Classical And Flamenco Guitar Solos And Etudes

Easy to Play Flamenco and Classical Guitar Solos is an essential song book for beginner to intermediate players learning to play flamenco and classical guitar. Featuring 23 songs, this book introduces students to flamenco palos/styles such as zambra, sevillanas, rumba and verdiales; and classical guitar songs such as milonga, waltzes (vals) and etudes that utilize fundamental right-hand techniques/arpeggio patterns commonly found in classical songs. And be sure to check out my other book, Classical and Flamenco Guitar Solos and Etudes, co-written with Elysa Hochman. Includes access to online audio and video.

Classic and flamenco guitarists alike will benefit from these etudes as they bridge the gap between traditional mechanical studies and engaging practice and concert material. Although relatively short in duration, a few of these etudes could be combined in a medley to form an effective suite or set. In addition, fourteen of the twenty etudes are provided with chord accompaniment for harmonic analysis, improvisation, or performance with a teacher or second guitarist. The companion online audio for this book has been masterfully recorded by the author using a flamenco guitar to authentically render the typical picado, double-arpeggio, arpeggio-legato, and horquilla techniques as well as the quintuplet flamenco tremolo. Traditional classical elements like octave, interval and arpeggio studies are also thoroughly explored, with one piece in dropped-D tuning—all with a flamenco flavor. In addition to accomplishing its mission of offering a fresh regimen of appealing practice etudes, the truly unique feature of this book is that everything from basic technique to exotic harmony and modal scales has been aflamencado or “flamenco-ized”. Towards that end, a comprehensive glossary of mostly flamenco terminology is provided along with standard notation and tablature for each piece. As a bonus for those new to the flamenco genre, or for the serious aficionado or audiophile, a generous “Recommended Listening” list is included. Practice-related quotations from prominent guitarists in various styles complete this exceptional collection. Includes access to online audio.

This book was written for the student who wants to learn to play flamenco guitar correctly in the shortest time possible. A fanciful historical essay on the origins of the flamenco style begins this modest 32-page volume. Several of the most common techniques are used in the various introductory pieces, including various forms of rasgueos and the 4-note tremolo. Classical guitarists with 1-2 years of experience will enjoy these challenging exercises and pieces. All studies and solos are shown in notation and tablature, and are included on the enclosed CD.

Written in Spanish and English, this book contains 12 of Juan Serrano's finest flamenco guitar solos. Selections include: Bella Mar (Verdiales); Ensueno (Petenera); Fantasy (Zambra); Juani (Farruca); Lidia; Majestuosas (Serguiriyas); Munequita (Zapateado); Nancy (Rumba); Nostalgia (Guajiras); Posadas (Soleares); Tentacion (Bulerias); and Verde Selva (Danzon). All solos are scored in notation and tablature.

This book and CD are made for all aficionados of flamenco guitar and for guitarists of any other style who enjoy variety in their musical sources. They present ten pieces composed and recorded in the traditional forms of flamenco music, written in notation and tablature. the author explains the form and characteristics of each piece in introductory notes, helping the player understand the differences between an Alegrías, and a Soleares, or among any of the traditional flamenco forms. the demonstration recording will give players an example of the interpretation of the pieces. These pieces capture the energy, technical prowess, grace, and depth of feeling that give flamenco music its unique magic.

This beginning guitar method is written for aspiring classical or flamenco guitarists who want to learn how to read music up to the intermediate level. Music from the Spanish tradition such as Romanza, Pica-Pica, El Vito, Café de las Chinitas, Perfidía, La Virgen de la Macarena and flamenco music of Juan Serrano provides a technical and musical foundation that improves facility in playing scales, arpeggios, tremelo, and rasgueado.Tablature is not included as the one of the primary aims of this book is to improve note reading and the comprehension of the fundamental elements of music. Performances of all musical examples are available online that includes one performance at tempo for each of the more than 230 musical examples. Short repertoire pieces from Gaspar Sanz, Dionisio Aguado, Fernando Sor, Mauro Guiliani, Ferdinand Carulli, and Mateo Carcassi are included at the end of the book and are repertoire studies that will prepare guitarists for further study in classical and/or flamenco guitar.

Welcome to the exciting world of rumba strums and some of the most fun you can have with the guitar! In these pages, authoritative flamenco guitarist, founder of New York Guitar Academy, Quarantined Quartet and Jay & Lee Rumba Flamenca Group, Elysa Hochman demonstrates 25 rumba strumming patterns plus two combinations, giving each a name so that they might be accurately discussed and combined to form other hybrid patterns. Having originated among African slaves in Cuba, the term rumba can represent several unrelated musical styles; by the early 20th century, however, an up-tempo version had caught-on with flamenco musicians in Spain and the cultural cross-fertilization process was complete. Like the rasgueado techniques common to flamenco, rumba strumming has remained largely a mystery to non-flamenco guitarists— until now! Using standard notation, tablature and online audio and video recordings, Hochman clearly defines each rumba strumming pattern and illustrates them in typical chord progressions and voicings used in Spanish, classical, and flamenco guitar. This book is essential for any guitarist interested in becoming proficient in rhythm guitar and/or the nuevo flamenco genre of music. The book culminates with a useful “Index of Rumba Strums” enabling you to build your own rumba strumming patterns and bring your audience to their feet!