Cold War Correspondents

Taken together, these sources illuminate a rich history of private and professional lives at the heart of the superpower conflict.

Discover the Korean War through the eyes of the journalist who covered it in this installment of the New York Times bestselling graphic novel series In 1950, Marguerite Higgins (1920–1966) was made bureau chief of the Far East Asia desk for the New York Herald Tribune. Tensions were high on the Korean peninsula, where a border drawn after WWII split the country into North and South. When the North Korean army crossed the border with Soviet tanks, it was war. Marguerite was there when the Communists captured Seoul. She fled with the refugees heading south, but when the bridges were blown over the Han River, she was trapped in enemy territory. Her eyewitness account of the invasion was a newspaper smash hit. She risked her life in one dangerous situation after another––all for the sake of good story. Then she was told that women didn’t belong on the frontlines. The United States Army officially ordered her out of Korea. She appealed to General Douglas MacArthur, and he personally lifted the ban on female war correspondents, which allowed her the chance to report on many of the major events of the Korean War. Nathan Hale’s Hazardous Tales are graphic novels that tell the thrilling, shocking, gruesome, and TRUE stories of American history. Read them all—if you dare!

Foreign correspondents played a crucial role in promoting the ideas and values of the Cold War. As they brought the foreign world to their Soviet and American readers, these journalists projected their own ideologies onto their reporting. In an age of mutual acrimony and closed borders, journalists were among the few individuals who crossed the Iron Curtain. Their reporting strongly influenced the ways that policy makers, pundits, and ordinary people came to understand the American or the Soviet "other." In Cold War Correspondents, Dina Fainberg examines how Soviet and American journalists covered the rival superpower and how two distinctive sets of truth systems, professional practices, and political cultures shaped international reporting. Fainberg explores private and public interactions among multiple groups that shaped coverage of the Cold War adversary, including journalists and their sources, editors, news media executives, government officials, diplomats, American pundits, Soviet censors, and audiences on both sides. Foreign correspondents, Fainberg argues, were keen analytical observers who aspired to understand their host country and probe its depths. At the same time, they were fundamentally shaped by their cultural and institutional backgrounds—to the point that their views of the rival superpower were refracted through values of their own culture. International reporting grounded and personalized the differences between the two nations, describing the other side in readily recognizable, self-referential terms. Fundamentally, Fainberg demonstrates, Americans and Soviets during the Cold War came to understand themselves through the creation of images of each other. Drawing on interviews with veteran journalists and Soviet dissidents, Cold War Correspondents also uses previously unexamined Soviet and US government records, newspaper and news agency archives, rare Soviet cartoons, and individual correspondents' personal papers, letters, diaries, books, and articles. Striking black-and-white photos depict foreign correspondents in action. Taken together, these sources illuminate a rich history of private and professional lives at the heart of the superpower conflict.

The War Correspondent looks at the role of the war reporter today: the attractions and the risks of the job; the challenge of objectivity and impartiality in the war zone; the danger of journalistic independence being compromised by military control, censorship, and public relations; as well as the commercial and technological pressures of an intensely concentrated, competitive news media environment. This new edition substantially updates the original, ending with an extended section on the return of history and ideology to the reporting of international conflict, and interviews with prominent war and foreign correspondents including John Pilger, Robert Fisk, Mary Dvesky, and Alex Thomson.

A personal journey through some of the darkest moments of the cold war and the early days of television news Marvin Kalb, the award-winning journalist who has written extensively about the world he reported on during his long career, now turns his eye on the young man who became that journalist. Chosen by legendary broadcaster Edward R. Murrow to become one of what came to be known as the Murrow Boys, Kalb in this newest volume of his memoirs takes readers back to his first days as a journalist, and what also were the first days of broadcast news. Kalb captures the excitement of being present at the creation of a whole new way of bringing news immediately to the public. And what news. Cold War tensions were high between Eisenhower's America and Khrushchev's Soviet Union. Kalb is at the center, occupying a unique spot as a student of Russia tasked with explaining Moscow to Washington and the American public. He joins a cast of legendary figures along the way, from Murrow himself to Eric Severeid, Howard K. Smith, Richard Hottelet, Charles Kuralt, and Daniel Schorr among many others. He finds himself assigned as Moscow correspondent of CBS News just as the U2 incident—the downing of a US spy plane over Russian territory—is unfolding. As readers of his first volume, The Year I Was Peter the Great, will recall, being the right person, in the right place, at the right time found Kalb face to face with Khrushchev. Assignment Russia sees Kalb once again an eyewitness to history—and a writer and analyst who has helped shape the first draft of that history.

"A riveting look at Cold War journalism behind the Iron Curtain by a Russian-American reporter who was later falsely accused of spying and thrown into a Russian prison. Daniloff sheds light on such prominent figures as Nikita Khrushchev, Henry Kissinger, and suspected spies Frederick Barghoorn, John Downey, and Sam Jaffe"--Provided by publisher.

Experience the New York Times bestselling graphic novel—now as a deluxe, oversized edition featuring 15 brand-new pages of mini-comics The Bigger & Badder editions of Nathan Hale’s Hazardous Tales continues! Nathan Hale (the author’s namesake) was America’s first spy, a Revolutionary War hero who famously said “I only regret that I have but one life to lose for my country” before being hanged by the British. In Nathan Hale’s Hazardous Tales, author Hale channels his historical döppelganger to present history’s roughest, toughest, strangest stories. This book tackles the story of Nathan Hale himself, who was an officer for the American rebels in the Revolutionary War and was eventually hanged for spying. This special edition of One Dead Spy features a larger trim size, a deluxe package, and 16 pages of bonus material, including research photos, sketches, and mini-comics from the author. Nathan Hale’s Hazardous Tales are graphic novels that tell the thrilling, shocking, gruesome, and TRUE stories of American history. Read them all—if you dare!

Winner of a Jewish National Book Award and author of The List and Jacob's Oath, both of which achieved outstanding critical acclaim, NBC Special Correspondent Martin Fletcher delivers another breathtaking tale of love, war, and redemption. Tom Layne was a world-class television correspondent until his life collapsed in Sarajevo. Beaten and humiliated, he fell into a hole diagnosed as Post Traumatic Stress Disorder. Eleven years later he returns to the Balkans to film a documentary on the man who caused his downfall: Ratko Mladic, Europe's biggest killer since Hitler, wanted for genocide and crimes against humanity. Mysterious forces have protected Mladic for a decade, preventing his arrest, and these shadowy but deadly foes swing into action against the journalist. Tom soon falls into a web of intrigue and deceit that threatens his life as well as that of the woman he loves. Drawing upon his own experiences reporting on the wars in Bosnia and Sarajevo, Martin Fletcher has written a searing love story and a painfully authentic account of a war reporter chasing down the scoop of a lifetime.