Constructing A Global Polity

This book gives a novel understanding of the globalization debate as well as the structure of world politics. Drawing on Foucault and Waltz it suggests 'polity' as a third model of political structure beyond hierarchy and anarchy.

This volume of essays brings together John Gerard Ruggie's most influential theoretical ideas and their application to critical policy questions concerning the post-Cold War international order.

Constructing the World Polity brings together in one collection the theoretical ideas of one of the most influential International Relations theorists of our time. These essays, with a new introduction, and comprehensive connective sections, present Ruggie's ideas and their application to critical policy questions of the post-Cold War international order. Themes covered include: * International Organization. How the 'new Institutionalism' differs from the old. * The System of States. Explorations of political structure, social time, and territorial space in the world polity. * Making History. America and the issue of 'agency' in the post-Cold Was era. NATO and the future transatlantic security community. The United Nations and the collective use of force.

We live in a visual age. Images and visual artefacts shape international events and our understanding of them. Photographs, film and television influence how we view and approach phenomena as diverse as war, diplomacy, financial crises and election campaigns. Other visual fields, from art and cartoons to maps, monuments and videogames, frame how politics is perceived and enacted. Drones, satellites and surveillance cameras watch us around the clock and deliver images that are then put to political use. Add to this that new technologies now allow for a rapid distribution of still and moving images around the world. Digital media platforms, such as Twitter, YouTube, Facebook and Instagram, play an important role across the political spectrum, from terrorist recruitment drives to social justice campaigns. This book offers the first comprehensive engagement with visual global politics. Written by leading experts in numerous scholarly disciplines and presented in accessible and engaging language, Visual Global Politics is a one-stop source for students, scholars and practitioners interested in understanding the crucial and persistent role of images in today’s world.

Non-governmental organizations (NGOs) from Amnesty International and Oxfam to Greenpeace and Save the Children are now key players in global politics. This accessible and informative textbook provides a comprehensive overview of the significant role and increasing participation of NGOs in world politics. Peter Willetts examines the variety of different NGOs, their structure, membership and activities, and their complex relationship with social movements and civil society. He makes us aware that there are many more NGOs exercising influence in the United Nations system than the few famous ones. Conventional thinking is challenged in a radical manner on four questions: the extent of the engagement of NGOs in global policy- making; the status of NGOs within international law; the role of NGOs as crucial pioneers in the creation of the Internet; and the need to integrate NGOs within mainstream international relations theory. This is the definitive guide to this crucial area within international politics and should be required reading for students, NGO activists, and policy-makers.

Few notions are as universal as the idea of a left-right divide in politics. Despite its death being frequently foretold, the left-right metaphor remains the most common lens through which to interpret political life locally, nationally and globally. Left and Right in Global Politics argues that the left-right divide connects these different levels into a world political debate. Interpreting the left-right dichotomy as an enduring debate about equality, Noël and Thérien analyse opinion polls and social discourses to demonstrate how this debate shapes both individual and collective views of public affairs. Setting their findings in a historical perspective, they then show that for more than two centuries the conflict between progressives and conservatives has structured both domestic and international politics. They conclude by discussing the implications of their argument for the analysis of world politics, and contend that the left-right opposition is here to stay.

This cutting-edge text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. Written with a steampunk attitude, What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented layers of contemporary media culture. The author contextualizes media archaeology in relation to other key media studies debates including software studies, German media theory, imaginary media research, new materialism and digital humanities. What is Media Archaeology? advances an innovative theoretical position while also presenting an engaging and accessible overview for students of media, film and cultural studies. It will be essential reading for anyone interested in the interdisciplinary ties between art, technology and media.