Childhood Through The Looking Glass

A writer & CRITIC with a broad grasp of her subject, an acute eye for talent (and occasionally genius), and a sure prose style, Selma Lanes is our grande dame of children's literature. She wrote the definitive book on Maurice Sendak. She has contributed countless articles on the primary protagonists and players in the field, many published in her previous book, Down the Rabbit Hole. This new collection includes further essays on the masters she most admires: Sendak, Steig, Gorey, L. Frank Baum, Tomi Ungerer, Jack Keats, Margot Zemach, and one editor of genius, Ursula Nordstrom. What concerns Lanes most is the integration of text and image, the abilities of authors and artists of picture books to somehow change our perceptions. In a larger sense, she asks, What makes some children's books work and others fail? How does art for the young reflect, distort or create a social perspective? Earlier she observed, With the possible exception of advertising and film, no popular medium in our time has been as experimental, inventive, and simply alive as children's books. In the present atmosphere of mergers and corporate conglomerates that now define mainstream publishing, she wonders if this remains true. Is the field still dominated, as formerly, by a devoted cadre of geniuses able to spot and encourage talent, willing to take risks, and ferocious in their desire to bring children the best that authors and illustrators have to offer? This book provides her answers, as well as affectionate salutes to the writers and artists whose work deserves to be remembered.

In looking-glass land everything is reversed, just as reflections are reversed in a mirror. Brooks and hedges divide the land into a checker-board, and Alice finds herself a white pawn in the whimsical and fantastic game of chess that constitutes the bulk of the story. On her trip to the eighth square, where she at last becomes a queen, Alice meets talking flowers, looking-glass insects, a man in a white paper suit, such nursery rhyme characters as Humpty Dumpty and the Lion and the Unicorn, and many others, including Tweedledum and Tweededee and the White Knight.

A detailed text on early childhood classroom observation, uniting solid methodological instruction with a broad understanding of children's development. This second edition integrates concepts from the National Association for the Education of Young Children's Code of Ethical Conduct, and illustrate

The author combines her own experience growing up with diabetes and interviews with children and adults to provide an insight into what it feels like to grow up with diabetes. It covers the different phases of diagnosis and acceptance, hypos, blood tests and injections, school and teenage years, life beyond home.

"Alice's Adventures in Wonderland and Through the Looking-Glass was originally published in 1865/1872"--T.p. verso.

This Top Five Classics illustrated edition of Lewis Carroll’s Alice in Wonderland includes: • The complete texts of Alice’s Adventures in Wonderland & Through the Looking-Glass • John Tenniel’s 92 original illustrations, including 35 in color • The Hunting of the Snark, with Henry Holiday’s 10 original illustrations • An informative introduction, author bio, and helpful notes Originally written and hand-drawn from 1862 to 1864 by Lewis Carroll (Charles Dodgson) for 10-year-old Alice Liddell, the daughter of Dodgson’s Oxford college dean, the manuscript “Alice’s Adventures Under Ground” would become, with the help of John Tenniel’s beautiful and humorous illustrations, Alice’s Adventures in Wonderland, published by Macmillan in 1865 in Britain and the U.S. The book, at turns silly and satiric, gentle and wild, would quickly become beloved around the world by children and adults, and spawn the classic sequel Through the Looking-Glass (1871) and the immortal nonsense poem The Hunting of the Snark (1876). The author, a shy mathematics professor called Charles Dodgson, would become internationally famous and ever after remembered by his pen name, Lewis Carroll. The books have never gone out of print and over nearly two centuries have spawned countless offshoots and adaptations—books, artwork, plays, games, and movies. This Top Five Classics edition of the fully illustrated Alice books presents the stories the way they were meant to be enjoyed.

Emerging in several different versions during the author's lifetime, Lewis Carroll's Alice novels have a publishing history almost as magical and mysterious as the stories themselves. Zoe Jaques and Eugene Giddens offer a detailed and nuanced account of the initial publication of Alice's Adventures in Wonderland and Through the Looking-Glass and investigate how their subsequent transformations through print, illustration, film, song, music videos, and even stamp-cases and biscuit tins affected the reception of these childhood favourites. The authors consider issues related to the orality of the original tale and its impact on subsequent transmission, the differences between the manuscripts and printed editions, and the politics of writing and publishing for children in the 1860s. In addition, they take account of Carroll's own responses to the books' popularity, including his writing of major adaptations and a significant body of meta-textual commentary, and his reactions to the staging of Alice in Wonderland. Attentive to the child reader, how changing notions of childhood identity and needs affected shifting narratives of the story, and the representation of the child's body by various illustrators, the authors also make a significant contribution to childhood studies.