Dangerous Years

There is talk of peace across Europe as the First World War draws to its bloody conclusion and the German naval fleet limps into Scapa Flow for a humiliating surrender. But for Lieutenant Kelly Maguire, new conflicts arise in Russia, the Mediterranean and the Far East. Maguire faces brutal choices and violent action.

Considers future of civilization in the light of what we know about climate change and related threats. David Orr, an award-winning, internationally recognized leader in the field of sustainability and environmental education, pulls no punches: even with the Paris Agreement of 2015, Earth systems will not reach a new equilibrium for centuries. Earth is becoming a different planet, more threadbare and less biologically diverse, with more acidic oceans and a hotter, more capricious climate. Furthermore, technology will not solve complex problems of sustainability.

In the tradition of The Wire, the “utterly absorbing” (The New York Times) story of the cinematic transformation of Miami, one of America’s bustling cities—rife with a drug epidemic, a burgeoning refugee crisis, and police brutality—from journalist and award-winning author Nicholas Griffin. Miami, Florida, famed for its blue skies and sandy beaches, is one of the world’s most popular vacation destinations, with nearly twenty-three million tourists visiting annually. But few people have any idea how this unofficial capital of Latin America came to be. The Year of Dangerous Days is “an engrossing, peek-between-your-fingers history of an American city on the edge” (Kirkus Reviews). With a cast that includes iconic characters such as Jimmy Carter, Fidel Castro, and Janet Reno, this slice of history is brought to life through intertwining personal stories. At the core, there’s Edna Buchanan, a reporter for the Miami Herald who breaks the story on the wrongful murder of a black man and the shocking police cover-up; Captain Marshall Frank, the hardboiled homicide detective tasked with investigating the murder; and Mayor Maurice Ferré, the charismatic politician who watches the case, and the city, fall apart. On a roller coaster of national politics and international diplomacy, these three figures cross paths as their city explores one of the worst race riots in American history as more than 120,000 Cuban refugees land south of Miami, and as drug cartels flood the city with cocaine and infiltrate all levels of law enforcement. In a battle of wills, Buchanan has to keep up with the 150 percent murder rate increase; Captain Frank has to scrub and rebuild his homicide bureau; and Mayor Ferré must find a way to reconstruct his smoldering city. Against all odds, they persevere, and a stronger, more vibrant, Miami begins to emerge. But the foundation of this new Miami—partially built on corruption and drug money—will have severe ramifications for the rest of the country. Deeply researched, “well-written” (New York Journal of Books), and covering many timely issues including police brutality, immigration, and the drug crisis, The Year of Dangerous Days is both a clarion call and a dramatic rebirth story of one of America’s most iconic cities.

"Selections from the Richard Nickel Archive at the Ryerson and Burnham Archives of The Art Institute of Chicago. Mary K. Woolever, Art and Architecture Archivist; Joe Tallarico, Digital Imaging Photographer. With contributions from the personal collections of Tim Samuelson, Susan Nickel Brunson, Nancy Nickel, Donald and Harriet Nickel, Emily Eads"--Page 264.

Since 1789, when George Washington became the first president of the United States, forty-three men have held the nation’s highest office. Four were killed by assassins,and serious attempts were made on the lives of eight others.Add to that list Martin Luther King, Jr. and Malcolm X,and it is reasonable to conclude that political prominence in the U.S. entails grave risks. In Defining Danger, James W. Clarke explores the cultural and psychological linkages that define assassinations and a new era of domestic terrorism in America. Clarke notes an upsurge in political violence beginning with the assassination of John F. Kennedy in 1963. Since then, there have been ten assassination attempts on nationally prominent political leaders. That is two more than the eight recorded in the previous 174 years of the nation’s presidential history. New elements of domestic terror in American life were introduced in the 1990s by Timothy McVeigh, the “Oklahoma City Bomber,” Ted Kaczynski, the “Unabomber,” and Eric Rudolph, the abortion clinic bomber. These men were politically motivated; their crimes were unprecedented. These events and the perpetrators behind them are among the subjects of this book. Defining Danger conveys two central themes. The first is that individual acts of violence directed toward America’s democratically elected leaders represent a defining element of American politics. The second addresses how danger is defined, through an analysis of the motives and characteristics of twenty-one perpetrators responsible for these acts of political violence where shots were fired, or bombs detonated, and in most instances, victims died. The book is written in an accessible and engaging style that will appeal to the informed general reader, as well as to professionals in a variety of fields—especially in the wake of recent events and the specter of future violence that, sadly, haunts us all.

Sixteen-year-old Iduna harbors a dark secret. On the surface, she is an Arendellian village girl, an aspiring inventor, and the best friend of Prince Agnarr, but she is also secretly Northuldra. Ever since the day the forest fell, Arendellians have despised and distrusted Northuldra with a vengeance. No matter that the Northuldra—along with some of Arendelle’s own—have been trapped in the Enchanted Forest behind an impenetrable wall of mist since the day of the battle. Iduna doesn’t know why the mist refuses to part, or why it descended to begin with. The only clear thing is that she must keep her identity from everyone, even Agnarr. Her life depends on it. Fortunately for her, Agnarr doesn’t know that Iduna is the Northuldra girl he saw seemingly flying on a gust of wind all those years ago, the day of the celebration turned disaster. The day Agnarr lost his father, the king. The day Agnarr himself almost died. What Agnarr does know is that Iduna is a true ally in the face of his royal responsibilities and the expectations of an overbearing council and a well-meaning regent who will rule in Agnarr’s place until he turns twenty-one and assumes the Arendellian throne. As Iduna and Agnarr grow ever closer, however, friendship is no longer enough. If only falling for each other didn’t mean risking their futures: Iduna’s as a hidden-in-plain-sight citizen of Arendelle, and Agnarr’s as imminent king. But for a chance at true love, the risk might be worth taking