Childhood Boyhood And Youth

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An unsung classic of nineteenth-century Russian literature, Karolina Pavlova’s A Double Life alternates prose and poetry to offer a wry picture of Russian aristocratic society and vivid dreams of escaping its strictures. Pavlova combines rich narrative prose that details balls, tea parties, and horseback rides with poetic interludes that depict her protagonist’s inner world—and biting irony that pervades a seemingly romantic description of a young woman who has everything. A Double Life tells the story of Cecily, who is being trapped into marriage by her well-meaning mother; her best friend, Olga; and Olga’s mother, who means to clear the way for a wealthier suitor for her own daughter by marrying off Cecily first. Cecily’s privileged upbringing makes her oblivious to the havoc that is being wreaked around her. Only in the seclusion of her bedroom is her imagination freed: each day of deception is followed by a night of dreams described in soaring verse. Pavlova subtly speaks against the limitations placed on women and especially women writers, which translator Barbara Heldt highlights in a critical introduction. Among the greatest works of literature by a Russian woman writer, A Double Life is worthy of a central place in the Russian canon.

The Story of My Boyhood and Youth reveals the beginnings of the forming of Muir's special relation towards nature. He considered the encounters with nature as quite an adventure and at first, paid special attention to bird life. John Muir understood that to discover truth, he must turn to what he believed were the most accurate sources. In his autobiographical account, The Story of My Boyhood and Youth, he writes that during his childhood, his father made him read the Bible every day. Muir eventually memorized three-quarters of the Old Testament and all of the New Testament. In his autobiography, written near the end of his life, he described his life from childhood years in Scotland and moving to America to student years in Wisconsin. When he was a student in the University of Wisconsin, he was a frequent caller at the house of Dr. Ezra S. Carr. The kindness shown him there, and especially the sympathy which Mrs. Carr, as a botanist and a lover of nature, felt in the young manes interests and aims, led to the formation of a lasting friendship. He regarded Mrs. Carr, indeed, as his "spiritual mother," and his letters to her in later years are the outpourings of a sensitive spirit to one who he felt thoroughly understood and sympathized with him.

Count Lev Nikolayevich Tolstoy (1828-1910) commonly referred to in English as Leo Tolstoy, was a Russian writer - novelist, essayist, dramatist and philosopher - as well as pacifist Christian anarchist and educational reformer. He was the most influential member of the aristocratic Tolstoy family. His first publications were three autobiographical novels, Childhood, Boyhood, and Youth (1852-1856). They tell of a rich landowner's son and his slow realization of the differences between him and his peasants.

Leo Tolstoy began his trilogy, Childhood, Boyhood, Youth, in his early twenties. Although he would in his old age famously dismiss it as an 'awkward mixture of fact and fiction', generations of readers have not agreed, finding the novel to be a charming and insightful portrait of inner growth against the background of a world limned with extraordinary clarity, grace and colour. Evident too in its brilliant account of a young person's emerging awareness of the world and of his place within it are many of the stances, techniques and themes that would come to full flower in the immortal War and Peace and Anna Karenina, and in the other great works of Tolstoy's maturity.

Author, dramatist and satirist, Nikolay Gogol (1809-1852) deeply influenced later Russian literature with his powerful depictions of a society dominated by petty beaurocracy and base corruption. This volume includes both his most admired short fiction and his most famous drama. A biting and frequently hilarious political satire, The Government Inspector has been popular since its first performance and was regarded by Nabokov as the greatest Russian play every written. The stories gathered here, meanwhile, range from comic to tragic and describe the isolated lives of low-ranking clerks, lunatics and swindlers. They include Diary of a Madman, an amusing but disturbing exploration of insanity; Nevsky Prospect, a depiction of an artist besotted with a prostitute; and The Overcoat, a moving consideration of poverty that powerfully influenced Dostoevsky and later Russian literature.

In Boyhood, J. M. Coetzee revisits the South Africa of half a century ago, to write about his childhood and interior life. Boyhood's young narrator grew up in a small country town. With a father he imitated but could not respect, and a mother he both adored and resented, he picked his way through a world that refused to explain its rules, but whose rules he knew he must obey. Steering between these contradictions, Boyhood evokes the tensions, delights and terrors of childhood with startling, haunting immediacy. Coetzee examines his young self with the dispassionate curiosity of an explorer rediscovering his own early footprints, and the account of his progress is bright, hard and simply compelling.

No Marketing Blurb