Citizen Outlaw

A VITAL NEXT CHAPTER IN THE ONGOING CONVERSATION ABOUT RACE AND SOCIAL JUSTICE IN AMERICA When he was in his early twenties, William Juneboy Outlaw iii was sentenced to eighty-five years in prison for homicide and armed assault. The sentence brought his brief but prolific criminal career as the head of a forty-member cocaine gang in New Haven, Connecticut, to a close. But behind bars, Outlaw quickly became a feared prison “shot caller” with 100 men under his sway. Then everything changed: His original sentence was reduced by sixty years. At the same time, he was shipped to a series of America’s most notorious federal prisons, where he endured long stints in solitary confinement—and where transformational relationships with a fellow inmate and with a prison therapist made him realize that he wanted more for himself. Upon his release, Outlaw took a job at Dunkin’ Donuts, began volunteering in New Haven, and started to rebuild his life. Now an award-winning community advocate, he leads a team of former felons in negotiating truces between gangs on the very streets that he once terrorized. The homicide rate in New Haven has decreased by 70 percent in the decade that he’s run the team—a drop as dramatic as in any city in the country. Written with exclusive access to Outlaw himself, Charles Barber’s Citizen Outlaw is the unforgettable story of how a gangleader became the catalyst for one of the greatest civic crime reductions in America, and an inspiring argument for love and compassion in the face of insurmountable odds.

Updated and reorganized to offer the best collection of state-of-the-art readings on the role of critical theory in contemporary art, this second edition of Theory in Contemporary Art since 1985 brings together scholarly essays, artists’ statements, and art reproductions to capture the vibrancy and dissonance that define today’s art scene. Incorporates new and updated topics that have become central to art theory and practice over the past decade New and updated chapters cover such topics as: international biennials, historicizing of the term “contemporary art”, aesthetics, art and politics, feminism and pornography, ecology and art, the Middle East and conflict studies, Eastern European art and politics, gender and war, and technology Features a thematic reconfiguration of sections and new introductions to make readings user–friendly Extensively illustrated throughout with an expanded color-plate section New contributions to this edition include those by Alexander Alberro, Claire Bishop, T.J. Demos, Anthony Downey, Liam Gillick, Marina Gr?iniæ, Mary Kelly, Chantal Mouffe, Beatriz Preciado, Jacques Ranciere, Blake Stimson, and Chin-Tao Wu.

The true measure of the successful practice of public service is its ability to remain faithful to the tenets of democratic society. This introductory text links the practice of public administration to the core concepts of American democracy. It covers the nuts and bolts of public administration in the context of delivering democracy in public service--providing what the public really wants as opposed to what self-serving bureaucracies may call for. Chapters in Democracy and Public Administration discuss the functional topics covered in other texts, but from the perspective of this democratic ideal. Each chapter is written by an expert in the area, and summarizes previous research in the area, presents the author's research and thought, and offers ways in which practitioners can apply the concepts discussed to their daily work.

Relates the undercover work of George Rowe, who infiltrated the Vagos motorcycle gang, spending three years working to take down the gang from the inside.

By the time he was hanged in 1903, Augustine Chacón had become the most notorious Mexican outlaw in the Arizona Territory. His alleged crimes had made him a virtual legend, but the facts show that Chacón wasn't the bloodthirsty fiend he was made out to be. Journalists of the era chased sensationalist stories, pandering to a readership that longed for excitement. Each retelling of Chacón's exploits added outlandish details, painting the escaped prisoner as a brutal gunman responsible for as many as fifty-two murders. In reality, Augustine Chacón may not even have killed the man he was hanged for shooting. Join author David Grassé as he uncovers the true story of Arizona's most enduring criminal legend.

" Among the darkest corners of Kentucky’s past are the grisly feuds that tore apart the hills of Eastern Kentucky from the late nineteenth century until well into the twentieth. Now, from the tangled threads of conflicting testimony, John Ed Pearce, Kentucky’s best known journalist, weaves engrossing accounts of six of the most notorior accounts to uncover what really happened and why. His story of those days of darkness brings to light new evidence, questions commonly held beliefs about the feuds, and us and long-running feuds—those in Breathitt, Clay Harlan, Perry, Pike, and Rowan counties. What caused the feuds that left Kentucky with its lingering reputation for violence? Who were the feudists, and what forces—social, political, financial—hurled them at each other? Did Big Jim Howard really kill Governor William Goebel? Did Joe Eversole die trying to protect small mountain landowners from ruthless Eastern mineral exploiters? Did the Hatfield-McCoy fight start over a hog? For years, Pearce has interviewed descendants of feuding families and examined skimpy court records and often fictional newspapeputs to rest some of the more popular legends.

THE STORY: In 1914 in a remote shack on the New Mexico prairie, two young brothers, Archie and Henry Tucker, await the eventual arrival of a wheat threshing crew. Instead they are visited by The Outlaw, a grizzled, aging gunfighter who has shot h

'The Outlaws of Weddin Range' is a nonfiction book about an Australian bushranger named Ben Hall. He was a leading member of the Gardiner–Hall gang, and together with his associates carried out many raids across New South Wales, from Bathurst to Forbes, south to Gundagai and east to Goulburn. Unlike many bushrangers of the era, Hall was not directly responsible for any deaths, although several of his associates were. He was shot dead by police at Goobang Creek. The police claimed that they were acting under the protection of the Felons Apprehension Act 1865 which allowed any bushranger who had been specifically named under the terms of the Act to be shot and killed by any person at any time without warning. At the time of Hall's death, the Act had not yet come into force, resulting in controversy over the legality of his killing.