Common Hymnsense

Russian Baptists and the Orthodox Church have had a difficult and – at times – dramatic relationship over the past century and a half. However, the purpose of this thesis is to examine certain internal connections between these two Christian bodies. Despite the evident dissimilarity – in theology, church practice and traditions – there is common ground which has been largely unexplored. A number of features inevitably brought them together, such as living in the same country over a long period of time, sharing a history and national roots, responding to the same civic concerns, and finally – until recently – using the same Russian (“Synodal”) translation of the Bible. This thesis explores, first of all, the roots of the issue of Orthodox-Baptist similarities and dissimilarities in the nineteenth century. The remainder of the thesis focuses on 1960 to 1990. There is a chapter analyzing the way in which, in significant areas, Russian Baptist theology resembled Orthodox thinking. This is followed by a study of church and sacraments, which again shows that Russian Baptist approaches had echoes of Orthodoxy. The thesis then explores Baptist liturgy, showing the Orthodox elements that were present. The same connections are then explored in the area of Russian Baptist communal spiritual traditions. The examination of the Bible, beliefs and behaviour also indicates the extent to which Russian Baptists mirrored Orthodoxy. Finally there is an analysis of the popular piety of the Russian Baptists and the way in which they constructed an alternative culture. The basic views of Russian Baptists between the 1960s and 1990 have been drawn from periodicals of the Russian Baptist communities and from interviews with pastors (presbyters) and church members who were part of these communities. This often yields insights into “primary theology”, which in relation to many issues differs from official Baptist declarations that tend to stress the more Protestant aspects of Russian Baptist life. The aim of the thesis is to show that in a period in the history of the USSR when the division between the Western world and the Soviet bloc was marked, there was a strong Eastern orientation among Russian Baptists. This changed when the USSR came to an end. Over a number of years there was mass emigration of Russian Baptists and, in addition, pro-Western thinking gained considerable ground within the Russian Baptist community. During the period examined here, however, it is possible to uncover a great deal of evidence of Russian Baptists participating in Orthodox theology, spiritual mentality and culture.

valuable gift from other cultures to our own 7 sung prayers that can broaden the ways we pray and sing together in corporate worship. His extensive research leads to some intriguing proposals, with Hawn encouraging diverse expressions of worship, endorsing the church musician as a worship 3enlivener,4 and making a case for 3polyrhythmic worship4 in our churches. A unique resource, Gather into One demonstrates the spiritual riches to be gained through multicultural worship and makes a

As Christianity has boomed in the non-Western world, several significant questions have emerged regarding how worship and culture relate. Charles Farhadian here presents a timely investigation of the interaction between culture and worship. Leading scholars -- experts in history, mission, culture, and liturgy -- offer diverse essays addressing worship in the context of worldwide Christianity. At the heart of Christian Worship Worldwide are several case studies from Africa, Asia, Latin America, and the Pacific that explore the contours of particular nations, cultures, and liturgical actions. These essays show how Christian plurality is most vividly exemplified in the context of worship, where language, song, culture, and indigenous theology come together. Contributors: M. L. Daneel Samuel Escobar Charles E. Farhadian C. Michael Hawn Seung Joong Joo Ogbu U. Kalu Thomas A. Kane Miguel A. Palomino Robert J. Priest Dana L. Robert Lamin Sanneh Bryan D. Spinks Andrew F. Walls Philip L. Wickeri John D. Witvliet

Paul Westermeyer, a professor of church music at Luther Seminary, St. Paul, Minnesota, explores the theme of justice in hymns over the decades. "Let Justice Sing" explores the content, context, and importance of justice within the "warp and woof" of hymnody.

Most of what is written on Kierkegaard today is for the college classroom and academic conferences. The guiding question of this book is that if Kierkegaard's words about Christianity are true, how do they change the way we learn and practice the Christian faith today? This book is an answer to that question. It does not enter into an extended critical discussion over the truth of Kierkegaard's ideas. Instead it just believes what Kierkegaard said and runs with it. It does that by showing how his ideas change our understanding of Christian identity, suffering and illness, worship and preaching, the Bible, baptism, prayer, marriage and divorce, criticism, and the Christian minister. Interspersed are many quotations from Martin Luther, whose thought significantly shaped Kierkegaard's. At the end of the book is a hefty collection of sermons to show how all of this can be preached in the church. What Kierkegaard for the Church adds to our understanding of Kierkegaard is the place of the church in his thought. Because of his criticisms of the Danish state church and his stress on the need for the single individual to appropriate Christian teachings, it could be imagined that he rejected the church. But that would be to throw the baby out with the bath. The fact is that Kierkegaard remained a loyal son of the church even while he attacked it. And he did this only so he could strengthen what he loved.

Examines worship in church settings around the globe and provides a practical manual for shaping liturgies that are informed by and relevant to contemporary missional contexts.