Coffee Shop Girl

The First book in the Coffee Shop Series! Bethany: This coffee shop is going to kill me. Sure, it's my dad's dream. If he hadn't died eight months ago, I wouldn't be here, a college drop out, trying not to drown in debt. Nor would I be staring into the muddy eyes of a viking-sized man that's telling me everything I'm doing wrong-as if he knows so much about business in a small mountain town. Except he does. And when the biggest, most unexpected surprise of all falls in my lap, I'll have no choice but to ask for his help. Time for some power lipstick. Maverick: This girl is drowning. She might have eyes like glacier pools and hair so black it's glossy, but that doesn't mean she knows how to run a coffee shop. She's drowning in more than debt, interest, and credit card payments. She'll never make it. But I kind of want her to. Because underneath that bright lipstick and those sun dresses is a woman that I have an uncomfortable feeling is about to rock. my. world. This is a clean, contemporary romance with sizzle and spice-but no sex scenes. Guaranteed bantering and happily ever after.

Amber is down on her luck, out of a job, and trapped in a toxic relationship with her husband Brad. What's worse, she's recently become obsessed with the beautiful barista girl at her local coffee shop. Who is she? What's her deal? When she finally works up the courage to talk to her, Amber accidentally sees something she shouldn't see. Soon, she'll discover her crush's ultimate dark secret-which will change the course of her own miserable life. What starts off as a traditional cat-and-mouse thriller quickly spirals into a surprising, strange and genre-bending exploration of the past that haunts us, the future we aspire to, and what it means to be human-or beyond... Perfect for fans of Paula Hawkins, A.J. Finn, and Gillian Flynn, who also flirt with the supernatural. "Unputdownable. Finished it in one sitting." - Kristoffer

The Fifth Book in the Coffee Shop Series Dagny: Once upon a time, I thought my stutter was the worst thing that ever happened to me. But now I know better. Being held at gunpoint outranks a speech impediment any day. Thankfully, my longtime crush Jayson Hernandez tackled that problem to the ground with those broad shoulders-the ones that make my stutter oh-so-much-worse. As if he hasn't held my heart in his strong, capable hands ever since I adored him from the shadows in high school. Or every day he comes into the coffee shop with a new date. Or each time he shoots me a friendly smile that makes my toes curl. Then he proposes something so insane it's my heart that starts to stutter. And I can't turn him down, even though I want to. Because there's a part of me that still believes I'm Cinderella too. And oh, how I want him to realize he's Prince Charming after all. Jayson: My friends are the best guys anyone could ask for. They've always had my back. Except . . . they're pretty hard to impress. The last thing I want to do is let them down, especially when the first of our group of four is getting married. I can't show up to that wedding by myself, but I don't have anyone to take with me that could gain their approval. Enter Dagny Taylor. She's quiet, reads people like a book, and isn't afraid to say it like it is-when I can get her to talk, that is. I've done some pretty wild things in my life, but now I'm about to do the craziest thing yet. Because there's a princess hiding beneath that thick armor, and I can't wait to find her. That is . . . if she'll let me. SHY GIRL is the fifth book in the Coffee Shop Series. It can be read as a standalone, but maximum enjoyment comes from starting at the beginning. This is a sweet-but-spicy romance with no sex-scenes and a guaranteed happily-ever-after.

Everybody says that the owner of Sal's Diner is a former Mafioso, but nine-year-old Joanna, whose mom has worked for him as long as she can remember, has a hard time believing he's a Mafia retiree. But one day, when two fat, toothless men who look like the Godfather's brothers show up at the diner, she wonders if maybe the rumor is true. And when Sal is arrested a few days later, Joanna's mother not only runs the diner while he's in jail, she also leads the charge to save him. Can the women who frequent his diner--the League of Women Who Live in Coffee Shops--save Sal from doing hard time in prison? Set against an urban backdrop of seedy motels and dilapidated houses next to industrial buildings and railroad tracks, Stella Pope Duarte's award-winning stories follow characters who make up the city's underbelly. Some strut through the lethal streets, flamboyant and hard to miss--flashy divas, transvestites, and prostitutes, like Valentine, "one of the girls who decorated Van Buren Street like ornaments dangling precariously on a Christmas tree." Others remain hidden, invisible to those who don't seek them out--bag ladies, illegals, and addicts.

Irresistible stories of love and fidelity, mystery and unexpected lives from some of the bestselling authors writing today. Published in conjunction with Woman & Home and Breast Cancer Care, this collection of terrific short stories includes many of the top names in fiction writing today: Fanny Blake, Fern Britton, Elizabeth Buchan, Tracy Chevalier, Jenny Colgan, R J Ellory, Julia Gregson, Tessa Hadley, Maeve Haran, Veronica Henry, Victoria Hislop, Eowyn Ivey, Cathy Kelly, Erin Kelly, Deborah Lawrenson, Kathy Lette, Lesley Lokko, Jill Mansell, Val McDermid, Kate Mosse, Jojo Moyes, Adele Parks, Nicky Pellegrino, Ian Rankin, newcomer Cara Ross, Penny Vincenzi and Katherine Webb.

Running a Kabul coffee shop that is patronized by ex-pats, American Sunny reaches out to a growing circle of new friends including a pregnant rape victim, a journalist with a painful secret, and a den mother who is engaged in a complicated affair.

"Some people think I didn't have a childhood, as they think I was born on a cold and wet Saturday morning at the age of 23 in the front bar of The Lord Forrest Hotel. I did in fact have a childhood, but it was spent on a wheat farm, but I hated dirt and country music so as soon I was old enough I left the farm. I ended up in a country city doing a trade ( motor mechanic ) for four years. After I had my trade papers in my hand I was out of there and down to the big smoke, a city of millions of people. I owe that city a lot as it turned me from a country youth into a man. I discovered many things, including motorcycles, race cars, the ocean, sailing and diving and also bookshops. I hated school with a passion, but I am thankful to my teachers who taught me how to read. The bookshops in that big city were amazing, every Saturday morning would see me on a bus heading into the city and I would comb the bookshops. Those bookshops were a turning point in my life that put me on a very different road to the farm boy I was supposed to be. From there I wandered around the country and finally landed a job in South America working for an American company. South America, it's people and the crazy guys I worked with was another turning point in my life. In my travels I noticed people seemed to live by a script, a script for life. Some poor souls had been given a bad script but they still lived by it, I worked out who gave them these scripts, good or bad. I discovered one's life script is vital in how we live our lives. One can rewrite one's script, but your belief system will try to stop you from changing your script. Firstly you have to learn how to over come your belief system, and then rewrite your script."

At the start of the twenty-first century, Cairo's cityscape has acquired a spectacular global touch. Its luxurious five-star hotels, high-rise office buildings, immaculately clean malls, and swanky coffee shops serving café latte and caesar salad, along with the budding gated communities in the city's desert expanses, exemplify three decades of economic liberalization. In the surrounding social landscape, the gradual abrogation of the Nasser-era structures that provided many with low-cost goods and services is dearly felt. This new study examines Cairo's experience of economic liberalization in an era of globalization. It asks what happened to a postcolonial middle class that was once the carrier of national aspirations and dreams. It explores how young middle-class professionals navigate Cairo's increasingly divided landscape and discusses the rise of a young uppermiddle class presence in the work, leisure, and public spaces of the city.