Comparing Cowboys And Frontiers

Historians of the American West, perhaps inspired by NAFTA and Internet communication, are expanding their intellectual horizons across borders north and south. This collection of essays functions as a how-to guide to comparative frontier research in the Americas. Frontiers specialist Richard W. Slatta presents topics, techniques, and methods that will intrigue social science professionals and western history buffs alike as he explores the frontiers of North and South America from Spanish colonial days into the twentieth century. The always popular cowboy is joined by the fascinating gaucho, llanero, vaquero, and charro as Slatta compares their work techniques, roundups, songs, tack, lingo, equestrian culture, and vices. We visit saloons and pulperias as well as plains and pampas, and Slatta expertly compares clothing, weather, terrain, diets, alcoholic beverages, card games, and military tactics. From primary records we learn how Europeans, Native Americans, and African Americans became the ranch hands, cowmen, and buckaroos of the Americas, and why their dependence on the ranch cattle industry kept them bachelors and landless peons.

The American cowboy has long been a popular figure in fiction, motion pictures, and studies of the West, but over the years inaccuracies have crept in, distorting the image of the real cowboy. Philip Ashton Rollins, in The Cowboy, sets out to provide a complete, accurate handbook on the everyday life of the cowboy - trailing, herding, branding, round-up, and horsebreaking. He also discusses tools of the trade, including types of saddles, bits, riatas, boots, and spurs. Most vivid is his presentation of the cowboy's personality, code, mores, and amusements. This new paperback edition, a reprint of the enlarged (1936) edition, contains revisions to the text of the first edition, a new chapter on riding "buckers, " thirty-one illustrations, and an index. In a new foreword, Richard W. Slatta discusses Rollin's life and compares modern histories of the cowboy with Rollins's classic volume.

This cultural journey down memory lane showcases how major Western figures, events, and places have been portrayed in folk legends, art, literature, and popular culture. Ever since the days of the 49ers and George Armstrong Custer, the Old West has been America's most potent source of legend. But it is sometimes hard to separate fact from fiction. Did you know, for example, that Annie Oakley was a talented marksman who shot an estimated 40,000 rounds per year while practicing and performing for Buffalo Bill Cody's Wild West Show in the late l800s? Or that many interpreters believe that The Wonderful Wizard of Oz is not just a fairy tale, but also a Populist allegory? These are just two of the folk legends dissected and examined in this veritable cultural geography. The volume covers everything from billionaire Howard Hughes and composer Aaron Copeland to Aztlan (the legendary first city of the Aztecs) and Area 51, the top-secret U.S. Air Force base at Groom Lake, Nevada, that has fascinated UFO and conspiracy buffs.

Suggesting that better understanding of conflicts between Anglo and Latin America can come from the study of their contrasting popular fictions, the author compares the traditional attachment in Latin America to government by a strong man--a caudillo--to the diametrically opposed expansionist frontier ideology of the United States--the cowboy--who makes space safe for Anglo colonization.

The lives of American cowboys have been both real and mythic. This work explores cowboy music dress, humour, films and literature in sixteen essays and a bibliography. These essays demonstrate that the American cowboy is a knight of the road who, with a large hat, tall boots and a big gun, rode into legend and into the history books.

Prostitution, gunfights, barroom brawls and cattle rustling - while prevailing images from the American old West - have typically been absent from histories of the Canadian frontier. In Cowboys, Gentlemen, and Cattle Thieves Warren Elofson demonstrates that the Canadian frontier was less restrained, law-abiding, and insulated from death and violence than has been believed. He challenges traditional views that Canadian ranching society was a microcosm of the "Old World," arguing that the greatest influence on ranchers and settlers was the need to deal with the frontier environment.

Herding cattle from horseback has been a tradition in northern Mexico and the American West since the Spanish colonial era. The first mounted herders were the Mexican vaqueros, expert horsemen who developed the skills to work cattle in the brush country and deserts of the Southwestern borderlands. From them, Texas cowboys learned the trade, evolving their own unique culture that spread across the Southwest and Great Plains. The buckaroos of the Great Basin west of the Rockies trace their origin to the vaqueros, with influence along the way from the cowboys, though they, too, have ways and customs distinctly their own. In this book, three long-time students of the American West describe the history, working practices, and folk culture of vaqueros, cowboys, and buckaroos. They draw on historical records, contemporary interviews, and numerous photographs to show what makes each group of mounted herders distinctive in terms of working methods, gear, dress, customs, and speech. They also highlight the many common traits of all three groups. This comparative look at vaqueros, cowboys, and buckaroos brings the mythical image of the American cowboy into focus and detail and honors the regional and national variations. It will be an essential resource for anyone who would know or portray the cowboy—readers, writers, songwriters, and actors among them.

In Frontier Cattle Ranching in the Land and Times of Charlie Russell, Warren Elofson debunks the myth of the American "wild west" and the Canadian "mild west" by demonstrating that cattlemen on both sides of the forty-ninth parallel shared a common experience. Focusing on Montana, Southern Alberta, Southern Saskatchewan, and the well-known figure of Charlie Russell - an artist and storyteller from that era who spent time on both sides of the border - Elofson examines the lives of cowboys and ranch owners, looking closely at the prevalence of drunkenness, prostitution, gunplay, rustling, and vigilante justice in both Canada and the United States.