Cult And Character

Through the swirling smoke of Aaron’s incense, and of scholarly theories, the present volume steps toward the meaning enacted on “the Day of Purgation,” commonly known as Yom Kippur or “the Day of Atonement.” By treating moral evil both as relational/legal breach and as pollution, the Israelite system of “purification offerings” = so-called “sin offerings” addresses both the standing and state of YHWH’s people. This system shows the way not only to freedom from condemnation but also to healing of character, which is defined in terms of loyalty to YHWH. Freedom and healing come together on the Day of Purgation, when purification rituals benefit those who show themselves loyal to YHWH by affirming the freedom from condemnation that they have previously received. The effects of purification rituals on YHWH’s sanctuary and community profile harmony between justice and kindness in the character of YHWH as he deals with imperfect people of various kinds of character by pardoning and clearing the loyal but condemning the disloyal. Thus, Gane ultimately affirms Milgrom’s seminal insight that theodicy is foundational to the Israelite expiatory system. Gane’s conclusions are derived from exegetical study of Hebrew ritual texts, informed by controls to ritual analysis developed in the course of prior research through critical examination of existing ritual theories and by adapting a systems theory approach to human activity systems.

Roy Gane critically evaluates Jacob Milgrom's purification-offering theory but ultimately affirms and expands on his seminal insight that theodicy is foundational to the Israelite expiatory system. Gane's conclusions are derived from exegetical study of Hebrew ritual texts and by adapting a systems theory approach to human activity systems.

The term 'cult film star' has been employed in popular journalistic writing for the last 25 years, but what makes cult stars distinct from other film stars has rarely been addressed. This collection explores the processes through which film stars/actors become associated with the cult label, from Bill Murray to Ruth Gordon and Ingrid Pitt.

Horos Dios draws on a wide variety of literary and archaeological evidence to argue that an Archaic horos inscription and other rock cuttings on the northeast slope of the Hill of the Nymphs in Athens are remnants of a shrine of Zeus Meilichios, a popular god of purification worshipped widely in Athens, Attica, and the greater Greek world.

A discussion of a truly international range of television programs, this title covers alternative modes of television such as digital and satellite.

"Play it again, Sam" is the motto of cult film enthusiasts, who will watch their favorite movie over and over, "beyond all reason." What is the appeal of cult movies? Why do fans turn up in droves at midnight movies or sit through the same three-hanky classics from Hollywood's golden era? These are some of the questions J. P. Telotte and twelve other noted film scholars consider in this groundbreaking study of the cult film. The book identifies two basic types of cult films—older Hollywood movies, such as Casablanca, that have developed a cult following and "midnight movies," most notably The Rocky Horror Picture Show. Telotte, Bruce Kawin, and Timothy Corrigan offer thought-provoking discussions about why these two types of movies become cult films, the sort of audience they attract, and the needs they fulfill for that audience. Subsequent essays employ a variety of cultural, feminist, ideological, and poststructural strategies for exploring these films. In a section on the classical cult film, the movie Casablanca receives extensive treatment. An essay by T. J. Ross considers Beat the Devil as a send-up of cult films, while another essay by Wade Jennings analyzes the cult star phenomenon as personified in Judy Garland. "Midnight movie madness" is explored in essays on The Rocky Horror Picture Show, movie satires of the 1950s, science fiction double features, and horror thrillers. Illustrated with scenes from favorite movies and written for both fans and scholars, The Cult Film Experience will appeal to a wider audience than the "usual suspects."

In this volume, Fr. Francis Quoëx responds to Joseph Ratzinger's call for a renewed appreciation of liturgical rite. A student of Pierre Gy, OP, he brings to this study of Aquinas's liturgical theology a rare combination of expert knowledge of liturgical sources and history and the best of mod-ern historical-critical research guided by sound theological judgment. Fr. Quoëx frames his study with an overview of the problem of rite in modern theological-anthropological discourse, before turning to Aqui-nas' theory of worship in the treatise on the virtue of religion. He then explores Aquinas' doctrine on the cultic dimensions of the Eucharist and other sacraments in his sacramental theology more broadly, finishing with a close study of the mass commentary of the Tertia Pars Although there has been increasing attention to Thomas's treatment of religion as a virtue, none have approached him from an anthropolog-ical angle with a focus on the nature of liturgical rite, or fully exploited the perspectives of liturgical scholarship to shed light on sacramental theology. Quoëx's work, as the work of a Thomist, liturgist, and medi-evalist well versed in medieval liturgical development and in the genre of often-allegorical liturgical commentary, opens up this crucial but ne-glected facet of Aquinas' theological synthesis. Few books have been pub-lished on Aquinas's liturgical theology. Now that interest in Aquinas's vir-tue theory and sacramental theology is growing rapidly, Quoëx's studies are an invitation to further reflection on the topic of Aquinas's liturgical theology with its manifold ramifications for and connections with other theological topics in his Summa, including his theological anthropology, his soteriology, his treatment of the Old and New Laws, and his account of the virtue of religion in connection with the other virtues.