Cinema Black Suffering And Theodicy

This book explicates how many films intersect black suffering and God-talk in ways that instantiate secular limitations to divine efficacy. The book’s concept of a modern God introduces a new method of analysis that reimagines theodical discourses as mechanisms of modern identities and filmmakers as skillful exegetes who recalibrate divine attributes to the sensemaking cadences of their contemporaries. Shayne Lee demonstrates how cinematic theodicy navigates a happy medium between affirming divine benevolence and sidelining supernatural activity and that filmic characters, like their real-world counterparts, are quite clever at triangulating rationality, faith, and tragedy. In addition to positing synergistic links between theodicy and secularity, Lee offers critical insights into cinema’s relevance to the sociology of evil by specifying how films code and narrate malevolent actions and outcomes, demarcate clear lines of distinction between victims and perpetrators, clarify societal dynamics driving inequality and oppression, and transform individual episodes of suffering into collective and memorialized identities of trauma. This book illuminates how filmic treatments of theodicy construct evil and suffering in calculated ways that connect specific acts, effects, and institutions to greater structures of meaning.

"In this book, Delphine Letort illuminates the intertwining of fiction and history in the TV series adaptation of The Underground Railroad. Letort highlights the narrative and audio/visual strategies used by Barry Jenkins to make for an "affective moment" on television"--

"This excellent, balanced, comprehensive, representative, and scholarly useful text lives up to the expectations of those acquainted with Anthony Pinn's work and will impress others who might be coming to the subject matter of African-American religious thought and issues of theodicy in the black tradition for the first time."--Sandy Dwayne Martin, University of Georgia This book, a collection of nineteenth- and twentieth-century documents by African-Americans, traces the progression of black Christian theology's dominant response to the dilemma of evil in a God-protected world: the notion of suffering as redemptive. As the first extensive historical treatment of the problem of evil in African- American religious thinking, this anthology consists in great part of primary documents authored by a range of black theologians, speaking for themselves on theodicy. Supplemented by the editor's analyses of redemptive-suffering arguments and their consequences for black Christian thought and practice, the selections trace the historical development of a primary strand of African-American theology. The authors challenge traditional understandings of radical black religious thought and point out contradictions inherent in the words of black religious leaders. Documents show that black religions historically regarded as progressive have at their theological core an understanding of human suffering as redemptive. The most significant writings by African-American thinkers in this area have been compiled along cross-denominational and doctrinal lines. They include documents from Methodists and Baptists, Muslims and Catholics--not only from church leaders but also from lay people and political leaders. The volume brings clarity to the historical and epistemological underpinnings of one of the most pressing issues faced by African-American Christians. Anthony B. Pinn is associate professor of religion and coordinator of African-American studies at Macalester College, St. Paul, Minnesota.

This book explores the roots and relevance of Martin Luther King, Jr.’s approach to black suffering. King’s conviction that “unearned suffering is redemptive” reflects a nearly 250-year-old tradition in the black church going back to the earliest Negro spirituals. From the bellies of slave ships, the foot of the lynching tree, and the back of segregated buses, black Christians have always maintained the hope that God could “make a way out of no way” and somehow bring good from the evils inflicted on them. As a product of the black church tradition, King inherited this widespread belief, developed it using Protestant liberal concepts, and deployed it throughout the Civil Rights Movement of the 50’s and 60’s as a central pillar of the whole non-violent movement. Recently, critics have maintained that King’s doctrine of redemptive suffering creates a martyr mentality which makes victims passive in the face of their suffering; this book argues against that critique. King’s concept offers real answers to important challenges, and it offers practical hope and guidance for how beleaguered black citizens can faithfully engage their suffering today.

This collection fills a gap in the current literature in philosophy and film by focusing on the question: How would thinking in philosophy and film be transformed if race were formally incorporated moved from its margins to the center? The collection’s contributors anchor their discussions of race through considerations of specific films and television series, which serve as illustrative examples from which the essays’ theorizations are drawn. Inclusive and current in its selection of films and genres, the collection incorporates dramas, comedies, horror, and science fiction films (among other genres) into its discussions, as well as recent and popular titles of interest, such as Twilight, Avatar, Machete, True Blood, and The Matrix and The Help. The essays compel readers to think more deeply about the films they have seen and their experiences of these narratives.

Comprising 91 A–Z entries, this encyclopedia provides a broad and comprehensive introduction to the topic of religion within film. Technology has enabled films to reach much wider audiences, enabling today's viewers to access a dizzying number of films that employ diverse symbolism and communicate a vast array of viewpoints. Encyclopedia of Religion and Film will provide such an audience with the tools to begin their own exploration of the deeper meanings of these films and grasp the religious significance within. Organized alphabetically, this encyclopedia provides more than 90 entries on the larger religious traditions, the major film-producing regions of the globe, the films that have stirred controversy, the most significant religious symbols, and the more important filmmakers. The included topics provide substantially more information on the intersection of religion and film than any of the similar volumes currently available. While the emphasis is on the English-speaking world and the films produced therein, there is also substantial representation of non-English, non-Western film and filmmakers, providing significant intercultural coverage to the topic.