Classic Westerns

Discover six classic novels as you follow the footsteps of the trailblazers who settled the American West. As the American West opened up to settlers after the Civil War, people were eager for tales of great adventures, endless possibilities, and the pioneering spirit. Classic Westerns is a collection of six novels that captured this sense of exploration and brought the rugged landscape into the homes of readers everywhere. These novels—The Virginian by Owen Wister, O Pioneers! by Willa Cather, The Lone Star Ranger and The Mysterious Rider by Zane Grey, and Gunman’s Reckoning and The Untamed by Max Brand—tell of life on the open plains, in dusty outposts, and alongside majestic mountain ranges that rose to greet travelers who ventured forth into the unexplored country to find their destinies.

Ride out to the frontier and experience the drama and adventure of the Old West. Wealthy but morally conflicted, Jane Withersteen seeks peace and freedom from the constraints of her oppressive society on the Western frontier. With the help of her loyal rider Bern Venters and the mysterious Lassiter, Jane fights back against the authorities who aim to restrict her power and happiness. Filled with thrilling horse rides, evocative descriptions of the landscapes, and tense showdowns, the story will leave the reader eager to find out what awaits just over the hills in the valley beyond. The two novels included here—the best-selling Riders of the Purple Sage and its sequel, The Rainbow Trail—established Zane Grey as the most popular Western writer of the early twentieth century. His works influenced countless authors and filmmakers for decades...and continue to do so today.

When the earliest filmgoers watched The Great Train Robbery in 1903, many of them shrieked in terror at the very last clip when one of the outlaws turns directly toward the camera and fires a gun, seemingly, directly at the audience. The puff of smoke was sudden and it was hand colored so that it looked real. Today, we can look back at that primitive movie and see all the elements of what would evolve into the Western genre. Perhaps it is the Western's early origins_The Great Train Robbery was the first narrative, commercial movie_or its formulaic yet entertaining structure that has made the Western so popular. Whatever the case may be, with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the western is told in The A to Z of Westerns in Cinema through a chronology, a bibliography, and an introductory essay. However, it is the hundreds of cross-referenced dictionary entries on cinematographers; composers; producers; films like Butch Cassidy and the Sundance Kid, Dances With Wolves, The Good, The Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; such actors as Gene Autry, Kirk Douglas, Clint Eastwood, Henry Fonda, James Stewart, and John Wayne; and directors like John Ford and Sergio Leone that will have you reaching for this book again and again.

Over the past century, the western has fluctuated in popularity. By 2010 it has come to stand, to the dismay of many, at one of its lowest points. Beginning with 1929 and the advent of talkies (In Old Arizona), the author discusses the cultural and industry trends, the directors, producers, studios and especially the stars, and looks at the ways in which their personalities (and financial ups and downs) affected the way westerns were shot. The improvements in technology through the years, the trick horses, the fistfight choreography, the evolution of plotlines--these are fascinating indicators of the way Americans themselves were changing.

For nearly two centuries, Americans have embraced the Western like no other artistic genre. Creators and consumers alike have utilized this story form in literature, painting, film, radio and television to explore questions of national identity and purpose. Westerns: The Essential Collection comprises the Journal of Popular Film and Television’s rich and longstanding legacy of scholarship on Westerns with a new special issue devoted exclusively to the genre. This collection examines and analyzes the evolution and significance of the screen Western from its earliest beginnings to its current global reach and relevance in the 21st century. Westerns: The Essential Collection addresses the rise, fall and durability of the genre, and examines its preoccupation with multicultural matters in its organizational structure. Containing eighteen essays published between 1972 and 2011, this seminal work is divided into six sections covering Silent Westerns, Classic Westerns, Race and Westerns, Gender and Westerns, Revisionist Westerns and Westerns in Global Context. A wide range of international contributors offer original critical perspectives on the intricate relationship between American culture and Western films and television series. Westerns: The Essential Collection places the genre squarely within the broader aesthetic, socio-historical, cultural and political dimensions of life in the United States as well as internationally, where the Western has been reinvigorated and reinvented many times. This groundbreaking anthology illustrates how Western films and television series have been used to define the present and discover the future by looking backwards at America’s imagined past.

The Sagebrush Trail is a history of Western movies but also a history of twentieth-century America. Richard Aquila’s fast-paced narrative covers both the silent and sound eras, and includes classic westerns such as Stagecoach, A Fistful of Dollars, and Unforgiven, as well as B-Westerns that starred film cowboys like Tom Mix, Gene Autry, and Hopalong Cassidy. The book is divided into three parts. Part 1 traces the birth and growth of Westerns from 1900 through the end of World War II. Part 2 focuses on a transitional period in Western movie history during the two decades following World War II. Finally, part 3 shows how Western movies reflected the rapid political, social, and cultural changes that transformed America in the 1960s and the last decades of the twentieth century. The Sagebrush Trail explains how Westerns evolved throughout the twentieth century in response to changing times, and it provides new evidence and fresh interpretations about both Westerns and American history. These films offer perspectives on the past that historians might otherwise miss. They reveal how Americans reacted to political and social movements, war, and cultural change. The result is the definitive story of Western movies, which contributes to our understanding of not just movie history but also the mythic West and American history. Because of its subject matter and unique approach that blends movies and history, The Sagebrush Trail should appeal to anyone interested in Western movies, pop culture, the American West, and recent American history and culture. The mythic West beckons but eludes. Yet glimpses of its utopian potential can always be found, even if just for a few hours in the realm of Western movies. There on the silver screen, the mythic West continues to ride tall in the saddle along a “sagebrush trail” that reveals valuable clues about American life and thought.

Rediscover the golden age of the Western with this collection of four unforgettable novels of honor, adventure, and violence set against the magnificent landscapes of the American frontier The heroic exploits and violent struggles of the Old West come alive once more through this one-of-a-kind collection of four thrilling novels. Edited by Ron Hansen, this deluxe hardcover edition shows that the 1940s and 1950s was a golden age for the Western novel. In the Pulitzer Prize-winning The Ox-Bow Incident, Walter van Tilburg Clark explores the thin line between civilization and barbarism through the story of a lynch mob that targets three innocent men, exposing a dark authoritarian impulse at work the American frontier. Set in Wyoming in 1889, a time when ranchers and cattle companies waged war with each other, Jack Schaefer's iconic Shane deploys many of the genre's most essential elements, brilliantly filtered through a boy's perceptions. Alan Le May's The Searchers, the basis for John Ford's cinematic masterpiece starring John Wayne, follows the dogged quest of two men to rescue a young girl taken prisoner by Comanche warriors. And Oakley Hall's Warlock, a novel that anticipates the later books of Cormac McCarthy and Larry McMurtry, casts the battle for control of a southwestern outpost as a bloody saga pitting a marauding gang of cowboys and rustlers against the town's defenders, led by the legendary gunslinger Clay Blaisedell. All four novels were memorably adapted for the screen, and their gripping stories--told with brisk narrative energy, psychological depth, and laconic humor--have contributed unforgettably to the Western's enduring legacy in American culture.

 The theme of death is an essential component of film narrative, particularly in how it affects the hero. Filmmakers from different cultures and backgrounds have developed distinct yet archetypal perspectives on death and the protagonist’s response. Focusing on Western and Japanese period genre films, the author examines the work of John Ford (1894–1973), Akira Kurosawa (1910–1998) and Sergio Leone (1929–1989) and finds similarities regarding death’s impact on the hero’s sense of morality.