Contemporary Ukraine On The Cultural Map Of Europe

The concept of a 'return to Europe' has been integral to the movement for Ukrainian national rebirth since the nineteenth century. While the goal of a more fully reformed politics remains elusive, numerous expressions of Ukrainian culture continue to develop in the European spirit. This wide-ranging book explores Ukraine's European cultural connection, especially as it has been reestablished since the country achieved independence in 1991. The contributors discusses many aspects of Ukraine's contemporary culture - history, politics, and religion in Part I; literary culture in Part II; and language, popular culture, and the arts in Part III. What emerges is a fascinating picture of a young country grappling with its divided past and its colonial heritage, yet asserting its voice and preferences amid the diverse and at times conflicting realities of the contemporary political scene. Europe becomes a powerful point of reference, a measure against which the situation in post-independence Ukraine is gouged and debated. This framework allows for a better understanding of the complexities deeply ingrained in the social fabric of Ukrainian society.

Ukraine and Europe challenges the popular perception of Ukraine as a country torn between Europe and the east. Twenty-two scholars from Europe, North America, and Australia explore the complexities of Ukraine’s relationship with Europe and its role the continent’s historical and cultural development. Encompassing literary studies, history, linguistics, and art history, the essays in this volume illuminate the interethnic, interlingual, intercultural, and international relationships that Ukraine has participated in. The volume is divided chronologically into three parts: the early modern era, the 19th and 20th century, and the Soviet/post-Soviet period. Ukraine in Europe offers new and innovative interpretations of historical and cultural moments while establishing a historical perspective for the pro-European sentiments that have arisen in Ukraine following the Euromaidan protests.

To migrate or not to migrate: that is the question. This book discusses migration in the highly topical context of Ukraine, and explores the imaginations, life-stories, aspirations and life-projects of people in Ukraine through a consideration of Ukrainian migration to the European Union (EU) from the perspective of the sending-country. Building on the existing literature and drawing on a rich variety of empirical data and field research, this text addresses migration by Ukrainian nationals into the EU, and how and why people leave or stay in Ukraine. The book also considers questions of subjectivity, the self and the construction of narratives, and contributes more widely to the significant academic and policy debates surrounding Ukrainian migration in the EU.

In the wake of Russia’s annexation of Crimea, this volume examines the relationship Russia has with its so-called ‘compatriots abroad’. Based on research from Belarus, Estonia, Kazakhstan, Latvia and Ukraine, the authors examine complex relationships between these individuals, their home states, and the Russian Federation. Russia stands out globally as a leading sponsor of kin-state nationalism, vociferously claiming to defend the interests of its so-called diaspora, especially the tens of millions of ethnic Russians and Russian speakers who reside in the countries that were once part of the Soviet Union. However, this volume shifts focus away from the assertive diaspora politics of the Russian state, towards the actual groups of Russian speakers in the post-Soviet space themselves. In a series of empirically grounded studies, the authors examine complex relationships between ‘Russians’, their home-states and the Russian Federation. Using evidence from Belarus, Estonia, Kazakhstan, Latvia, and Ukraine, the findings demonstrate multifaceted levels of belonging and estrangement with spaces associated with Russia and the new, independent states in which Russian speakers live. By focusing on language, media, politics, identity and quotidian interactions, this collection provides a wealth of material to help understand contemporary kin-state policies and their impact on group identities and behaviour. The chapters in this book were originally published as a special issue of Europe-Asia Studies.

Ukraine and Europe challenges the popular perception of Ukraine as a country torn between Europe and the east. Twenty-two scholars from Europe, North America, and Australia explore the complexities of Ukraine's relationship with Europe and its role the continent's historical and cultural development. Encompassing literary studies, history, linguistics, and art history, the essays in this volume illuminate the interethnic, interlingual, intercultural, and international relationships that Ukraine has participated in. The volume is divided chronologically into three parts: the early modern era, the 19th and 20th century, and the Soviet/post-Soviet period. Ukraine in Europe offers new and innovative interpretations of historical and cultural moments while establishing a historical perspective for the pro-European sentiments that have arisen in Ukraine following the Euromaidan protests.

In a century marked by totalitarian regimes, genocide, mass migrations, and shifting borders, the concept of memory in Eastern Europe is often synonymous with notions of trauma. In Ukraine, memory mechanisms were disrupted by political systems seeking to repress and control the past in order to form new national identities supportive of their own agendas. With the collapse of the Soviet Union, memory in Ukraine was released, creating alternate visions of the past, new national heroes, and new victims. This release of memories led to new conflicts and "memory wars." How does the past exist in contemporary Ukraine? The works collected in The Burden of the Past focus on commemorative practices, the politics of history, and the way memory influences Ukrainian politics, identity, and culture. The works explore contemporary memory culture in Ukraine and the ways in which it is being researched and understood. Drawing on work from historians, sociologists, anthropologists, psychologists, and political scientists, the collection represents a truly interdisciplinary approach. Taken together, the groundbreaking scholarship collected in The Burden of the Past provides insight into how memories can be warped and abused, and how this abuse can have lasting effects on a country seeking to create a hopeful future.

" Nearly three decades after the fall of the Berlin Wall, early hopes for the integration of the post-Soviet states into a "Europe whole and free" seem to have been decisively dashed. Europe itself is in the midst of a multifaceted crisis that threatens the considerable gains of the post-war liberal European experiment. In Russia, the Former Soviet Republics, and Europe Since 1989, Katherine Graney provides a panoramic and historically-rooted overview of the process of "Europeanization" in Russia and all fourteen of the former Soviet republics since 1989. Graney argues that deeply rooted ideas about Europe's cultural-civilizational primacy and concerns about both ideological and institutional alignment with Europe continue to influence both internal politics in contemporary Europe and the processes of Europeanization in the post-Soviet world. By comparing the effect of the phenomenon across Russia and the ex-republics, Graney provides a theoretically grounded and empirically rich window into how we should study politics in the former USSR. "--

This pioneering book is the first to present the postwar phenomenon of the New York Group of Ukrainian émigré poets as a case study for exploring cultural and aesthetic ramifications of exile. It focuses on the poets' diasporic and transnational connections both with their country of origin and their adopted homelands, underscoring the group's role in the shaping of the cultural and literary image of Ukraine abroad. Displacements, forced or voluntary, engender states of alterity, states of living in-between, living in the interstices of different cultures and different linguistic realities. The poetry of the founding members of the New York Group reflects these states admirably. The poets accepted their exilic condition with no grudges and nurtured the link with their homeland via texts written in the mother tongue. This account of the group's output and legacy will appeal to all those eager to explore the poetry of East European nations and to those interested in larger cultural contexts for the development of European modernisms.