Citizens Without Frontiers

States define who their citizens are and exert control over their life and movements. But how does such power persist in a global world where people, ideas, and products constantly cross the borders of what the states see as their sovereign territory? This groundbreaking work sets to examine and interprets such challenges to offer a new way of thinking about citizenship. Abandoning the sovereignty principle, it develops a new image of citizenship using the connectedness principle. To do so, it interprets acts of citizenship by following "activist citizens" across the world through case studies, from Wikileaks and the Gaza flotilla to China's virtual world and Darfur. Written by a leader in the field, this accessible and original work imagines citizens without frontiers as a politics without community and belonging, inclusion without exclusion, where the frontier becomes a form of otherness that citizens erase or create. This unique work brings forth a new and creative way to approach citizenship beyond boundaries that will appeal to anyone studying citizenship, social movements, and migration.

Among Eastern Europe’s postwar socialist states, Yugoslavia was unique in allowing its citizens to seek work abroad in Western Europe’s liberal democracies. This book charts the evolution of the relationship between Yugoslavia and its labour migrants who left to work in Western Europe in the 1960s and 1970s. It examines how migrants were perceived by policy-makers and social scientists and how they were portrayed in popular culture, including radio, newspapers, and cinema. Created to nurture ties with migrants and their children, state cultural, educational, and informational programs were a way of continuing to govern across international borders. These programs relied heavily on the promotion of the idea of homeland. Le Normand examines the many ways in which migrants responded to these efforts and how they perceived their own relationship to the homeland, based on their migration experiences. Citizens without Borders shows how, in their efforts to win over migrant workers, the different levels of government – federal, republic, and local – promoted sometimes widely divergent notions of belonging, grounded in different concepts of "home."

Part A: General perspectives.

From the targeted demolition of Mostar’s Stari-Most Bridge in 1993 to the physical and social havoc caused by the 2004 Boxing Day Tsunami, the history of cities is often a history of destruction and reconstruction. But what political and aesthetic criteria should guide us in the rebuilding of cities devastated by war and natural calamities? The title of this timely and inspiring new book, Architects Without Frontiers, points to the potential for architects to play important roles in post-war relief and reconstruction. By working “sans frontières”, Charlesworth suggests that architects and design professionals have a significant opportunity to assist peace-making and reconstruction efforts in the period immediately after conflict or disaster, when much of the housing, hospital, educational, transport, civic and business infrastructure has been destroyed or badly damaged. Through selected case studies, Charlesworth examines the role of architects, planners, urban designers and landscape architects in three cities following conflict - Beirut, Nicosia and Mostar - three cities where the mental and physical scars of violent conflict still remain. This book expands the traditional role of the architect from 'hero' to 'peacemaker' and discusses how design educators can stretch their wings to encompass the proliferating agendas and sites of civil unrest.

This volume explores the indispensability of a transnational perspective for the construction and writing of literary histories of the Low Countries from 1200- 1800. It looks at the role of mediators such as translators, printers, and editors, at characteristics of literary genres and the possibilities they offered for literary boundary crossing and adaptation, and at the role of regions and urban centers as multilingual hubs. This collection demonstrates the centrality of transnational perspectives for elucidating the complex inter-relationship between Netherlandic and European literary history. The Low Countries were a dynamic site for new literary production and transnational exchange that shaped and reshaped the intellectual landscape of premodern Europe. Contributors include: Lia van Gemert, Lucas van der Deijl, Feike Dietz, Paul Wackers, David Napolitano, James A. Parente, Jr., Frank Willaert, Youri Desplenter, Bart Besamusca, Frans R.E. Blom, and Jan Bloemendal.

An engaging, innovative history of Brazil's black and indigenous people that redefines our understanding of slavery, citizenship, and national identity. This book focuses on the interconnected histories of black and indigenous people on Brazil's Atlantic frontier, and makes a case for the frontier as a key space that defined the boundaries and limitations of Brazilian citizenship.

Contemporary Europe – ridden by social, political and economic crises, overlaid onto colonial and imperial trajectories, and shaken by the shockwaves generated by Brexit and wide scale human displacement – has become a space in which citizenship and belonging are contested, disrupted, performed and produced anew. Art, Migration, and the Production of Radical Democratic Citizenshipexplores the contribution of migrant and refugee artists to the performance and production of radical democratic citizenship in Europe. It foregrounds the insights of artists and cultural actors with diverse experiences of migration and displacement to fractious public debates about citizenship and belonging. It explores how migrant and refugee artists have audaciously inserted themselves into, and are pushing the boundaries of these debates, challenging and unhinging dominant interpretations of the parameters of European citizenship and belonging. Part I of this edited volume is comprised of a series of short provocations by artists spanning and intermixing a range of art forms and methodologies including live art, visual art and public installation, community and site-specific durational work, or the combination of writing, auto-ethnography and media activism. The second Part comprises longer, more sustained engagements by visual and live art practitioners, dramaturges, curators and academics. These chapters focus on performative, participatory, auto-biographical and auto-ethnographic artistic processes and practices. Art, Migration, and the Production of Radical Democratic Citizenship highlights the critical interventions by artists who have experienced firsthand the everyday realities of displacement, focusing on how their diverse practices offer incisive challenges to existing regimes of citizenship and democracy.