Deadheads

Deadhead Social Science is a collection of papers examining various aspects of the complex subculture surrounding the rock band, the Grateful Dead. Deadheads, as Grateful Dead fans are called, followed the band from venue to venue until the band announced their dissolution in December of 1995 and have continued to follow bands including various surviving members of the Grateful Dead since then. Deadhead Social Science addresses the questions: What is a Deadhead? How does a Deadhead identity evolve? Why would a person choose an identity that would be viewed negatively by a larger society? Why are Deadheads viewed negatively by the larger society? Is the Deadhead community a popular religion? How did a rock band develop a religious following? The book also examines the music, the role of vendors, and the reaction by "host" communities to the Grateful Dead and its following. One key theme in Deadhead Social Science is the interconnections among teaching, research, and personal interests written from a variety of social science disciplinary traditions.

"One of the best books on the Grateful Dead." —Rolling Stone Just what was it about the Grateful Dead that made them rock and roll’s most beloved band? In Deadheads, those with the real story, who were there and are still listening to the music, explain it all. Grateful Dead lyricist John Perry Barlow talks about his lifelong friendship with Dead guitarist Bob Weir. Cajun chef Rick Begneaud shares his memories of feeding the Dead. John Popper of Blues Traveler recalls playing with the Dead at Bill Graham’s memorial tribute, while publicist Dennis McNally shares some wild adventures of working with the band for more than thirty years. Author Linda Kelly recalls being dragged to her very first Dead show, hanging with Jerry in New York City, and more. First-show revelations, backstage adventures, parking lot hoopla, how-to-live-life philosophies, strange tangential experiences stemming from being in that certain place at that certain time—these intriguing anecdotes evoke wonderful images, lots of smiles, and a close look into a fascinating phenomenon in the history of music. This twentieth-anniversary edition of Deadheads celebrates fifty years of music and includes the best stories from the original 1995 edition, two new chapters, as well as new interviews with various friends, artists, and followers of the Grateful Dead.

A portrait of the Grateful Dead depicts the popular rock band in concert and includes correspondence from fans and classic photographs of the group in performance

In a “splendid mystery with . . . a lovely twist,” the Yorkshire detectives dig up a bad seed in a horticulturalist’s rosy life (Publishers Weekly). Reginald Hill “raised the classical British mystery to new heights” when he introduced pugnacious Yorkshire Det. Inspector Andrew Dalziel and his partner, the callow Sgt. Peter Pascoe (The New York Times Book Review). Their chafing differences in education, manners, technique, and temperament made them “the most remarkable duo in the annals of crime fiction” (Toronto Star). Adapted into a long-running hit show for the BBC, the Gold Dagger Award–winning series is now available as ebooks. What’s the secret of Patrick Aldermann’s success? Well, he was bequeathed his aunt’s gardened estate after her sudden death; his wife’s wealthy father died leaving the couple a hefty inheritance; and several fatal mishaps among colleagues have allowed the milquetoast to rise in his company with alarming speed. His boss fears he’s hired a serial killer—a suspicion that’s compelled the CID’s Andrew Dalziel and Peter Pascoe to investigate. Is it possible the mild-mannered accountant, whose only real side passion seems to be roses, has a thorny edge? If yes, then who’s the next deadhead to be pruned from Aldermann’s perfect life? Deadheads is the 7th book in the Dalziel and Pascoe Mysteries, but you may enjoy reading the series in any order.

'Humour and topicality along a cold enigmatic trail of murder' Observer Life is on the up for Patrick Aldermann: his Great Aunt Florence has collapsed into her rose bed leaving him Rosemont House with its splendid gardens. But when his boss, 'Dandy' Dick Elgood, suggests to Peter Pascoe that Aldermann is a murderer - then later retracts the accusation - the detective inspector is left with a thorny problem. Not only have the police already dug up some interesting information about Aldermann's beautiful wife; it also appears that his rapid promotion has been helped by the convenient deaths of some of his colleagues...

In one of the great euphemisms of our time, an embattled President Clinton admitted to an "inappropriate relationship" with his White House intern, Monica Lewinsky. But what exactly is an "inappropriate relationship?" For that matter, what is an "appropriate relationship?" And how can an understanding of the rules of "appropriateness" help us understand personal relationships in our modern world? Contributors to this book discuss the personal boundaries and taboos of modern relationships. Together they examine the power struggles that can occur when individuals are involved in "inappropriate" relationships, and the ways individuals in such a relationship may attempt to buffer themselves against sanctions--or even embrace this relationship as an agent of social change. Representing work from a range of disciplines, this collection will appeal to scholars, researchers, students, and professionals working on relationships issues in areas across the social sciences, including those working in the fields of social psychology, family studies, social anthropology, cultural studies, and communication.

The intersections of aging, media, and culture are under-explored given trends in population aging, rapid increases in the mediation of everyday life, and the growing cultural significance of media consumption at the global level. This book brings together an international collection of critical scholars, both well-established and up-and-coming, from the various academic disciplines that share a common interest in the future study of aging and media. This anthology of original articles integrates aging theory and media studies through a study of core issues including the media’s influence on the construction of “old age,” the reciprocal influence of aging on media industries, age-based identities in a mediated world, issues of gender and sexuality in an aging society, and the practical implications of a more integrated approach between the two fields. The chapters explore the intersections between aging and media in the realms of advertising/marketing, television, film, music, celebrity and social media, among others.