Crow Blue Crow Black

Poetry. LGBT Studies. Native American Studies. Chip Livingston confronts and immerses himself into new cultural territories in his second poetry collection, CROW-BLUE, CROW-BLACK, an examination-critical, colloquial, and personal-of identity in terms of geography, experience, and blood quantum. A southern, gay, mixed-blood poet is thrust into the big-city literary life of the New York School artists in Greenwich Village, yet finds "home" in Uruguay with an Argentinean. CROW-BLUE, CROW-BLACK crosses traditional Native American narrative and incantatory styles with the quick-witted street poems of the New York School. It crosses the border into the southern hemisphere and bears witness to the influence of the Rio de la Plata, the grand capitols of Montevideo and Buenos Aires on its shores. From rural coastal roots to urban urgency and back to the rhythm of rivers and ocean, CROW-BLUE, CROW-BLACK maps the continents of the Americas.

Combining unfussy, gently rhyming language with vibrant, airy illustrations, Caldecott Medalist Chris Raschka has created a book that will inspire in young readers the wonder of wondering. A little boy wonders about a crow’s life—from the simple “Where do you go in the cold white snow?” to the not-so-simple “Do you ever worry when you hop and you hurry? Are you ever afraid of mistakes you made? Are you never afraid?” All of life is touched on in simple words and spare, elegant artwork. Little Black Crow is not to be missed.

I was thirteen. Being thirteen is like being in the middle of nowhere. Which was accentuated by the fact that I was in the middle of nowhere. In a house that wasn't mine. In a city that wasn't mine, in a country that wasn't mine, with a one-man family that, in spite of the intersections and intentions (all very good), wasn't mine. When her mother dies, thirteen-year-old Vanja is left with no family and no sense of who she is, where she belongs, and what she should do. Determined to find her biological father in order to fill the void that has so suddenly appeared in her life, Vanja decides to leave Rio de Janeiro to live in Colorado with her stepfather, a former guerrilla notorious for his violent past. From there she goes in search of her biological father, tracing her mother's footsteps and gradually discovering the truth about herself. Rendered in lyrical and passionate prose, Crow Blue is a literary road trip through Brazil and America, and through dark decades of familial and political history.

A multilingual collection of Indigenous American poetry, joining voices old and new in songs of witness and reclamation. Unprecedented in scope, Sing gathers more than eighty poets from across the Americas, covering territory that stretches from Alaska to Chile, and features familiar names like Sherwin Bitsui, Louise Erdrich, Joy Harjo, Lee Maracle, and Simon Ortiz alongside international poets--both emerging and acclaimed--from regions underrepresented in anthologies.

Offers insight into crows' ability to make tools and respond to environmental challenges, explaining how they engage in human-like behaviors, from giving gifts and seeking revenge to playing and experiencing dreams.

Nanabush. A name that has a certain weight on the tongue—a taste. Like lit sage in a windowless room or aluminum foil on a metal filling. Trickster. Storyteller. Shape-shifter. An ancient troublemaker with the power to do great things, only he doesn’t want to put in the work. Since coming home to Spirit Bear Point First Nation, Hazel Ellis has been dreaming of an old crow. He tells her he’s here to help her, save her. From what, exactly? Sure, her dad’s been dead for almost two years and she hasn’t quite reconciled that grief, but is that worth the time of an Algonquin demigod? Soon Hazel learns that there’s more at play than just her own sadness and doubt. The quarry that’s been lying unsullied for over a century on her father’s property is stirring the old magic that crosses the boundaries between this world and the next. With the aid of Nanabush, Hazel must unravel a web of deceit that, if left untouched, could destroy her family and her home on both sides of the Medicine Wheel.

“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.” The Way the Crow Flies, the second novel by bestselling, award-winning author Ann-Marie MacDonald, is set on the Royal Canadian Air Force station of Centralia during the early sixties. It is a time of optimism--infused with the excitement of the space race but overshadowed by the menace of the Cold War--filtered through the rich imagination and quick humour of eight-year-old Madeleine McCarthy and the idealism of her father, Jack, a career officer. Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered.. Publishers Weekly, in a starred review, called The Way the Crow Flies “absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, , MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.