Choir Stalls And Their Workshops

Misericordia International was founded by Elaine C. Block as an association dedicated to the study of choir stalls and their relation to other artistic manifestations during the Middle Ages, and the dissemination of research. From its beginnings, Misericordia International has promoted a bi-annual international conference as a place of scientific exchange among members of the research community interested in this topic from a multidisciplinary perspective. The most recent conference was held from 23 to 26 June 2016 at the Ernst-Moritz-Arndt-University in Greifswald, Germany. The theme of the conference was the workshop context of medieval choir stalls in its broadest sense. Where the iconography of choir stalls has enjoyed a lot of attention from researchers, the process and circumstances of the making of these complex objects have often been rather neglected. Choir stalls were not produced by an individual artist, but were created by a group of craftsmen. This factor raises all kinds of questions. The conference in Greifswald covered an obvious need for research and therefore included much hitherto unknown research material and additional first results based on initial research. In addition to questions about substantive and economic mechanisms of the production of choir stalls, the conference dealt with basic knowledge of craftsmanship. This publication presents the papers held at the conference and is divided into five thematic parts, namely Workshop practices; Early modern choir stalls – Traditions or restart?; Stalls of stone – A forgotten furniture; Travelling craftsmen; and Group of works.

Emma Phipson's book provides a stunning visual display of the intricate carvings found on choir stalls in English cathedrals and churches. The book presents historical and cultural context for each carving, allowing readers to appreciate the artistry and symbolism of these masterpieces. This book is a must-have for anyone interested in art history or religious architecture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

First published in 2006, Women and Gender in Medieval Europe examines the daily reality of medieval women from all walks of life in Europe between 450 CE and 1500 CE. This reference work provides a comprehensive understanding of many aspects of medieval women and gender, such as art, economics, law, literature, sexuality, politics, philosophy and religion, as well as the daily lives of ordinary women. Masculinity in the middle ages is also addressed to provide important context for understanding women's roles. Additional up-to-date bibliographies have been included for the 2016 reprint. Written by renowned international scholars and easily accessible in an A-to-Z format, students, researchers, and scholars will find this outstanding reference work to be a valuable resource on women in Medieval Europe.

First published in 2001, Medieval Germany: An Encyclopedia provides a comprehensive guide to the German and Dutch-speaking world in the Middle Ages, from approximately C.E. 500 to 1500. It offers detailed accounts of a wide variety of aspects of medieval Germany, including language, literature, architecture, politics, warfare, medicine, philosophy and religion. In addition, this reference work includes bibliographies and citations to aid further study. This A-Z encyclopedia, featuring over 500 entries written by expert contributors, will be of key interest to students and scholars, as well as general readers.

"What makes a city endure and prosper? In this masterful survey of a thousand years of urban architecture, Wolfgang Braunfels identifies certain themes common to cities as different as Siena and London, Munich and Venice ... Braunfels describes scores of cities, classifying them as cathedral cities, city-states, imperial cities, maritime cities, "ideal cities" (those towns which, planned by often absent rulers for a specefic purpose, failed to develop independent lives) ... Lavishly illustrated with city plans, bird's-eye views, early renderings, and modern photographs, Urban Design in Western Europe will both delight and instruct architects, urban planners, historians, and travelers."--Page 4 of cover

This book is the first major investigation of a subject of seminal importance in the study of church history and archaeology. The two stone thrones, at Wells and Durham, the three timber monuments, at Exeter, St Davids and Hereford, and the mid-14th-century bishop's chair at Lincoln, all come under a searching empirical enquiry. The Exeter throne is the largest and most impressive in Europe. It is a distinguished innovatory example of the English Decorated style, with antecedents passing back to the court of Edward I. It exemplifies most of the historical and formal strands that suffuse the entire book – visual appearance, distinctiveness within the building, prestige, construction, stylistic context, finance, and the patronage and personal role of the bishop himself; as well as the subtler issues of the personal and collective politics of bishop and chapter, the monument's liturgical applications, its relationship with the cathedral's relics, its symbolism and what it tells us about the aspirations of the institution within the existing ecclesiastical hierarchy. The thrones also reveal much about the personal circumstances of an individual bishop, and where he stood on the scale of a good diocesan on the one hand, and ambitious politician on the other, as exemplified at Exeter and Durham. The text is by the art historian, Dr Charles Tracy, a seasoned expert on church furniture both in Britain and on the continent of Europe. The chapter on the stone thrones was prepared by Andrew Budge who is currently preparing a Ph.D thesis on 'English Chantry Churches' at Birkbeck College. The polychromy authority, Eddie Sinclair, spent many hours on the scaffold to bring forward her remarkable report on the Exeter throne. Her full report is to be published online.The Exeter throne is also interpreted by the established timber conservation practitioner, Hugh Harrison, and the St Davids throne by the experienced draughtsman, Peter Ferguson. In an age of the CAD, his meticulous measured drawings of the Exeter and St Davids monuments are one of the most remarkable features of book. The architect, Paul Woodfield prepared the drawings for the Lincoln chair.