Constructing The Image Of Muhammad In Europe

thevolume represents a significant contribution to the complex history of the conceptualization and pictorialization of the Prophet Muhammad in the West. It gives a rapid and though deep overview of the history of the making of an image of the Prophet Muhammad in Europe and thus reflects the whole history of the making of the image of Islam in the Latin West, from the early medieval times till the 19th century. The book also provides the reader with ready access to the most recent scholarship concerning the image of Muhammad in Europe, in the form of comprehensive footnotes provided throughout the text and an extensive bibliography.

"Reveals rivalry and confrontation, but also fascination for the exotic as she points out clichTs and distortions that have shaped western views of Islam and its founder."--Book News, Inc.Generations of Western writers --from the Crusades to the present.

By crossing disciplinary boundaries in the field of the humanities, this volume aims to elucidate Muhammad’s visualization in the West vis-à-vis his image in Islam. It does so not by relegating materials to geographical and/or linguistic spheres or by separating texts from images. Rather, it seeks to place various articles in thematic and theoretical conversation so as to explore more broadly how the Prophet has been constructed, visualized, narrated, encountered, revised, adapted, and adopted in multiple cultural traditions, in European and American traditions and in the world of Islam from the medieval era until the modern period.

Heretic and impostor or reformer and statesman? The contradictory Western visions of Muhammad In European culture, Muhammad has been vilified as a heretic, an impostor, and a pagan idol. But these aren’t the only images of the Prophet of Islam that emerge from Western history. Commentators have also portrayed Muhammad as a visionary reformer and an inspirational leader, statesman, and lawgiver. In Faces of Muhammad, John Tolan provides a comprehensive history of these changing, complex, and contradictory visions. Starting from the earliest calls to the faithful to join the Crusades against the “Saracens,” he traces the evolution of Western conceptions of Muhammad through the Reformation, the Enlightenment, and the nineteenth and twentieth centuries, and up to the present day. Faces of Muhammad reveals a lengthy tradition of positive portrayals of Muhammad that many will find surprising. To Reformation polemicists, the spread of Islam attested to the corruption of the established Church, and prompted them to depict Muhammad as a champion of reform. In revolutionary England, writers on both sides of the conflict drew parallels between Muhammad and Oliver Cromwell, asking whether the prophet was a rebel against legitimate authority or the bringer of a new and just order. Voltaire first saw Muhammad as an archetypal religious fanatic but later claimed him as an enemy of superstition. To Napoleon, he was simply a role model: a brilliant general, orator, and leader. The book shows that Muhammad wears so many faces in the West because he has always acted as a mirror for its writers, their portrayals revealing more about their own concerns than the historical realities of the founder of Islam.

This collection examines the role of Britain in the Islamic world. It offers insight into the social, political, diplomatic, and military issues that arose over the centuries of British involvement in the region, particularly focusing on the nineteenth and twentieth centuries. British involvement can be separated into three phases: Discovery, Colonization and Decolonization, and Post-Empire. Decisions made by individual traders and high governmental officials are examined to understand how Great Britain impacted the Islamic world through these periods and, conversely, how events in the Islamic world influenced British decisions within the empire, in protection of the empire, and in the wake of the empire. The essays consider early perceptions of Islam, the role of trade, British-Ottoman relations, and colonial rule and control through religion. They explore British influence in a number of countries, including Somalia, Egypt, Palestine, Iran, Iraq, the Gulf States, India, and beyond. The final part of the book addresses the lasting impact of British imperial rule in the Islamic world.

If films drawing on Middle East tropes often highlight white Westerners, figures such as Sinbad and the Thief of Bagdad embody a counter-tradition of protagonists, derived from Islamic folklore and history, who are portrayed as ‘Other’ to Western audiences. In Muslim Heroes on Screen, Daniel O’Brien explores the depiction of these characters in Euro-American cinema from the silent era to the present day. Far from being mere racial masquerade, these screen portrayals are more complex and nuanced than is generally allowed, not least in terms of the shifting concepts and assumptions that inform their Muslim identity. Using films ranging from Douglas Fairbanks’ The Thief of Bagdad, The 7th Voyage of Sinbad, El Cid, Kingdom of Heaven and The Message to The Wind and the Lion, O’Brien considers how the representational strategies of Western filmmakers may transcend such Muslim stereotypes as fanatic antagonists or passive victims. These figures possess a cultural significance which cannot be fully appreciated by Euro-American audiences without reference to their distinction as Muslim heroes and the implications and resonances of an Islamicized protagonist.

Dynamics of Islam in the Modern World scrutinizes and analyzes Islam in context. It posits Muslims not as independent and autonomous, but as relational and interactive agents of change and continuity who interplay with Islamic(ate) sources of self and society as well as with resources from other traditions. Representing multiple disciplinary approaches, the contributors to this volume discuss a broad range of issues, such as secularization, colonialism, globalization, radicalism, human rights, migration, hermeneutics, mysticism, religious normativity and pluralism, while paying special attention to three geographical settings of South Asia, the Middle East and Euro-America.

This book offers a fresh appraisal of Muhammad that considers the widest possible history of the ways in which Christians have assessed his prophethood. To medieval Christian communities, Muhammad-the leader of a religious and political community that grew quickly and with relative success-was an enigma. Did God really send him as a prophet with a revelation? Was the political success of the community he founded a divine validation? Or were he and his followers inspired by something evil? Despite their attempts, modern Christians continued to be puzzled by Muhammad. The Qur'an provided a framework for understanding and honouring Jesus; was it possible for Christians to reciprocate with regard to Muhammad? This book applies the same analysis to both medieval and modern assessments of Muhammad, in order to demonstrate the continuities and disparities present in literature from the two eras.