Chinese Democracy After Tiananmen

In 1989, most observers believed that China's political reform process had been violently short-circuited, but few would now dispute that China is in a very important transition. Central to this transition has been an extraordinary change in the formal intellectual conception of 'democracy.' In this book, Yijiang Ding presents a multi-dimensional picture of China at the political crossroads. Chinese Democracy looks at the significant change in the state-society relationship in contemporary China in three interrelated areas: intellectual, social, and cultural. Drawing heavily on recent Chinese scholarship, Ding shows that the emergent theory on the dualism of state and society is contemporaneous with a new cognitive and cultural appreciation of the people's independence from state authority. Is China moving toward liberal democracy? Does Western engagement with China contribute economically and politically to this shift? These are the questions at the heart of the book. Which are especially timely, given the recent reconstruction of political regimes worldwide.

This weighty monograph offers a thoughtful assessment of one of globally raising China’s most profound political issues—democratization since the 1989 Tiananmen Incident. Not exactly a “looking back” retrospective nor a typical commemorative work, this book harbors a more forward prospecting approach with 13 substantive chapters yielding informed analysis and insightful interpretations of various key issues. The core subjects range from legal foundation of Chinese democracy, middle-class politics, Internet based-democratization debates and pro-democratic mobilizations, civic society activism, to the external and international media’s inputs, democracy and China’s ethnic minorities; and PRC-Vatican interface. Published by City University of Hong Kong Press. 香港城市大學出版社出版。

The overseas Chinese democracy movement (OCDM) is one of the world’s longest-running and most difficult exile political campaigns. This unique book is a rare and comprehensive account of its trajectory since its beginnings in the early 1980s, examining its shifting operational environment and the diversification of its activities, as well as characterizing its distinctive features in comparison to other exile movements.

As the world watched the crumbling away of communist regimes in Eastern Europe, the pro-democracy movement in China was dealt a severe blow in June of 1989. Also referred to as the June 4th Incident, the Tiananmen Square protest included students, intellectuals, and workers demanding democratic reforms and social change. To break up the escalating protest armed soldiers stormed the square killing close to two hundred demonstrators and injuring thousands more. Culture and Politics in China explores the events, trends, and tendencies that led to the student demonstrations. This volume objectively presents a wide range of information permitting readers a comprehensive understanding of the circumstances that culminated on the events of June 4, 1989. Documents include eyewitness accounts by student leaders Chai Ling and Wu'er Kaixi, the speeches of Deng Xiaoping and Yang Shangkun justifying the use of force, analysis of the events by the Marxist theorist Su Shaozhi, the writings of young intellectuals Yan Jiaqi, Liu Xiaobo, and others. Selections include essays on the May Fourth Movement of 1919 and the television documentary, the "Yellow River Elegy" which question the Chinese cultural tradition. Leading political scientists contribute to this volume. Lee presents an analysis of the role of Deng Xiaoping in the events at Tiananmen Square, and his views on the Chinese Communist party-state and the pro-democracy movement King Tsao, who was at the square, views the demonstrations as a form of civil disobedience and dissent against the party-state. He gives an eyewitness account and a contextual analysis of some of the events and underlying themes. Steven Mark, a journalist, presents an analysis of the various roles of both the Chinese and Western press, beginning with their role in shaping public opinion before the demonstrations and continuing as the media scrambled to cover China's biggest news story since the communist takeover in 1949. Those who are interested in present and future developments in the world's most populous nation will find this volume indispensable.

Duke (Chinese literature, U. of British Columbia) was travelling on a grant, gathering research on contemporary Chinese writers. Recognizing the importance of events around him, he set aside his research, and with camera, cassette recorder, and diary (later supplemented by published accounts) captured these critical events of Chinese history. No index. Annotation copyrighted by Book News, Inc., Portland, OR.

"Han Minzhu" and her assistant editor, "Hua Sheng," both writing under pseudonyms to protect their identities, present a rich collection of translations of original writings and speeches from the 1989 Chinese Democracy Movement--flyers, "big-character" posters, "small-character" posters, handbills, poems, articles from nonofficial newspapers and journals, government statements, and transcriptions of tapes. Linked by a commentary setting the documents in the context of the movement's history and of Chinese social and political life, these expressions--indeed, cries--of the participants in the passionate demonstrations in Beijing and other Chinese cities powerfully convey the atmosphere of this extraordinary protest. In the face of the ensuing campaign of intimidation and repression in China, this book enables Western readers to see through the eyes of Chinese students, intellectuals, workers, and other citizens the realities behind the reports and visual images that flooded the media during the spring of 1989. The editors believe that the underlying motivations, emotions, and aspirations of the prodemocracy demonstrators can best be communicated to those outside China by translations that aim as much as possible to capture the original words, tones, and rhythms of the Chinese people. This book is a unique collection of political and personal documents, and it is also a dramatic presentation of the movement. The lucid commentary, the arrangement of selections in approximate chronological order, and the use of photographs combine to create a vivid and flowing narrative. Beginning with the student discontent and restlessness that pervaded Chinese campuses in the winter of 1989, and continuing through to the violent suppression of the Democracy Movement in June with the bloody army takeover of Tiananmen Square and sweeping arrests of activists, the story shows how moderate demands on the part of students grew into a mass antigovernment protest and resistance to martial law in Beijing. Highlighting the demands and goals of the protesters and the attitude of the students toward the Chinese Communist Party, the work movingly evokes the determination, idealism, courage, and flashes of humor that were the essence of this unforgettable spring.