Contra Patarenos

When Cathars and Patarenes were spreading in western Europe, the Pisan scholar Hugh Eteriano, adviser to Manuel Comnenus on western church affairs, found a group of Patarenes among the western residents in Constantinople and wrote this previously unpublished treatise about them.

In a searching challenge to the paradigm of medieval Christian dualism, this study reenvisions the Paulicians as largely conventional Christians engendered by complex socio-religious forces in the borderlands of Armenia and Asia Minor.

This book bridges Japanese and European scholarly approaches to ecclesiastical history to provide new insights into how the papacy conceptualised its authority and attempted to realise and communicate that authority in ecclesiastical and secular spheres across Christendom. Adopting a broad, yet cohesive, temporal and geographical approach that spans the Early to the Late Middle Ages, from Europe to Asia, the book focuses on the different media used to represent authority, the structures through which authority was channelled and the restrictions that popes faced in so doing, and the less certain expression of papal authority on the edges of Christendom. Through twelve chapters that encompass key topics such as anti-popes, artistic representations, preaching, heresy, the crusades, and mission and the East, this interdisciplinary volume brings new perspectives to bear on the medieval papacy. The book demonstrates that the communication of papal authority was a two-way process effected by the popes and their supporters, but also by their enemies who helped to shape concepts of ecclesiastical power. Communicating Papal Authority in the Middle Ages will appeal to researchers and students alike interested in the relationships between the papacy and medieval society and the ways in which the papacy negotiated and expressed its authority in Europe and beyond.

This volume presents the latest historical, theological and site-specific developments in the study of the Image of Edessa, shedding new light onto various different aspects of the icon. Experts from Russia, Spain, Australia, Georgia, Italy and the United Kingdom bring their latest findings together in order to reach a deeper understanding of this fascinating object.

The question of the reality of Cathars and other heresies is debated in this provocative collection.

The Image of Edessa was an image of Christ, which, according to tradition, was of miraculous origin. It was taken from Edessa to Constantinople in 944, and disappeared from known history in the aftermath of the Fourth Crusade in 1204. It generated, however, a vast amount of literature and hundreds of copies in churches all over the Byzantine world. This book is a study of the literature, paintings, icons and other aspects related to the Image of Edessa. It examines how it was used as a tool to express Christ’s humanity and for various other purposes, and how some of the related literature became completely decontextualised and used as a magical charm, especially in the West.