Cleopatra S Confessions

Humans have a purpose in this world: providing high-quality cat food, both wet and dry, also the Minimum Daily Cat Requirement of petting(not less than two hours),and most important, making available a good Sleep Environment for a cat. This must include comfortable chairs, couches, beds, countertops and a variety of floor surfaces: bare wood, a cool cement area, linoleum, and carpeting. Carpeting is required not only as an Essential Sleep Option, but also for puking on. Never puke on anything not covered by carpeting. Dogs, on the other hand, serve no useful purpose. All they can do is disturb and disrupt, specifically disturb and disrupt cat sleeping activity. Fortunately, dogs can be trained. It’s a nuisance, but it can be done. This book contains detailed tips on training your dog, but for starters, know that a couple of quick scratches to your dog’s snout will have a very positive effect.

She sat up straight. "Herod, your father was loyal to my interests. So if you really want to go to Rome, I'll provide a galley. But at this time of year, the sea can be treacherous." "No more treacherous than returning to Judea." She laughed. "You are so serious. That must be what Antony likes about you." "What Antony likes about me is our mutual need for one another and my fortune. And Queen Cleopatra, the same is true for you and me. We have the same enemies, the Parthians and the Arabs." "I have a new one. Antony took the hand of Octavian's sister. You must pledge to help me with that matter." A nurse brought her twins by Antony to her. They were named Alexander and Cleopatra. "I will do what I can. Antony can't possibly love that Octavia. It's just a political arrangement. However, if I help you with Octavia, you must help me with the Hasmoneans. Until their alliance with the Parthians is undone, you and Antony have a thorn in your side, a thorn that will prevent you from defeating Octavian." She rose, and I tottered to my feet in respect. "Antony has confided much in you. I will provide the galley to get you to Rome and send along a note to Antony with my advice. Now, go back to your quarters and get some rest. Your journey will be a long one." Herod the Great wants to set the record straight. With documented research, Herod solves the mysteries surrounding the lives of various roman emperors, John the Baptist, Jesus, and his homosexual relationship with the beloved apostle, John. Herod finds this love affair to be the actual cause of Jesus' crucifixion. Herod issues a brutally honest portrait of his life from the fiery depths of Hell. With conversations with notable historical figures, such as Caesar Augustus and Cleopatra, and a detailed history of the Herodian dynasty that includes interaction with the Roman Empire, the Jews of Antiquity, and the Christian leadership, Herod leads us through his fascinating life story. He tells how he was overthrown by an allied force of dissident Jews and Parthians, and eventually returned to power by Marc Antony to become King of the Jews, Herod the Great, the second richest man in the Roman Empire. He continues his story through his descendants, the death of Jesus, and the rise of Christianity to the end of the First Century A.D. He thus achieves redemption.

The New York Times bestselling and legendary author of Helen of Troy and Elizabeth I now turns her gaze on Emperor Nero, one of the most notorious and misunderstood figures in history. Built on the backs of those who fell before it, Julius Caesar’s imperial dynasty is only as strong as the next person who seeks to control it. In the Roman Empire no one is safe from the sting of betrayal: man, woman—or child. As a boy, Nero’s royal heritage becomes a threat to his very life, first when the mad emperor Caligula tries to drown him, then when his great aunt attempts to secure her own son’s inheritance. Faced with shocking acts of treachery, young Nero is dealt a harsh lesson: it is better to be cruel than dead. While Nero idealizes the artistic and athletic principles of Greece, his very survival rests on his ability to navigate the sea of vipers that is Rome. The most lethal of all is his own mother, a cold-blooded woman whose singular goal is to control the empire. With cunning and poison, the obstacles fall one by one. But as Agrippina’s machinations earn her son a title he is both tempted and terrified to assume, Nero’s determination to escape her thrall will shape him into the man he was fated to become—an Emperor who became legendary. With impeccable research and captivating prose, The Confessions of Young Nero is the story of a boy’s ruthless ascension to the throne. Detailing his journey from innocent youth to infamous ruler, it is an epic tale of the lengths to which man will go in the ultimate quest for power and survival.

The Shakespearean Original series aims to provide readers of modern drama with 16th and 17th century laytexts which have been treated as historical documents, and will be reproduced in a form as close as the conditions of modern publication will permit to their original forms. KEY TOPICS: The Series has generated considerable debate in the academic community; it is very controversial. Students, researchers, teachers in Literary Studies and Shakespeare Studios.

First published in 1991, this book is the first annotated bibliography of feminist Shakespeare criticism from 1975 to 1988 — a period that saw a remarkable amount of ground-breaking work. While the primary focus is on feminist studies of Shakespeare, it also includes wide-ranging works on language, desire, role-playing, theatre conventions, marriage, and Elizabethan and Jacobean culture — shedding light on Shakespeare’s views on and representation of women, sex and gender. Accompanying the 439 entries are extensive, informative annotations that strive to maintain the original author’s perspective, supplying a careful and thorough account of the main points of an article.

'This is a gripping book... A fascinating account of the way in which succeeding generations have seen Cleopatra; as virtuous suicide, inefficient housewife, exuberant lover, professional courtesan, scheming manipulator, femme fatale, incarnation of Isis and bimbo' - Economist

Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel's origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the essential role of women writers in history who were typically underestimated as active participants of neoclassical culture, often excluded from the same schools that taught their brothers Greek and Latin. However, as author Nicole Horejsi reveals, a number of exceptional middle-class women were actually serious students of the classics. In order to dismiss the idea that women were completely marginalized as neoclassical writers, Horejsi takes up the character of Dido from ancient Greek mythology and her real-life counterpart Cleopatra, the queen of Egypt. Together, the legendary Dido and historical Cleopatra serve as figures for the conflation of myth and history. Horejsi contends that turning to the doomed queens who haunted the Roman imagination enabled eighteenth-century novelists to seize the productive overlap among the categories of history, romance, the novel, and even the epic.

Cover -- Half Title -- Titel Page -- Copyright Page -- Dedication -- Contents -- List of Figures -- Acknowledgments -- Introduction -- 1 "Unquiet all night": Curtain Lectures and a Wife's Speech to Her Husband -- 2 "Their whispers, one in another's ear": Imagining Private Speech Between Women -- 3 "I know thy thoughts": Witches Speak to Their Audiences -- 4 Regret, Reconsideration, and Reclamation: Audiences Witness Women's Death Speech -- Afterword -- Index