Critique Scandinave De La Th Ologie F Ministe Anglo Am Ricaine

Scandinavian Critique of Anglo-American Feminist Theology is a collection of articles by scholars in various theological disciplines from five Scandinavian or Nordic countries. The articles cover a wide range of topics, including feminist sexual ethics, ecofeminist theology, gender perspectives on European welfare systems, Birgitta of Sweden and a search for Mary beyond stereotypes. As the title implies, a critical dialogue with US feminist theology is a recurrent theme throughout the book, but the essays also include constructive work from different theological perspectives. The journal also includes a bibliography that shows the diversity of Scandinavian and Nordic feminist theological research.

Gudmundsdottir argues that a feminist theology of the cross serves a dual purpose in feminist hristology: it discloses the patriarchal distortion of traditional christology, and can also reveal lost dimensions in the understanding of the person and work of Jesus Christ.

In contemporary philosophy, substantive moral theories are typically classified as either consequentialist or deontological. Standard consequentialist theories insist, roughly, that agents must always act so as to produce the best available outcomes overall. Standard deontological theories, by contrast, maintain that there are some circumstances where one is permitted but not required to produce the best overall results, and still other circumstances in which one is positively forbidden to do so. Classical utilitarianism is the most familiar consequentialist view, but it is widely regarded as an inadequate account of morality. Although Professor Scheffler agrees with this assessment, he also believes that consequentialism seems initially plausible, and that there is a persistent air of paradox surrounding typical deontological views. In this book, therefore, he undertakes to reconsider the rejection of consequentialism. He argues that it is possible to provide a rationale for the view that agents need not always produce the best possible overall outcomes, and this motivates one departure from consequentialism; but he shows that it is surprisingly difficult to provide a satisfactory rationale for the view that there are times when agents must not produce the best possible overall outcomes. He goes on to argue for a hitherto neglected type of moral conception, according to which agents are always permitted, but not always required, to produce the best outcomes.

Like previous collections based on congresses of the European Society of Translation Studies (EST), this volume presents the latest insights and findings in an ever-changing, ever-challenging domain. The twenty-six papers, carefully chosen from about 140 presented at the 4th EST Congress, offer a bird's eye view of the most pressing concerns and most exciting vistas in Translation Studies today. The editors' final choices reflect a focus on quality of approach, originality of topic, and clarity of presentation, and aim at capturing the most salient developments in the contemporary theory, methodology and technology of TS. As always in EST, the themes covered relate to translation as well as interpreting. They include discussion of a broad range of text-types and skopoi, and a diversity of themes, such as translation universals, translation strategies, translation and ideology, perception of translated humor, translation tools, etc. Many of the papers force us to take a fresh look at seemingly well established paradigms and familiar notions, while also making recourse to work being done in other disciplines (Semiotics, Linguistics, Discourse Analysis, Contrastive Studies).

Twelve narratives, twelve narrators, twelve genres and twelve fictional worlds collide to spectacular effect in Paul Glennon's The Dodecahedron, or a Frame for Frames. The second book from the author of How Did You Sleep? takes his adventures in short fiction to strange new regions, where professional polygamists, heretical alcoholics and hallucinating arctic explorers find themselves sharing plot points, character traits and dialogue. At turns philosophical and farcical, The Dodecahedron makes for intriguing, compelling reading. Each of the book's twelve chapters has its own style and apparent fictional autonomy, but every narrative finds itself corroborated or undermined by the next. Messages found in bottles, computer-generated dialogues and the lamentations of the world's last genie shouldn't have much in common, but their paths constantly intersect in The Dodecahedron, creating networks of allusions and contradictions. The Dodecahedron revels in the art of story making and proves once and for all that the geometry of the dodecahedron is a rich source of comic fiction.

Chappie is a punked-out teenager rejected by his mother and abusive stepfather. Out of school and in trouble with the police, he drifts through crash pads, doper squats, and malls until he finally settles in an abandoned school bus with Rose, a seven-year-old child, and I-Man, an exiled Rastafarian who will dramatically change his life. Together they begin an amazing journey...

In a small town in the heart of India, a young girl, barely alive, is found in a sprawling house where thirteen people lie dead. The girl has been beaten and abused, and the house still smoulders from the fire that raked through it. The girl now awaits her trial for the murders that the local police believe she has committed. But an unconventional social worker, Simran Singh, is convinced of her innocence. As Simran begins to examine the circumstances around the case, she encounters a terrifying web of prejudice and deceit in which lives of women are endangered from birth. Brilliantly descriptive of tradition-bound Punjab, Kishwar Desai's debut novel introduces the feisty and independent Simran, whose determination to seek out the truth places her at odds with her environment. What she discovers will change her forever.