Chloe Zhivago S Recipe For Marriage And Mischief

Here’s the perfect recipe for mischief: Take one sexually neglected woman and one dashing, romantic foreigner (with a delectable accent). Add a craving for adventure plus a few drops of heady desire . . . then stand back, because in Olivia Lichtenstein’s sparkling and sharply observed comedy of lust, longing, and marital unrest, this mix proves to be deliciously volatile. Chloe Zhivago has it all: a successful career, two teenage children who still speak to her, a faithful best buddy, a Famous Friend from hell (so decadently self-indulgent that one can’t help but admire her and hate her at the same time), and Greg, her husband of seventeen years, a family-practice doctor who has the annoying habit of hiding the teakettle (to keep his memory sharp) and who occupies his time writing letters to the parking commission. And then it suddenly hits her. Is this all there is? When did wild weekends of passion become nights of chaste kisses and snoring to wake the dead? Will she ever savor sweet whispers of desire, or knowing glances filled with longing? What happens when the kids leave the nest but the husband stays behind? Enter Ivan. Married but questing and quixotic, he proffers notes of seduction written in Russian (necessitating awkward pleas for translation from a nearby shopkeeper) and lures Chloe to the precipice of one glorious, fortuitous fling. Does she dare? This wonderfully funny, sexy novel asks a vital question–how do you keep love alive in a marriage?–and answers it with poignancy and pure irresistible comedy.

From an award-winning filmmaker, an irresistibly smart, funny debut novel about a married woman whose attraction to another man forces her to reconsider the very notion of happily ever after.

Meet Chloe Zhivago, 43, married - and asking, is that it? Monogamy forever and ever...? A brilliantly entertaining novel from a major new talent in women's fiction. Chloe has been married for what feels like all eternity to Greg who tests his memory in infuriating ways, for example hiding the kettle from himself in the drum of the washing machine. Chloe is a successful psychotherapist with two children and a Famous Friend from hell. She's got it all. So why does she want to rub her life out and start all over again? Is it just because she hasn't had sex for 245 days? When Chloe meets temptation in the shape of Ivan, does she dare risk a passionate Russian romance before gravity wins the battle with her face and figure? Can she get away with one glorious, final fling...?

National Book Award finalist and New York Times bestselling author Jean Thompson’s new collection of “bewitching improvisations on fairy tales” are “spellbinding” (Booklist, starred review). Capturing the magic and horror in everyday life, The Witch and Other Tales Re-told revisits beloved fables that represent our deepest, most primeval fears and satisfy our longings for good to triumph over evil (preferably in the most gruesome way possible). From the wolf in “Little Red Riding Hood” to the beauty asleep in her castle, The Witch and Other Tales Re-told triumphantly brings the fairy tale into the modern age.

A sharp, funny and touching novel about the secrets mothers and daughters keep from each other. From the award-winning author of MRS ZHIVAGO OF QUEEN'S PARK. 'I hate you. When I'm a mother, I'm never going to be like you...' These words come back to haunt Ros, years later. As her marriage of twenty years collapses and her beloved twin sons prepare to flee the nest, Ros's world is tilting on its axis. It doesn't help that her dead mother seems to have taken up residence in her head, reminding her of things she once said. As Ros tries to adapt to sharing custody of the family dog and life without her husband and boys in the house, she embarks on a new regime to stay sane: yoga, herbal remedies, internet dating. But as Ros is trying to find herself, the arrival of a memoir her mother wrote begins to reveal a woman she never knew, taking her on a journey into her mother's past that will change for ever her idea of who she is.

From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.