Creating Romantic Obsession

Most of us have, at one time, been obsessed with something, but how did obsession become a mental illness? This book examines literary, medical, and philosophical texts to argue that what we call obsession became a disease in the Romantic era and reflects the era's anxieties. Using a number of literary texts, some well-known (like Mary Shelley's 1818 Frankenstein and Edgar Allan Poe's 1843 "The Tell Tale Heart") and some not (like Charlotte Dacre's 1811 The Passions and Charles Brockden Brown's 1787 Edgar Huntly), the book looks at "vigilia", an overly intense curiosity, "intellectual monomania", an obsession with study, "nymphomania" and "erotomania", gendered forms of desire, "revolutiana", an obsession with sublime violence and military service, and "ideality," an obsession with an idea. The coda argues that traces of these Romantic constructs can be seen in popular accounts of obsession today.

Most of us have, at one time, been obsessed with something, but how did obsession become a mental illness? This book examines literary, medical, and philosophical texts to argue that what we call obsession became a disease in the Romantic era and reflects the era’s anxieties. Using a number of literary texts, some well-known (like Mary Shelley’s 1818 Frankenstein and Edgar Allan Poe’s 1843 “The Tell Tale Heart”) and some not (like Charlotte Dacre’s 1811 The Passions and Charles Brockden Brown’s 1787 Edgar Huntly), the book looks at “vigilia”, an overly intense curiosity, “intellectual monomania”, an obsession with study, “nymphomania” and “erotomania”, gendered forms of desire, “revolutiana”, an obsession with sublime violence and military service, and “ideality,” an obsession with an idea. The coda argues that traces of these Romantic constructs can be seen in popular accounts of obsession today.

The summer Lisa A. Phillips turned thirty, she fell in love with someone who didn’t return her feelings. She became obsessed, following him around, calling him compulsively, and talking about him endlessly. One desperate morning, after she snuck into his apartment building, he picked up a baseball bat to protect himself and threatened to dial 911. Her unrequited love had changed her from a sane, conscientious college teacher and radio reporter into someone she barely recognized—someone who had taken her yearning much too far. In Unrequited, Phillips explores the tremendous force of obsessive love in women’s lives. She argues that it needs to be understood, respected, and channeled for personal growth—yet it also has the potential to go terribly awry. Interweaving her own story with frank interviews and in-depth research in science, psychology, cultural history, and literature, Phillips describes how romantic obsession takes root, grows, and strongly influences our thoughts and behaviors. Going beyond images of creepy, fatally attracted psychos, male fantasies of unbridled female desire, and the platitudes of self-help books, Phillips offers compelling insights to help any woman who has experienced unrequited obsessive love and been mystified and troubled by its grip. “An ingenious hybrid of memoir, case study, scientific inquiry, and intellectual history not only of unrequited love but of Love, full stop, with a capital L.”—Washington Post “There is no cure for the pain of rejection, although researchers are working on it. Until then, Phillips suggests we ‘honor passion by confining and using it instead of letting it diminish us.’”—Chicago Tribune

Is it impossible to let go — despite the pain? • Do you yearn for someone who is not physically or emotionally available to you? • Do you believe that if you love him enough he will have to love you? • When you feel insecure, does it drive you only to want her more? • Do you find yourself phoning repeatedly or waiting long hours for the phone to ring? Do you wish someone would let go of you? • Does an ex-lover or ex-spouse refuse to believe that it’s over? • Do you receive unwanted phone calls, letters, presents, or visits? • Is this pursuit of you creating so much anxiety that it affects your physical or emotional well-being? In this invaluable self-help guide, Dr. Susan Forward presents vivid case histories as well as the real-life voices of men and women caught in the grip of obsessive passion. Whether you’re an obsessive lover or the target of such an obsession, here is a proven, step-by-step program that shows you how to recognize the “connection compulsion,” what causes it, and how to break its hold on your life so that you can go on to build healthy, lasting, and pain-free relationships.

You've witnessed the power that obsession has over people. People will do anything for someone they are obsessed with. Fans will travel across the world to see a celebrity they are obsessed with. A person will become a slave to someone they are obsessed with. Many people are immune to subtle signs of manipulation. The only thing people are not immune to, is falling in love, and obsession. A person obsessed with you, is a person under your control. Scarlett Kennedy uncovers the real causes of obsession, how to take advantage of it, the common types of people in the world, and how you can make them obsessed with you. Because not one size fits all. Scarlett also creates personality profiles for her targets and documents what has worked and what hasn't worked. As well as the dangers of holding all the power in your hands.

This book debates a crossover between the Gothic and the medical imagination in the Romantic period. It explores the gore and uncertainty typical of medical experimentation, and expands the possibilities of medical theories in a speculative space by a focus on Gothic novels, short stories, poetry, drama and chapbooks. By comparing the Gothic’s collection of unsavoury tropes to morbid anatomy’s collection of diseased organs, the author argues that the Gothic’s prioritisation of fear and gore gives it access to nonnormative bodies, reallocating medical and narrative agency to bodies considered otherwise powerless. Each chapter pairs a trope with a critical medical debate, granting silenced bodies power over their own narratives: the reanimated corpse confronts fears about vitalism; the skeleton exposes fears about pain; the unreliable corpse feeds on fears of dissection; the devil redirects fears about disability; the dangerous narrative manipulates fears of contagion and vaccination.