Civil War Canon

In this expansive history of South Carolina's commemoration of the Civil War era, Thomas J. Brown uses the lens of place to examine the ways that landmarks of Confederate memory have helped white southerners negotiate their shifting political, social, and economic positions. By looking at prominent sites such as Fort Sumter, Charleston's Magnolia Cemetery, and the South Carolina statehouse, Brown reveals a dynamic pattern of contestation and change. He highlights transformations of gender norms and establishes a fresh perspective on race in Civil War remembrance by emphasizing the fluidity of racial identity within the politics of white supremacy. Despite the conservative ideology that connects these sites, Brown argues that the Confederate canon of memory has adapted to address varied challenges of modernity from the war's end to the present, when enthusiasts turn to fantasy to renew a faded myth while children of the civil rights era look for a usable Confederate past. In surveying a rich, controversial, and sometimes even comical cultural landscape, Brown illuminates the workings of collective memory sustained by engagement with the particularity of place.

From iron-clads, submarine torpedoes, and military balloons to pontoon bridges, grenades, and siege artillery, this excellent work describes what material was available to the armies and navies of both sides. Over 500 black-and-white illustrations.

This is a detailed survey, replete with photographs and diagrams, of the field artillery used by both sides in the Civil War. In paperback for the first time, the book provides technical descriptions of the artillery (bore, weight, range, etc.), ordnance purchases, and inspection reports. Appendixes provide information on surviving artillery pieces and their current locations in museums and national parks.

This study examines how childhood and adolescence were shaped by – and contributed to – Cold War politics in America.

Immediately after the Civil War, white women across the South organized to retrieve the remains of Confederate soldiers. In Virginia alone, these Ladies' Memorial Associations (LMAs) relocated and reinterred the remains of more than 72,000 soldiers. Challenging the notion that southern white women were peripheral to the Lost Cause movement until the 1890s, Caroline Janney restores these women as the earliest creators and purveyors of Confederate tradition. Long before national groups such as the Woman's Christian Temperance Union and the United Daughters of the Confederacy were established, Janney shows, local LMAs were earning sympathy for defeated Confederates. Her exploration introduces new ways in which gender played a vital role in shaping the politics, culture, and society of the late nineteenth-century South.

For a decade and a half, since she first appeared in the Birmingham Centre’s collective volume The Empire Strikes Back, Hazel Carby has been on the frontline of the debate over multicultural education in Britain and the US. This book brings together her most important and influential essays, ranging over such topics as the necessity for racially diverse school curricula, the construction of literary canons, Zora Neale Hurston’s portraits of “the Folk,” C.L.R. James and Trinidadian nationalism and black women blues artists, and the necessity for racially diverse school curricula. Carby’s analyses of diverse aspects of contemporary culture are invariably sharp and provocative, her political insights shrewd and often against the grain. A powerful intervention, Culture in Babylon will become a standard reference point in future debates over race, ethnicity and gender.

Much has been written about place and Civil War memory, but how do we personally remember and commemorate this part of our collective past? How do battlefields and other historic places help us understand our own history? What kinds of places are worth remembering and why? In this collection of essays, some of the most esteemed historians of the Civil War select a single meaningful place related to the war and narrate its significance. Included here are meditations on a wide assortment of places--Devil's Den at Gettysburg, Hollywood Cemetery in Richmond, the statue of William T. Sherman in New York's Central Park, Burnside Bridge at Antietam, the McLean House in Appomattox, and more. Paired with a contemporary photograph commissioned specifically for this book, each essay offers an unusual and accessible glimpse into how historians think about their subjects. In addition to the editors, contributors include Edward L. Ayers, Stephen Berry, William A. Blair, David W. Blight, Peter S. Carmichael, Frances M. Clarke, Catherine Clinton, Stephen Cushman, Stephen D. Engle, Drew Gilpin Faust, Sarah E. Gardner, Judith Giesberg, Lesley J. Gordon, A. Wilson Greene, Caroline E. Janney, Jacqueline Jones, Ari Kelman, James Marten, Carol Reardon, Aaron Sheehan-Dean, Brenda E. Stevenson, Elizabeth R. Varon, and Joan Waugh.