Chola Salvation

In the title story of this collection, Isabela is minding her family’s restaurant, drinking her dad’s beer, when Frida Kahlo and the Virgen de Guadalupe walk in. Even though they’re dressed like cholas, the girl immediately recognizes Frida’s uni-brow and La Virgen’s crown. They want to give her advice about the quinceanera her parents are forcing on her. In fact, their lecture (don’t get pregnant, go to school, be proud of your indigenous roots) helps Isabela to escape her parents’ physical and sexual abuse. But can she really run away from the self-hatred they’ve created? These inter-related stories, mostly set in East Los Angeles, uncover the lives of a conflicted Mexican-American community. In “Sabado Gigante,” Bernardo drinks himself into a stupor every Saturday night. “Aqui no es mi tierra,” he cries, as he tries to ease the sorrow of a life lived far from home. Meanwhile, his son Gustavo struggles with his emerging gay identity and Maritza, the oldest daughter, is expected to cook and clean for her brother, even though they live in East LA, not Guadalajara or Chihuahua. In “Powder Puff,” Mireya spends hours every day applying her make-up, making sure to rub the foundation all the way down her neck so it looks like her natural color. But no matter how much she rubs and rubs, her skin is no lighter. Estella Gonzalez vividly captures her native East LA in these affecting stories about a marginalized people dealing with racism, machismo and poverty. In painful and sometimes humorous scenes, young people try to escape the traditional expectations of their family. Other characters struggle with anger and resentment, often finding innovative ways to exact revenge for slights both real and imagined. Throughout, music—traditional and contemporary—accompanies them in the search for love and acceptance.

Merced is as strong and determined as the huizache tree her father tried to chop down, but that kept growing back every year, even after he burned its roots. Her aunt marries her off to the most eligible man in their small Mexican town to protect her from her own father, who believes the girl’s developing body is his to use. In chapters spanning early twentieth century El Sauz, Mexico, mid-century El Paso and contemporary Los Angeles, this engrossing novel chronicles the harrowing yet darkly funny trials of three generations of resilient women. Merced is a young wife and mother in a loveless marriage when she meets the handsome but faithless Leandro in Ciudad Juarez. Her first taste of passion drives Merced to uproot her three daughters and embark on a daunting journey to the United States to reunite with her lover. Can her daughters and granddaughter break Leandro’s hold on Merced so they can finally put down their own roots? Or will they also have to break away and run? The women struggle with love, loss and survival against the expectations of patriarchal, misogynist societies on both sides of the border. This saga offers a spellbinding look at love conquered and lost, love freely given and purchased, working-class Mexican and Chicano communities and their love-hate relationship with American assimilation—all set to the popular music of both countries.

A vital collection of essays on the power of literature and the craft of writing from an international array of writers of color, sharing the experiences, cultural traditions, and convictions that have shaped them and their work “Electric essays that speak to the experience of writing from the periphery . . . a guide, a comfort, and a call all at once.”—Laila Lalami, author of Conditional Citizens Filled with empathy and wisdom, instruction and inspiration, this book encourages us to reevaluate the codes and conventions that have shaped our assumptions about how fiction should be written, and also challenges us to apply its lessons to both what we read and how we read. Featuring: • Taymour Soomro on resisting rigid stories about who you are • Madeleine Thien on how writing builds the room in which it can exist • Amitava Kumar on why authenticity isn’t a license we carry in our wallets • Tahmima Anam on giving herself permission to be funny • Ingrid Rojas Contreras on the bodily challenge of writing about trauma • Zeyn Joukhadar on queering English and the power of refusing to translate ourselves • Myriam Gurba on the empowering circle of Latina writers she works within • Kiese Laymon on hearing that no one wants to read the story that you want to write • Mohammed Hanif on the censorship he experienced at the hands of political authorities • Deepa Anappara on writing even through conditions that impede the creation of art • Plus essays from Tiphanie Yanique, Xiaolu Guo, Jamil Jan Kochai, Vida Cruz-Borja, Femi Kayode, Nadifa Mohamed in conversation with Leila Aboulela, and Sharlene Teo The start of a more inclusive conversation about storytelling, Letters to a Writer of Color will be a touchstone for aspiring and working writers and for curious readers everywhere.

The movement of the old woman’s hands is quick and youthful as she works the dough for tamales on Mars’ dusty, dry surface where their cohete broke apart and crash landed. She, her husband and their only son survive, and the old man curses the coyotes who took his money for a rocket not built to accommodate his family of eleven. A storm is coming, and he rails at his wife that she’s wasting her time. “We’ll be dead by the time you finish your goddamn tamales.” This riveting collection of horror stories—and four poems—contains a wide range of styles, themes and authors. Creepy creatures roam the pages, including La Llorona and the Chupacabras in fresh takes on Latin American lore, as well as ghosts, zombies and shadow selves. Migrants continue to pass through Rancho Altamira where Esteban’s family has lived for generations, but now there are two types: the living and the dead. A young man returns repeatedly to the scary portal down which his buddy disappeared. A woman is relieved to receive multiple calls from her cousin following Hurricane Maria in Puerto Rico, but she is stunned to later learn her prima died the first night of the storm! There’s plenty of blood and gore in some stories, while others are mysterious and suspenseful. Contributors include Ann Davila Cardinal, V. Castro, Ruben Degollado, Richie Narvaez, Lilliam Rivera and Ivelisse Rodriguez. In his introduction, editor Richard Z. Santos writes it is no surprise these stories are brilliant and terrifying, given cartel violence, a history of CIA-backed dictatorships in Latin America, increasingly scary rhetoric from American politicians, decades of institutionalized racism and the demonization of Latinos in the media. “After all,” he says, “we are the faceless horde, invading zombies hellbent on upturning the world and replacing it with something foreign, accented and impossibly different.”

Lydia was seated on her bed reading her Bible on an ordinary August morning, oblivious of what she was about to hear and what would become her life from that day forward. Her son and nephew rushed into her bedroom. Her son was shouting, "Mum, there were two angels at the gate at night!" Her son was six years old at the time. He held her face and said, "I know the names of the two angels. They are called Angel Gabriel and Angel Michael." The two boys went on to say that Angel Michael was at the right side of the gate and was holding his sword facing upwards, while Angel Gabriel was on the left side of the gate and had his sword pointing downwards. She was amazed! How did they know the names of these two mighty archangels? Instantly, she realized that her son had had a supernatural encounter, together with his five-year-old cousin! This was the beginning of a series of incredible journeys with Jesus Christ. This book records their breathtaking trips to heaven and hell, their conversations with God the Father, their encounters with angels, relatives they met in heaven, and even the twenty-four elders who worship before the Throne of God all day and all night. These accounts will reveal to you how God is using children to bring home the simple truth that the Bible is the Word of God, heaven is real, and the only way to get there is through Jesus Christ, His Son.

This textbook narrates the ancient Indian history from the genesis of civilisations to the early middle ages. It examines the sources, chronology of civilisations and authoritatively details the facts, feats, triumphs and religious crusades of the period. It unveils the rich cultural, religious and social diversity that is uniquely and peculiarly Indian.

This book is about the search for extraterrestrial intelligence, taking seriously the current scientific arguments and its implications for religion.