Creating Pantomime

Pantomime is a much-loved institution, but how is it created? What tools and processes are used? Working from purely a title, this practical book explains how a script and a design can develop together through the creative processes to culminate in the wonder and excitement of a unique production on opening night. * Explains how to get started in writing and designing an original pantomime * Uses major professional productions to illustrate established techniques and new innovations * Examines pantomime traditions and scene structure and how these can be utilized in productions today * Describes how staging design can influence the narrative * Looks at how pantomime characters develop through their costume * Explores the tricks and magic essential to pantomime Shows visuals from a range of production from small regional through to large commercial pantomimes AUTHOR: Joyce Branagh has been directing professionally since 1994. Her work ranges from Shakespeare to new plays at theatres throughout the UK and Ireland. She has directed successful pantomimes at Watford Palace Theatre for several years, either developing the script closely with the writer or being the principal writer. Keith Orton has worked as a professional designer since 1991, as well as tutoring at Central School of Speech and Drama. Recently he has specialized in pantomime design working with Joyce Branagh exclusively. He has a particular interest in how design can help and influence the development of new writing. ILLUSTRATIONS: 180 colour photographs *

This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.

Focuses on the variety and independence of pantomime in the provinces, especially Nottingham, Birmingham, and Manchester. Explores official and local censorship and the relationships between local theaters, managers, authors and audiences.

"This original anlaysis of contemporary British pantomime addresses the question of how pantomime creates a unique interactive relationship with, and potentially transformative experience for, its audiences." --book cover.

From the Sunday Times bestselling author of Seven Devils 'A fantastical, richly drawn, poignant take on a classic coming-of-age story' – Leigh Bardugo In a land of lost wonders, the past is stirring once more . . . Gene's life resembles a debutante's dream. Yet she hides a secret that would see her shunned by the nobility. Gene is both male and female. Then she displays unwanted magical abilities - last seen in mysterious beings from an almost-forgotten age. Matters escalate further when her parents plan a devastating betrayal, so she flees home, dressed as a boy. The city beyond contains glowing glass relics from a lost civilization. They call to her, but she wants freedom not mysteries. So, reinvented as 'Micah Grey', Gene joins the circus. As an aerialist, she discovers the joy of flight - but the circus has a dark side. She's also plagued by visions foretelling danger. A storm is howling in from the past, but will she heed its roar? 'A lyrical, stunningly written debut novel' – Amy Alward

Unlike any other species, humans can learn and use language. In this book, Michael Arbib presents the Mirror System Hypothesis, which suggests how complex imitation supported the breakthrough to pantomime, protosign and protospeech and then, through cultural evolution, to fully fledged languages.

Each Christmas entire families in the UK troop off to see, what one could almost say is 'the obligatory'. annual entertainment, known as Pantomime. It is a traditional, seasonal way of life for the British envied the world over, and one which only the British seem to understand! Pantomime serves both to entertain and to introduce each new generation to the joys of theatre in the most unique of ways, for this is not a type of theatre one merely watches, but one in which the audience participate – often in the most seemingly boisterous and bizarre of ways. The whole experience is steeped in tradition, traditions which only the British seem to understand, which is probably why we are proud to call it a 'British Experience.'??In A History of Pantomime Maureen Hughes takes a brief look at the history of Pantomime as well as taking a humorous look at some of the above mentioned traditions; she also gives a synopsis of each of the well-known Pantomimes whilst exploring the eccentric world of the characters who appear in them. There is also a short piece on just some of the most well-known and loved of the actors who each Christmas take on the part of Pantomime Dames across the UK, as well as a look at others who have contributed to this magical world of fun and eccentricity. It is thought by some to be frivolous and pointless piece of theatre, but a browse through this informative book and you will soon find that Pantomime is an art form all of its own, requiring the most dedicated and talented of actors/actresses who are prepared to honour and perpetuate this wonderful tradition as it is passed down from one generation to the next.??As seen in The Telegraph and the Sunday Post (Glasgow).

Comedian and actor Paul Harris has brought together an hilarious collection of theatrical material, much of it originating in Victorian times and refined and updated in many pantomime productions since.