Clown Of The City

At opening this book, everything one has learned or thought about “urban ministry” is challenged, and changed. Stephan de Beer offers a fresh, exciting and thoroughly engaging approach. The title is enticing and playful, but the book is a serious grappling with the daunting realities of a shadowed, marginalised, urban life. It does not theorise or pontificate about a concept. The author is not a distant, neutral observer. He is an engaged minister to the people, a struggler in their struggles, prophet to the powerful. This book invites the reader to join the people of the cities under siege by failed policies, empty promises, and disastrous politics, in their struggles for meaningful life, and it makes a powerful, persuasive case. Stephan de Beer has offered us a great gift and a wonderful opportunity to think and hope anew, and differently, about the life, reality, and future of the city.

A gorgeously rendered graphic novel of Daniel Alarcón’s story City of Clowns. From the author of The King Is Always Above the People, which was longlisted for the 2017 National Book Award for Fiction. Oscar “Chino” Uribe is a young Peruvian journalist for a local tabloid paper. After the recent death of his philandering father, he must confront the idea of his father’s other family, and how much of his own identity has been shaped by his father’s murky morals. At the same time, he begins to chronicle the life of street clowns, sad characters who populate the violent and corrupt city streets of Lima, and is drawn into their haunting, fantastical world. This remarkably affecting story by Daniel Alarcón was included in his acclaimed first book, War by Candlelight, and now, in collaboration with artist Sheila Alvarado, it takes on a new, thrilling form. This graphic novel, with its short punches of action and images, its stark contrasts between light and dark, truth and fiction, perfectly corresponds to the tone of Chino’s story. With the city of Lima as a character, and the bold visual language from the story, City of Clowns is moving, menacing, and brilliantly vivid.

At opening this book, everything one has learned or thought about “urban ministry” is challenged, and changed. Stephan de Beer offers a fresh, exciting and thoroughly engaging approach. The title is enticing and playful, but the book is a serious grappling with the daunting realities of a shadowed, marginalised, urban life. It does not theorise or pontificate about a concept. The author is not a distant, neutral observer. He is an engaged minister to the people, a struggler in their struggles, prophet to the powerful. This book invites the reader to join the people of the cities under siege by failed policies, empty promises, and disastrous politics, in their struggles for meaningful life, and it makes a powerful, persuasive case. Stephan de Beer has offered us a great gift and a wonderful opportunity to think and hope anew, and differently, about the life, reality, and future of the city.

Oscar "Chino" Uribe is a young Peruvian journalist for a local tabloid paper. After the recent death of his philandering father, he must confront the idea of his father's other family, and how much of his own identity has been shaped by his father's murky morals. At the same time, he begins to chronicle the life of street clowns, sad characters who populate the violent and corrupt city streets of Lima, and is drawn into their haunting, fantastical world.

Staying behind when their circus moves on, a young clown and a troupe of baby animals put on a special Christmas Eve show for an Italian village too poor to celebrate the holiday.

This book tells the story of ground-breaking movement theater performers of the late twentieth century. It explores how the virtuoso stage clowns and mimes drew on all the performing arts to create and star in shows in order to reveal our deepest thoughts and feelings. They ignored taboos and busted boundaries to redefine the relationship between performer and audience, making a theater of kindness—a theater of joy. Complete with over two hundred photos, the book tells how these performers came together at the International Movement Theatre Festivals and reached American audiences with their work. It also details the author’s story, his devotion to, and love of, the art and the artists, and his sometimes-harrowing journey into non-profit management. It offers a peek behind the curtain to describe the process of engaging artists, audiences, funders, and the international press in this mission.

Richard Pochinko (1946-89) played a pioneering role in North American clown theater through the creation of an original pedagogy synthesizing modern European and indigenous Native American techniques. In Clown Through Mask, Veronica Coburn and onetime Pochinko apprentice Sue Morrison lay out the methodology of the Pochinko style of clowning and offer a bold philosophical framework for its interpretation. Morrison is today a leading teacher of Pochinko's Clown through Mask technique and this book extends significantly the literature on this underdocumented form of theater.