and taped to a wall or a computer. Indeed, in testing the book with my university students, I’ve found that many of them did print out its list of axioms to keep handy while writing. I’ve also overheard students quoting Pity’s axioms to their friends. While similar to “Elements” in spirit, Pity differs greatly in style, material and organization. My book draws on current events, history, student anecdotes and my own 30 years of experience as a writer - anything to make its lessons real and relevant. It’s written in a style that skewers all pretense and officiousness when it comes to the teaching of writing. The opening chapter about craft is titled “The Tao of Writing Poorly.” It parodies the poor way that writing is taught in many high schools and colleges. Pity tries to teach whenever possible through humor. It helps to make any lesson memorable.

Alas, the poor reader. Ever pelted with a heavy rain of words. Junk mail and Spam, E-mail and blogs; E-zines and streaming news. Preached at and scolded, befuddled and misled. Tortured with unpronounceable words and bored with cliché. Is it any wonder that people grow ever weary of reading? I undertook this book not just to help aspiring writers, but to help myself and my dwindling brethren: We who still love words. For us, few joys surpass a sentence that moves one to tears or laughter. That's true whether it's found in a book, a magazine, a song, on a blog or over a urinal. Such love borders on sickness. It's a disease I intend to spread. I aspire to be a one-man epidemic. If I can help raise a better crop of wordsmiths, then we poor readers may have more that's worth reading.

In response to a recent surge of interest in Native American history, culture, and lore, Hippocrene brings you a concise and straightforward dictionary of the Navajo tongue. The dictionary is designed to aid Navajos learning English as well as English speakers interested in acquiring knowledge of Navajo. The largest of all the Native American tribes, the Navajo number about 125,000 and live mostly on reservations in Arizona, New Mexico, and Utah. Over 9,000 entries; A detailed section on Navajo pronunciation; A comprehensive, modern vocabulary; Useful, everyday expressions.

Animal death is a complex, uncomfortable, depressing, motivating and sensitive topic.

"A stunning vibrant maximalist whirlwind of a novel. Oloixarac’s wit and ambition are evident on every page. By comparison, most other contemporary fiction seems a little dull and simple-minded." —Hari Kunzru, author of White Tears and Gods Without Men A debut novel of seduction and madness, hate and love, set in the world of Argentine academia and animated by the spirits of Wittgenstein, Rousseau, Nabokov and Bolaño Rosa Ostreech, a pseudonym for the novel’s beautiful but self-conscious narrator, carries around a trilingual edition of Aristotle’s Metaphysics, struggles with her thesis on violence and culture, sleeps with a bourgeois former guerrilla, and pursues her elderly professor with a highly charged blend of eroticism and desperation. Elsewhere on campus, Pabst and Kamtchowsky tour the underground scene of Buenos Aires, dabbling in ketamine, group sex, video games, and hacking. And in Africa in 1917, a Dutch anthropologist named Johan van Vliet begins work on a theory that explains human consciousness and civilization by reference to our early primate ancestors—animals, who, in the process of becoming human, spent thousands of years as prey. Savage Theories wryly explores fear and violence, war and sex, eroticism and philosophy. Its complex and flawed characters grapple with a mess of impossible, visionary theories, searching for their place in our fragmented digital world.

The landmark text about the inner workings of the unconscious mind—from the symbolism that unlocks the meaning of our dreams to their effect on our waking lives and artistic impulses—featuring more than a hundred images that break down Carl Jung’s revolutionary ideas “What emerges with great clarity from the book is that Jung has done immense service both to psychology as a science and to our general understanding of man in society.”—The Guardian “Our psyche is part of nature, and its enigma is limitless.” Since our inception, humanity has looked to dreams for guidance. But what are they? How can we understand them? And how can we use them to shape our lives? There is perhaps no one more equipped to answer these questions than the legendary psychologist Carl G. Jung. It is in his life’s work that the unconscious mind comes to be understood as an expansive, rich world just as vital and true a part of the mind as the conscious, and it is in our dreams—those personal, integral expressions of our deepest selves—that it communicates itself to us. A seminal text written explicitly for the general reader, Man and His Symbolsis a guide to understanding the symbols in our dreams and using that knowledge to build fuller, more receptive lives. Full of fascinating case studies and examples pulled from philosophy, history, myth, fairy tales, and more, this groundbreaking work—profusely illustrated with hundreds of visual examples—offers invaluable insight into the symbols we dream that demand understanding, why we seek meaning at all, and how these very symbols affect our lives. By illuminating the means to examine our prejudices, interpret psychological meanings, break free of our influences, and recenter our individuality, Man and His Symbols proves to be—decades after its conception—a revelatory, absorbing, and relevant experience.

This book will tell all you need to know about British English spelling. It's a reference work intended for anyone interested in the English language, especially those who teach it, whatever the age or mother tongue of their students. It will be particularly useful to those wishing to produce well-designed materials for teaching initial literacy via phonics, for teaching English as a foreign or second language, and for teacher training. English spelling is notoriously complicated and difficult to learn; it is correctly described as much less regular and predictable than any other alphabetic orthography. However, there is more regularity in the English spelling system than is generally appreciated. This book provides, for the first time, a thorough account of the whole complex system. It does so by describing how phonemes relate to graphemes and vice versa. It enables searches for particular words, so that one can easily find, not the meanings or pronunciations of words, but the other words with which those with unusual phoneme-grapheme/grapheme-phoneme correspondences keep company. Other unique features of this book include teacher-friendly lists of correspondences and various regularities not described by previous authorities, for example the strong tendency for the letter-name vowel phonemes (the names of the letters ) to be spelt with those single letters in non-final syllables.