Dark Debts

In Dark Debts, Karen Hall masterfully combines southern gothic, romantic comedy, and mystery in a wildly original theological thriller that has become a cult favorite since being published twenty years ago. In this new anniversary edition, the author has reimagined her work. The result is a suspenseful, irreverent, and deeply spiritual novel that captivates from the very beginning and doesn’t let go. When Randa, a reporter for an alternative newspaper in Los Angeles, receives an urgent phone call from her estranged lover, Cam, she rushes to his apartment. She arrives to discover that he’s leapt from the building to his death. Police believe that before committing suicide, Cam also murdered someone in a convenience store, but Randa does not believe Cam is capable of such an act. She seeks out Cam’s brother, Jack, who is living off the grid, somewhere near Atlanta, in hope of figuring out what really happened. Meanwhile, a Jesuit priest named Michael Kinney has been exiled from New York City to the boondocks of Georgia after making controversial public statements. He has said things that educated people of faith are not supposed to express. Even more problematically, he has fallen in love with a woman, and the last surviving member of his family has kept a shocking family secret from him. How these characters converge is part of the thrilling mystery of Dark Debts, a cult favorite first published twenty years ago. In this new edition, author Karen Hall has reimaged her southern gothic tale and the result is a work of even greater power—a brilliantly realized and suspenseful evocation of the conflict between good and evil.

In Dark Debts, Karen Hall masterfully combines southern gothic, romantic comedy, and mystery in a wildly original theological thriller that has become a cult favorite since being published twenty years ago. In this new anniversary edition, the author has reimagined her work. The result is a suspenseful, irreverent, and deeply spiritual novel that captivates from the very beginning and doesn’t let go. When Randa, a reporter for an alternative newspaper in Los Angeles, receives an urgent phone call from her estranged lover, Cam, she rushes to his apartment. She arrives to discover that he’s leapt from the building to his death. Police believe that before committing suicide, Cam also murdered someone in a convenience store, but Randa does not believe Cam is capable of such an act. She seeks out Cam’s brother, Jack, who is living off the grid, somewhere near Atlanta, in hope of figuring out what really happened. Meanwhile, a Jesuit priest named Michael Kinney has been exiled from New York City to the boondocks of Georgia after making controversial public statements. He has said things that educated people of faith are not supposed to express. Even more problematically, he has fallen in love with a woman, and the last surviving member of his family has kept a shocking family secret from him. How these characters converge is part of the thrilling mystery of Dark Debts, a cult favorite first published twenty years ago. In this new edition, author Karen Hall has reimaged her southern gothic tale and the result is a work of even greater power—a brilliantly realized and suspenseful evocation of the conflict between good and evil.

Triller.

In the second novel of this new series, Kerraii, a mistress to Sarnen, an influential Death Speaker, is indebted to him for sparing her family. Sent into combat against Atlantis, she is captured and discovers a secret that can free her from Sarnen's control. Original.

Norman Mailer's Pulitzer Prize-winning and unforgettable classic about convicted killer Gary Gilmore now in a brand-new edition. Arguably the greatest book from America's most heroically ambitious writer, THE EXECUTIONER'S SONG follows the short, blighted life of Gary Gilmore who became famous after he robbed two men in 1976 and killed them in cold blood. After being tried and convicted, he immediately insisted on being executed for his crime. To do so, he fought a system that seemed intent on keeping him alive long after it had sentenced him to death. And that fight for the right to die is what made him famous. Mailer tells not only Gilmore's story, but those of the men and women caught in the web of his life and drawn into his procession toward the firing squad. All with implacable authority, steely compassion, and a restraint that evokes the parched landscape and stern theology of Gilmore's Utah. THE EXECUTIONER'S SONG is a trip down the wrong side of the tracks to the deepest source of American loneliness and violence. It is a towering achievement-impossible to put down, impossible to forget. (280,000 words)

GLAM

Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global marketplace. It is the first book to offer specific advice on writing for screens large and small, around the world from Hollywood to New Zealand, from Europe to Russia, and for alternative American markets including Native American, regional, and experimental. The book provides valuable insider information, such as * Twenty-five percent of German television is written by Hollywood writers. Screenwriters just need to know how to reach that market. * Many countries, including those in the European Union, have script development money available—to both foreign and local talent--from government-sponsored film funds. * The Web's influence on the film industry has been profound, and here you can find out how to network through the Web. The book also lists the key Web addresses for writers. Andrew Horton, author of two acclaimed books on screenwriting, includes personal essays by accomplished screenwriters from around the world and offers insightful case studies of several films and television scripts, among them My Big Fat Greek Wedding; Crouching Tiger, Hidden Dragon; and The Sopranos. Full of endless enthusiasm for great films and great scripts, this book will be an essential resource for both aspiring writers and accomplished writers hoping to expand their horizons, improve their skills, and increase their chances for success. Includes an interview with Terry Gilliam and contributions from Bernard Gordon, writer for The Day of the Triffids and The Thin Red Line; Lew Hunter, Chair of Screenwriting at UCLA; Karen Hall, writer/producer for Judging Amy and M*A*S*H; and other screenwriters

With the largest municipal debt in US history and a major hurricane that destroyed much of the archipelago's infrastructure, Puerto Rico has emerged as a key site for the exploration of neoliberalism and disaster capitalism. In Colonial Debts Rocío Zambrana develops the concept of neoliberal coloniality in light of Puerto Rico's debt crisis. Drawing on decolonial thought and praxis, Zambrana shows how debt functions as an apparatus of predation that transforms how neoliberalism operates. Debt functions as a form of coloniality, intensifying race, gender, and class hierarchies in ways that strengthen the colonial relationship between Puerto Rico and the United States. Zambrana also examines the transformation of protest in Puerto Rico. From La Colectiva Feminista en Construcción's actions, long-standing land rescue/occupation in the territory, to the July 2019 protests that ousted former governor Ricardo “Ricky” Rosselló, protests pursue variations of decolonial praxis that subvert the positions of power that debt installs. As Zambrana demonstrates, debt reinstalls the colonial condition and adapts the racial/gender order essential to it, thereby emerging as a key site for political-economic subversion and social rearticulation.