Culture And Customs Of Libya

Ideal for high school students and undergraduates, this volume explores contemporary life and culture in Libya. Libya is one of Africa's largest nations, but its topography is dominated by a huge southern desert with some of the hottest temperatures recorded anywhere in the world. Culture and Customs of Libya explores the daily lives of the 90 million men, women, and children who struggle to get by in this authoritarian state, where only a fraction of the land is arable and 90 percent of the people live in less than 10 percent of the area, primarily along the Mediterranean coast. In this comprehensive overview of modern Libyan life, readers can explore topics such as religion, contemporary literature, media, art, housing, music, and dance. They will learn about education and employment and will see how traditions and customs of the past—including those from Libya's long domination by the Ottoman Empire and 40 years as an Italian colony—are kept alive or have evolved to fit into today's modern age.

Provides a comprehensive overview of modern Libyan life, exploring topics such as religion, contemporary literature, media, art, housing, music, and dance.

Culture Smart! provides essential information on attitudes, beliefs and behavior in different countries, ensuring that you arrive at your destination aware of basic manners, common courtesies, and sensitive issues. These concise guides tell you what to expect, how to behave, and how to establish a rapport with your hosts. This inside knowledge will enable you to steer clear of embarrassing gaffes and mistakes, feel confident in unfamiliar situations, and develop trust, friendships, and successful business relationships. Culture Smart! offers illuminating insights into the culture and society of a particular country. It will help you to turn your visit-whether on business or for pleasure-into a memorable and enriching experience. Contents include: * customs, values, and traditions * historical, religious, and political background * life at home * leisure, social, and cultural life * eating and drinking * do's, don'ts, and taboos * business practices * communication, spoken and unspoken

Few empirical studies of Arab countries have dealt with political culture and political socialisation or focused on people's beliefs, values, and attitudes towards the government or political leaders, mainly because the regimes have been reluctant to allow opinion to be tested. The significance of this book is that it assesses the influence of state ideology on the new generation of Libyans, and examines their political culture.

Libya Art and Culture, People of Libya, Tradition and Environment. Libya has a rich history; over the years, it has been invaded by the Romans, Arabs, Turks and Italians. That's why Libyan culture, similar to other African countries, is a mix of various other cultures. Its origin can be traced back to Berber, African and Turkish cultures. However, it has been able to remain alienated from Western influences, keeping its traditional folk aspect alive. While the big cities are vibrant with exhibitions, concerts and fashion shows, the more remote regions are a colorful blend of traditional customs. The art of painting is much admired in Libya and according to popular estimates, the populace of Libya adores this art to a great extent. Libyan painters are very well acknowledged for their talent. One distinguished painter is Ali al-Albani, who is very well adept at carving landscapes

To be a tourist in Libya during the period of Italian colonization was to experience a complex negotiation of cultures. Against a sturdy backdrop of indigenous culture and architecture, modern metropolitan culture brought its systems of transportation and accommodation, as well as new hierarchies of political and social control. Architecture and Tourism in Italian Colonial Libya shows how Italian authorities used the contradictory forces of tradition and modernity to both legitimize their colonial enterprise and construct a vital tourist industry. Although most tourists sought to escape the trappings of the metropole in favor of experiencing "difference," that difference was almost always framed, contained, and even defined by Western culture. McLaren argues that the "modern" and the "traditional" were entirely constructed by colonial authorities, who balanced their need to project an image of a modern and efficient network of travel and accommodation with the necessity of preserving the characteristic qualities of the indigenous culture. What made the tourist experience in Libya distinct from that of other tourist destinations was the constant oscillation between modernizing and preservation tendencies. The movement between these forces is reflected in the structure of the book, which proceeds from the broadest level of inquiry into the Fascist colonial project in Libya to the tourist organization itself, and finally into the architecture of the tourist environment, offering a way of viewing state-driven modernization projects and notions of modernity from a historical and geographic perspective. This is an important book for architectural historians and for those interested in colonial and postcolonial studies, as well as Italian studies, African history, literature, and cultural studies more generally.

The musical tradition of Ma'luf is believed to have come to North Africa with Muslim and Jewish refugees escaping the Christian reconquista of Spain between the tenth and seventeenth centuries. Although this Arab Andalusian music tradition has been studied in other parts of the region, until now, the Libyan version has not received Western scholarly attention. This book investigates the place of this orally-transmitted music tradition in contemporary Libyan life and culture. It investigates the people that make it and the institutions that nurture it as much as the tradition itself. Patronage, music making, discourse both about life and music, history, and ideology all unite in a music tradition which looks innocent from the outside but appears quite intriguing and intricate the more one explores it.

Historical Dictionary of Libya, Sixth Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on important personalities as well as aspects of the country’s politics, economy, foreign relations, religion, and culture.