Clinging To A Myth

Pádraig J. Daly was born in Dungarvan, Co. Waterford, Ireland, and is an Augustinian priest working in Dublin. He has published four previoius collections with Dedalus, including his new and selected poems, The Last Dreamers, in 1999. In Clinging to the Myth, he further explores issues of faith and belief, particularly in relation to the challenge of personal loss and bereavement. He reflects too on the emerging post-Christian Ireland and uses the voices of 18th century Gaelic poetry to reflect on the sufferings of modern war-torn peoples.

After Words investigates how the suicide of an author informs critical interpretations of the author's works. Suicide itself is a form of authorship as well as a revision, both on the part of the author, who has written his or her final scene and revised the `natural' course of his or her life, and on the part of the reader, who must make sense of this final act of writing. Elizabeth Leake focuses on twentieth-century Italian writers Guido Mor-selli, Amelia Rosselli, Cesare Pavese, and Primo Levi, examining personal correspondence, diaries, and obituaries along with popular and academic commemorative writings to elucidate the ramifications of the authors' suicides for their readership. She argues that authorial suicide points to the limitations of those critical stances that exclude the author from the practice of reading. In this innovative and accessible assessment of some of the key issues of authorship, Leake shows that in the aftermath of suicide, an author's life and death themselves become texts to be read.

From the contents: Naturalistic epistemology, murder and suicide? But what about the promises! (Ton Derksen). - Naturalism and rationality (Christopher Hookway). - Quine's hypothetical theory of language learning: a comparison of different conceptualschemes of their logic (Mia Gosselin). - Quine and innate similarity spaces (Jaap van Brakel). - Quine and Davidson on the structure of empirical knowledge (Dirk Koppelberg). - Empathy and charity (Eva Picardi). - Quine: indeterminacy, 'robust realism', and truth (Sandra Laugier). - Quine and Putnam on conceptual relativity and reference: theft or honest toil? (Roger Vergauwen).

Canadian critics and scholars, along with a growing number from around the world, have long recognized the achievements of Canadian short story writers. However, these critics have tended to view the Canadian short story as a historically recent phenomenon. This reappraisal corrects this mistaken view by exploring the literary and cultural antecedents of the Canadian short story.

How to get past the most common myths about creativity to design truly innovative strategies We tend to think of creativity in terms reminiscent of the ancient muses: divinely-inspired, unpredictable, and bestowed upon a lucky few. But when our jobs challenge us to be creative on demand, we must develop novel, useful ideas that will keep our organizations competitive. The Myths of Creativity demystifies the processes that drive innovation. Based on the latest research into how creative individuals and firms succeed, David Burkus highlights the mistaken ideas that hold us back and shows us how anyone can embrace a practical approach, grounded in reality, to finding the best new ideas, projects, processes, and programs. Answers questions such as: What causes us to be creative in one moment and void in the next? What makes someone more or less creative than his or her peers? Where do our flashes of creative insight come from, and how can we generate more of them? Debunks 10 common myths, including: the Eureka Myth; the Lone Creator Myth; the Incentive Myth; and The Brainstorming Myth Written by David Burkus, founder of popular leadership blog LDRLB For anyone who struggles with creativity, or who makes excuses for delaying the work of innovation, The Myths of Creativity will help you overcome your obstacles to finding new ideas.

Exposes destructive patterns of communication within family cultures and provides strategies for promoting more open dialogue among family members. Equips family therapists to help clients see the barriers they place in the way of healthy communication, and adopt more constructive alternatives Provides activities designed to spark open dialogue between therapist and clients, strengthening the therapeutic relationship and facilitating family interaction Includes communication strategies for reversing disengagement, defusing power struggles, overcoming sibling rivalry, disentangling marital problems and more Offers a new understanding of family dynamics, an area in which many family therapists want to improve their skills but have struggled to find a text to guide them in doing so

The fundamental importance of Christianity for Jung is well documented in his writings and letters. For the whole of his long career the great psychologist had wrestled with what he called " ... the great snake of the centuries. the burden of the human mind. the problem of Christianity." By comparison, his statements about Hegel are quite scarce. Both topics, nevertheless, have in common that they elicited from Jung radical accusations, accusations not presented in the calm tone of a psychological scholar but fired by a deep-seated personal affect that propelled Jung to wish "to dream the myth onwards," that is, to move to a new, his own improved and corrected version of Christianity. Rather than merely portraying and elucidating Jung’s views, this volume critically examines his theses and arguments by means of a series of close readings and by confronting his claims with the texts on which his interpretations are based. The guiding principle, in the spirit of which the author’s investigation is conducted, is the question of the needs of the soul and the standards of true psychology. While constantly bearing these needs and standards in mind, diverse topics are discussed in depth: Jung’s interpretation of a dream he had had about being unable to completely bow down before "the highest presence," his thesis concerning the patriarchal neglect of the feminine principle, his views about the alleged one-sidedness of Christianity, the "recalcitrant Fourth" and the "reality of Evil," his understanding of the Trinity and the spirit, his rejection of Hegel and of speculative thought, and his reaction to the modern "doubt that has killed" religious faith. A companion to the preceding volume, The Flight into the Unconscious, the essays collected here continue its radical critique of Jung’s psychology project, yielding not only deep insights into Jung’s personal religiosity and into what ultimately drove his psychology project as a whole, but granting as well a more sophisticated understanding of the psychological potential and telos of the Christian idea.