Cricket In The First World War Play Up Play The Game

As Europe descended into war over the summer of 1914, cricket in England continued as it had for the preceding few decades. Counties continued with their championship programme, clubs in the North and Midlands maintained their league and cup rivalries whilst less competitive clubs elsewhere enjoyed friendly matches. However, voices were soon raised in criticism of this ‘business as usual’ approach – most notably that of cricket’s Grand Old Man, W.G. Grace. Names became absent from first-class and club scorecards as players left for military service and by the end of the year it was clear that 1915’s cricket season would be very different. And so it would continue for four summers. Rolls of honour lengthened as did the grim lists of cricket’s dead and maimed. Some club cricket did continue in wartime Britain, often amidst bitter disputes as to its appropriateness. Charity matches were organised to align the game with the national war effort. As the British Empire rallied behind the mother country, so cricket around the world became restricted and players from far and wide joined the sad ranks of sacrifice. Cricket emerged into the post-war world initially unsure of itself but the efforts that had been made to sustain the game’s infrastructure during the conflict ensured that it would experience a second golden age between the wars.

As Europe descended into war over the summer of 1914, cricket in England continued as it had for the preceding few decades. Counties continued with their championship program, clubs in the North and Midlands maintained their league and cup rivalries while less competitive clubs elsewhere enjoyed friendly matches. However, voices were soon raised in criticism of this 'business as usual' approach - most notably that of cricket's Grand Old Man, W.G. Grace. Names became absent from first-class and club scorecards as players left for military service and by the end of the year it was clear that 1915's cricket season would be very different.And so it would continue for four summers. Rolls of honor lengthened as did the grim lists of cricket's dead and maimed. Some club cricket did continue in wartime Britain, often amidst bitter disputes as to its appropriateness. Charity matches were organized to align the game with the national war effort.As the British Empire rallied behind the mother country, so cricket around the world became restricted and players from far and wide joined the sad ranks of sacrifice.Cricket emerged into the post-war world initially unsure of itself but the efforts that had been made to sustain the game's infrastructure during the conflict ensured that it would experience a second golden age between the wars.

Ranging far beyond the traditional canon, this ground-breaking anthology casts a vivid new light on poetic responses to the First World War. Bringing together poems by soldiers and non-combatants, patriots and dissenters, and from all sides of the conflict across the world, International Poetry of the First World War reveals the crucial public role that poetry played in shaping responses to and the legacies of the conflict. Across over 150 poems, this anthology explores such topics as the following: · Life at the Front · Psychological trauma · Noncombatants and the home front · Rationalising the war · Remembering the dead · Peace and the aftermath of the war With contextual notes throughout, the book includes poems written by authors from America, Australia, Austria-Hungary, Belgium, Canada, France, Germany, Great Britain, India, Ireland, Italy, New Zealand, Russia, and South Africa.

The period of Britain’s Industrial Revolution was perhaps the most transformative era in the nation’s history. Between about 1750 and 1914, life and work, home and school, church and community changed irreversibly for Britain’s rapidly expanding population. Lives were transformed, some for the better, but many endured abysmal domestic and workplace conditions. Eventually improvements were made to Britain’s social fabric which led to the prospect of richer and more fulfilled lives for working men, women and even children. Focusing on 100 objects that either directly influenced, or arose from, these changes, John Broom offers a distinctive insight into this fascinating age. With plentiful illustrations and suggestions for visits to hundreds of places of historical interest, this book makes an ideal companion for a journey into Britain’s industrial past.

Because all wars in the twenty-first century are potentially global wars, the centenary of the first global war is the occasion for reflection. This volume offers an unprecedented account of the lives, stories, letters, games, schools, institutions (such as the Boy Scouts and YMCA), and toys of children in Europe, North America, and the Global South during the First World War and surrounding years. By engaging with developments in Children’s Literature, War Studies, and Education, and mining newly available archival resources (including letters written by children), the contributors to this volume demonstrate how perceptions of childhood changed in the period. Children who had been constructed as Romantic innocents playing safely in secure gardens were transformed into socially responsible children actively committing themselves to the war effort. In order to foreground cross-cultural connections across what had been perceived as ‘enemy’ lines, perspectives on German, American, British, Australian, and Canadian children’s literature and culture are situated so that they work in conversation with each other. The multidisciplinary, multinational range of contributors to this volume make it distinctive and a particularly valuable contribution to emerging studies on the impact of war on the lives of children.

Winner of both the National Book Award and the National Book Critics Circle Award and named by the Modern Library one of the twentieth century's 100 Best Non-Fiction Books, Paul Fussell's The Great War and Modern Memory was universally acclaimed on publication in 1970. Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the modern era, and revolutionized how we see the world. This brilliant work illuminates the trauma and tragedy of modern warfare in fresh, revelatory ways. Exploring the work of Siegfried Sassoon, Robert Graves, Edmund Blunden, David Jones, Isaac Rosenberg, and Wilfred Owen, Fussell supplies contexts, both actual and literary, for those writers who--with conspicuous imaginative and artistic meaning--most effectively memorialized World War I as an historical experience. Dispensing with literary theory and elevated rhetoric, Fussell grounds literary texts in the mud and trenches of World War I and shows how these poems, diaries, novels, and letters reflected the massive changes--in every area, including language itself--brought about by the cataclysm of the Great War. For generations of readers, this work has represented and embodied a model of accessible scholarship, huge ambition, hard-minded research, and haunting detail. Restored and updated, this new edition includes an introduction by historian Jay Winter that takes into account the legacy and literary career of Paul Fussell, who died in May 2012.

In his important contribution to the growing field of sports literature, Anthony Bateman traces the relationship between literary representations of cricket and Anglo-British national identity from 1850 to the mid 1980s. Examining newspaper accounts, instructional books, fiction, poetry, and the work of editors, anthologists, and historians, Bateman elaborates the ways in which a long tradition of literary discourse produced cricket's cultural status and meaning. His critique of writing about cricket leads to the rediscovery of little-known texts and the reinterpretation of well-known works by authors as diverse as Neville Cardus, James Joyce, the Great War poets, and C.L.R. James. Beginning with mid-eighteenth century accounts of cricket that provide essential background, Bateman examines the literary evolution of cricket writing against the backdrop of key historical moments such as the Great War, the 1926 General Strike, and the rise of Communism. Several case studies show that cricket simultaneously asserted English ideals and created anxiety about imperialism, while cricket's distinctively colonial aesthetic is highlighted through Bateman's examination of the discourse surrounding colonial cricket tours and cricketers like Prince Kumar Shri Ranjitsinhji of India and Sir Learie Constantine of Trinidad. Featuring an extensive bibliography, Bateman's book shows that, while the discourse surrounding cricket was key to its status as a symbol of nation and empire, the embodied practice of the sport served to destabilise its established cultural meaning in the colonial and postcolonial contexts.

The New Nationalism and the First World War is an edited volume dedicated to a transnational study of the features of the turn-of-the-century nationalism, its manifestations in social and political arenas and the arts, and its influence on the development of the global-scale conflict that was the First World War.