Confessions Of A Hollywood Agent

"A novel of a Hollywood courtesan and her procurer, who rise in the film world of the 50's and early 60's. Clint the agent, and Dorothy the star, manipulate the Hollywood Godfather, Castro, JFK, an international playboy ... and one another"--Cover

The excitement then continues as Bare takes us through the highs and lows of his life and career, always with humor."--BOOK JACKET.

For more than 60 years, Arthur Wilde has been a motion picture publicist. In that time, he has been threatened with death, with bankruptcy, with blacklisting, and with lawsuits. He's been seduced, beloved, betrayed, divorced, and fired more times than he can remember. Now, Wilde has paused long enough to write down his memories of Hollywood as it was in the good old days, revealing his dealings with a veritable rogues' gallery of famous people.

For fans of Argo and Fair Game, "a lively, absorbing investigation." —Library Journal Spies are supposed to keep quiet, never betraying their agents or discussing their operations. Somehow, this doesn’t apply to the CIA, whose former officers have written memoirs commanding huge advances and attracting enormous publicity. As an intelligence service dependent on its ability to protect sensitive information, however, it’s no surprise that the CIA has fought back. In Company Confessions, award-winning author Christopher Moran digs deep into this tumultuous relationship between the CIA and former agents who try to go public about their careers. He delves into the motivations of spies like CIA officer Valerie Plame, whose identity was leaked by the Bush White House and who reportedly received $2.5 million for her book Fair Game, and exposes the politics and practices of the CIA and its Publications Review Board, including breaking into publishing houses and secretly authorizing pro-agency “memoirs.” Drawing on interviews; the private correspondence of such legendary spies as Allen Dulles, William Colby, and Richard Helms; and declassified CIA files, Company Confessions examines why America’s spies are so willing to share their stories, the damage inflicted when they leak the nation’s secrets, and the fine line between censorship on the grounds of security and censorship for the sake of reputation.

Features a history of the Hollywood community and its wartime films. Seeing Hollywood as a forcefield, the author examines the social networks, working relationships, and political activities of artists, intellectuals, and film workers who flocked to Hollywood from Europe and the eastern United States before and during the second world war.

Everyone who has ever thought about writing or working in Hollywood will want to read this book. These are the personal and often outrageous adventures of a veteran screenwriter who has worked extensively for the major studios, as well as with major directors such as Richard Donner and James Cameron. There are abundant writing lessons to be learned here, but "life" lessons, as well. In fact, this story is about "getting over" Hollywood, more than just "getting into" Hollywood. Readers looking past the material or superficial (e.g., celebrity) for something more meaningful in their lives, will find this book truly uplifting. "If youre thinking of being a screenwriter, jamming all your possessions into a subcompact and driving cross-country, then it behooves you to read Carters experiences." Tim CliftonRenaissance Magazine

In this book you'll find everything you always wanted to know about the real, honest-to-not-so-goodness, day-to-day inner workings of Hollywood. Not the glamorous Oscar-winning-Spielberg-red-carpet Hollywood, but the real-life daily grind of working Hollywood. For the very first time, a Hollywood film agent has opened up her phone sheet and crackberry to show us how agents, writers, and directors function in a world of producers, development executives, and studio executives. This isn't another book dishing the dirt about the rich and famous; it's a fresh, tell-all translation from Hollywood-speak to plain English, a peek behind the wizard's curtain into a culture that's rarely captured without cliche and hyperbole. You'll learn how to get an agent, how to keep one, what they do, and what they don't do. You'll learn how agents navigate through the murky, film-world politics and even why agents are such infamous liars.