Conservation And Painting Techniques Of Wall Paintings On The Ancient Silk Road

This book presents recent research on ancient Silk Road wall paintings, providing an up-to-date analysis of their coloring materials and techniques, and of developments in efforts to preserve them. The destruction of the Bamiyan Buddhas in 2001 encouraged international collaboration between conservation research institutes to study and protect the Silk Road’s painted heritage. The collaborations led to exciting new discoveries of the rich materials used in wall painting, including diverse pigments and colorants, and various types of organic binding media. In addition, comparative research across the region revealed shared painting practices that indicate the sophisticated exchange of technologies and ideas. In parallel with these advances in technical understanding, greater awareness and sensitivity has been fostered in endeavors to preserve this fragile heritage. The book offers insights obtained from conservation projects and ongoing research, that encompass the geographical regions and periods related to the Silk Road, including from Japan, China, Korea, India and Afghanistan, and countries of the Eastern Mediterranean region. It also discusses the current issues and future challenges in the field. Featuring concise chapters, the book is a valuable resource for students and professionals in the field of cultural heritage preservation, as well as those who are not familiar with the fascinating topic of Silk Road wall painting research.

This book presents recent research on ancient Silk Road wall paintings, providing an up-to-date analysis of their coloring materials and techniques, and of developments in efforts to preserve them. The destruction of the Bamiyan Buddhas in 2001 encouraged international collaboration between conservation research institutes to study and protect the Silk Road's painted heritage. The collaborations led to exciting new discoveries of the rich materials used in wall painting, including diverse pigments and colorants, and various types of organic binding media. In addition, comparative research across the region revealed shared painting practices that indicate the sophisticated exchange of technologies and ideas. In parallel with these advances in technical understanding, greater awareness and sensitivity has been fostered in endeavors to preserve this fragile heritage. The book offers insights obtained from conservation projects and ongoing research, that encompass the geographical regions and periods related to the Silk Road, including from Japan, China, Korea, India and Afghanistan, and countries of the Eastern Mediterranean region. It also discusses the current issues and future challenges in the field. Featuring concise chapters, the book is a valuable resource for students and professionals in the field of cultural heritage preservation, as well as those who are not familiar with the fascinating topic of Silk Road wall painting research.

This publication is a collection of 24 papers compiled from papers given at the colloquium and public symposium held by NRICP, Tokyo for its 29th Annual International Symposium on the Conservation and Restoration of Cultural Property in January 2006.

At the Mogao grottoes, a World Heritage Site near Dunhuang in the Gobi Desert, generations of Buddhist monks created hundreds of rock temples. Nearly five hundred of these grottoes remain, lined with painted clay sculptures and wall paintings that depict legends, portraits, customs, and the arts of China over a one-thousand-year period. This volume of symposium proceedings marks the culmination of the first phase of the Getty Conservation Institute’s collaborative project with the State Bureau of Culture Relics of the People’s Republic of China and the Dunhuang Academy.

Neville Agnew, senior principal project specialist at the GCI, is the author of numerous publications in research chemistry and conservation, including (with two coauthors) the book Cave Temples of Mogao: Art and History on the Silk Road. --Book Jacket.

This book gathers the latest advances, innovations and applications in the field of historic mortars and masonry structures conservation and restoration, as presented by international researchers and professionals at the 6th Historic Mortars Conference (HMC), held in Ljubljana, Slovenia, on September 21–23, 2022. It covers topics such as characterization of historic mortars and masonry structures—sampling and test methods; historic production, processing and application of mortars, renders and grouts; assessment of historic renders and plasters; conservation and preventing conservation case studies; repair mortars and grouts—requirements and design, compatibility issues, durability and effectiveness and adequacy of testing procedures. Special attention is given to historic mortars where one of the binders or the only binder is Portland cement and to the structures in which these materials are used. The contributions, which were selected through a rigorous international peer-review process, share new knowledge and exciting ideas that will help protect heritage buildings more efficiently and foster new multidisciplinary collaborations in this area. Chapter Performance Evaluation of Patch Repairs on Historic Concrete Structures (PEPS): An Overview of the Assessment Methodology is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

This book introduces aspects of polychromies at Persepolis in Iran and their context in a modern historiography of Achaemenid Persian Art.