Chicago At The Turn Of The Century In Photographs

Rare large-format prints offer detailed views of City Hall, State Street, the Loop, Hull House, Union Station, many other landmarks, circa 1904-1913. Introduction. Captions. Maps.

Presents a collection of prints that depict Chicago landmarks, including City Hall, State Street, Hull House, and the Loop.

Jacob Riis (1849-1914) was the author of How the Other Half Lives (1890). This study of his life and work includes excerpts from Riis’s diary, chronicling romance, poverty, temptation, and, after many false starts, employment as a writer and reformer. In the second half, Yochelson describes how Riis used photography to shock and influence his readers. The authors describe Riis’s intellectual education and discuss the influence of How the Other Half Lives on urban history. It shows that Riis argued for charity rather than social justice; but the fact that he understood what it was to be homeless did humanize Riis’s work, and that work has continued to inspire reformers. Yochelson focuses on how Riis came to obtain his now famous images, how they were manipulated for publication, and their influence on the young field of photography.

Chicago has never had a photo book of its own. Until now. The city has produced some of the most important photographers of our time -- Harry Callahan, Aaron Siskind, Vivian Maier, Art Shay -- but has never before possessed a book packed with their most timeless work. This is the finest collection of its kind -- 100 stunning images by the city's most revered photographers that show the enduring and endearing aspects of Chicago and its landscape from the Loop to the city's vast array of neighborhoods. Richard Cahan and Michael Williams, the foremost picture editors of the city, curate the book. Here they have chosen photos going back more than a century to show a city that is both well-known and surprising. This is a book for people who love Chicago and for visitors who want something special to remember her by. It is filled with classic photographs that defy time -- timeless pictures of a changing city.

Historic Photos of Chicago captures the remarkable journey of the city of broad shoulders"" and its people through the historic photographs of the Chicago History Museum. From the Great Fire, to the rise of industry, through prohibition, World Wars and into the modern era, Chicago has remained a city of innovation and resilience. Captions and chapter headings are written by Russell Lewis, Chief Historian for Chicago History Museum. With hundreds of archival photos reproduced in stunning duotone on heavy art paper, this book is an essential addition to any collection of books in Chicago.""

With a selection of fine historic images from his bestselling book Historic Photos of Chicago, Russell Lewis provides a valuable and revealing historical retrospective on the growth and development of Chicago. Chicago's history is a testimony to the resilience of its citizens. From its rebirth after the Great Fire in 1871, the city met and overcame the social and economic challenges of the century to follow. Many of the events of the city's history are recorded in photographs in the archives of the Chicago History Museum. This volume, Remembering Chicago, captures the city's history through a selection of those photographs. The book follows life, government, education, and events spanning two centuries of Chicago's history. It captures unique and rare scenes through the original lens of more than a hundred historic photographs. These images portray the evolution of Chicago from a frontier town to one of the world's most cosmopolitan cities.

For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.