Creepers And Haunts A Travel Sized Coloring Book For Adults And Odd Children

From the creator of Misfits A Coloring book for Adults and ODD Children... Explore the second new travel sized spooky collection of thirty-one images featuring ghosts, vampires, devils, zombies, and witches in the series Creepers and Haunts.Volume two of Creepers and Haunts features an array of Stag's creepy cute lowbrow and gothic fantasy art characters to color.

From the creator of Misfits A Coloring book for Adults and ODD Children... Explore a new travel-sized spooky collection of thirty-seven images featuring ghosts, vampires, coffee, cats, zombies, and witches. Creepers and Haunts features an array of Stag's creepy-cute lowbrow and gothic fantasy art characters to color.

This travel sized coloring book contains artwork taked from, artist, White Stag's oracle title the mystic Misfits oracle deck. This book features a medley of her little misfits as an array of mystic inspirational entites. There are 24 high contrasting images to color.

This mini coloring book contains artwork taken from, artist, White Stag's original paintings and drawings featuring her little yeti monsters in all their childish whimsy and spledor. 27 pages depicting the innocent, curious, child-like critters with sweets, poision, ice cream, and bones... amongst fantasy and holidays. Check out Stag's other coloring books for an assortment of gothic, lowbrow, pirates, mermaids, zombies, princesses, aliens, fairies and more!

Misfits- A Coloring Book for Adults and ODD Children. Not your average coloring book... Twenty-Five lowbrow fantasy art single sided images to color, taken from the original art of White Stag (Terra Bidlespacher) featuring creepy cute feather brimmed big eyed girls in dark, humurous and whimsical situations... This book inclues a wide range of White Stag's art including hobo princesses, zombies, unicorns, sailors, morbidly obese cats and more! Use markers, crayons, colored pencils and a little flair of glitter, whatever your heart's content to color your own world! Choose your own palette or use the original palettes as inspiration. White Stag's art is enjoyed by both old and young alike with whimsical fantasy depictions of outcasts in seemingly nonsensical situations. Make sure to follow White Stag to find out when new books are available and to see all new art: www.whiteStagArt.com

New York Times Bestseller • Finalist for the Pulitzer Prize • An Oprah's Book Club Selection “Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.