Dear Bride

Just as Mary treasured her memories as the mother of Jesus and pondered them in her heart, this book celebrates treasured moments in the life of every woman, wife, and mother. Told from a fresh, personal perspective, these stories and poems form a warm, inspiring collection of remembrances of children, Christmas, marriage, trials, friendship, the seasons, grace, and above all, God's love for us. Things Pondered proves Beth Moore not only to be an effective speaker and author of popular Bible studies, but also show her to be a gifted, sensitive writer and poet.

"Dear Bride" is a series of letters written in the First Person from Jesus, the Bridegroom, to His Church- His Bride, for this very hour. Each letter was inspired by the Holy Spirit to draw you closer to Jesus, so you may receive a deeper revelation of His love for you and live as His Bride in greater oneness with Him.

Studies have indicated that 75% of what an audience learns and remembers is a result of what they see, while 13% comes from what they hear. Crowley's sketches put both together and prepare audiences with a vivid illustration that kindles their anticipation of the pastor's sermon. Written with wit, wisdom, and humor, they help to plant the scriptural message of each Sunday's Gospel lesson in the Cycle C lectionary with an unforgettable, poignant, contemporary application.

An important aspect of any Sikh religious service is the reading from the Guru Granth or taking Hukam Nama. The Guru Granth Sahib is a hefty tome of 1,430 pages. Sikh tradition is that from roughly the middle half of the Guru Granth, usually at the beginning of a randomly selected page (or the previous page if the hymn started there), one hymn is selected. This is read as the Hukam Nama or the Order of the Day. Clearly, many Sikhs living outside the Punjabi ambience would have great difficulty figuring out its meaning.

IN the year of Our Lord 1340, it came to pass, that a Master in Holy Scripture preached oft-times in a certain city, and the people loved to hear him, and his teachings were the talk of the country for many leagues round. Now this came to the ears of a layman who was rich in God’s grace, and he was warned three times in his sleep that he should go to the city where the Master dwelt, and hear him preach. Now that city was in another country, more than thirty leagues distant. Then the man thought within himself, “I will go thither and wait to see what God is purposed to do or bring to pass there.” So he came to that city and heard the Master preach five times.

Don-A Juan is a comedy in two acts. It is the modern day version of a female Casanova. Don-A is a seductress in love with love and life, except that she is unaware of her actions.

Although Hungarian ballads were first collected about a hundred years before this book was first published in 1967, they have remained largely unknown to Western scholars. This was the first comprehensive study of the Hungarian material in any major European language. Dr Leader provides an analytic description and full English text of the main Hungarian classical ballads with their published versions. She examines their characteristics, analyses their themes, motifs and underlying folk beliefs, and relates them to ballads of other countries, particularly England and Scotland. This pioneer work suggested fresh interpretations and solutions to the problems of Hungarian ballad scholarship and enlarged the study of international ballads by making the Magyar material available in translation. It had repercussions on a wide range of folklore studies and on the comparative study of European literatures, to which the oral narrative traditions serve as important groundwork.

Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.