Commonplaces

This book focuses on the uses of scientific evidence within three types of environmental discourses: popular nonfiction books about the environment; traditional and social media texts created by a grassroots environmental group; and a set of data displays that make arguments about global warming in a variety of media and contexts. It traces the operations of eight commonplaces about science and shows how they recur throughout these contexts, starting with Rachel Carson’s Silent Spring and ending with contemporary blogs and social media. The commonplaces are shown to embed ideological assumptions and simultaneously challenge those assumptions. In addition, the book addresses the potential dangers involved in relying too heavily on aspects of these commonplaces, and how they can undermine the goals of some of the writers who use them.

Jacques Ellul--much less solemn in mood than usual--here cracks open political and sociological commonplaces, destructively and wittily demonstrating how our unthinking acceptance of them encourages hypocrisy, smugness, and mental inertia. Among the stereotypes of thought and speech thus exploded are such phrases as "You can't act without getting your hands dirty," "Work is freedom," "We must follow the current of history," and "Women find their freedom (dignity) in work." A certain number of these old saws preside over our daily life. They permit us to understand one another and to swim in the ordinary current of society. They are accepted as so certain that we almost never question them. They serve at once as sufficient explanations for everything and as "clinchers" in too many arguments. Ellul explores the ways in which such clichs mislead us and prevent us from having independent thoughts--and in fact keep us from facing the problems to which they are theoretically addressed. They are the "new commonplaces." Just as the nineteenth century brought forth many such commonplaces (they are enshrined in Leon Bloy's Exgse and Flaubert's Dictionnaire des ides reues), so our century has been busy creating its own. What Ellul has done is to stand still long enough to look at them carefully, attack them with cool reason, and leave them nakedly exposed. In this remarkable document, Ellul's caustic fearlessness is at the service of truths that often are cruel, but always are lucid and impassioned. He represents the voice of intelligence, and while doing so is often hilarious and always therapeutic about matters of first importance.

This book interprets popular American belief and sentiment about cities, suburbs, and small towns in terms of community ideologies. Based on in-depth interviews with residents of American communities, it shows how people construct a sense of identity based on their communities, and how they perceive and explain community problems (e.g., why cities have more crime than their suburban and rural counterparts) in terms of this identity. Hummon reveals the changing role of place imagery in contemporary society and offers an interpretation of American culture by treating commonplaces of community belief in an uncommon way—as facets of competing community ideologies. He argues that by adopting such ideologies, people are able to "make sense" of reality and their place in the everyday world.

Preliminary Material -- OUT OF THE ABYSS: COMMONPLACES OF REPETITION AND REDEMPTION -- GLISSANT'S COMMON PLACES -- WALCOTT'S ALLEGORY OF HISTORY -- A BACKWARD FAITH IN WALCOTT'S “THE SCHOONER FLIGHT” -- CLAUDIA RANKINE: JANE EYRE'S BLUES AT THE END OF THE ALPHABET -- DEAR DIARY: AMANIFESTO - WEREWERE LIKING'S ELLE SERA DE JASPE ET DE CORAIL -- RITUALIZING UTOPIA IN ELLE SERA DE JASPE ET DE CORAIL -- MASKS OF AFFLICTION IN FRANKÉTIENNE'S HAITI -- FRANKÉTIENNE'S LOGORRHEA: AN EXCESS OF SEEMING -- “THE HORIZON DEVOURS MY VOICE”: NOTES ON TRANSLATION -- BIBLIOGRAPHY -- INDEX.

William Byrd II (1674-1744) was an important figure in the history of colonial Virginia: a founder of Richmond, an active participant in Virginia politics, and the proprietor of one of the colony's greatest plantations. But Byrd is best known today for his diaries. Considered essential documents of private life in colonial America, they offer readers an unparalleled glimpse into the world of a Virginia gentleman. This book joins Byrd's Diary, Secret Diary, and other writings in securing his reputation as one of the most interesting men in colonial America. Edited and presented here for the first time, Byrd's commonplace book is a collection of moral wit and wisdom gleaned from reading and conversation. The nearly six hundred entries range in tone from hope to despair, trust to dissimulation, and reflect on issues as varied as science, religion, women, Alexander the Great, and the perils of love. A ten-part introduction presents an overview of Byrd's life and addresses such topics as his education and habits of reading and his endeavors to understand himself sexually, temperamentally, and religiously, as well as the history and cultural function of commonplacing. Extensive annotations discuss the sources, background, and significance of the entries.