Dear Jim Our History Of Itis

The ongoing battle between free individuals and our moribund institutions for the control of information resources, information technology and information systems began with the sexual gods. The chief god Atum, controller of Cosmos, declared sex ungodly and messy, outcomes unpredictable. A sexless god, Atum, though supreme, was unable to control Ra, Thoth, and the seven other sexual gods. With Atumic frustration Atum confined the sexual gods to the Solar System, but with a dire warning: if their activities destabilized the Cosmos they would feel the full force of Atumic wrath. Sibling squabbles between Ra and Thoth spawned endless conflict. Fear for their godly survival forced Ra and Thoth to confine their fight to the Earthly environment. One outcome: Homo Saps, a unique species combining Thought-processing with godlike features and hominid-animal sexuality. Both Ra and Thoth used Homo Saps as foot soldiers. Thoth invented Information Technology/Information System or ITIS (pronounced eye-tis) tools as weapons to help them free themselves from Ras inhibiting controls. Homo Saps used the ITIS tools in establishing, controlling and stabilizing the first Earthly civilizations: Ancient Egypt, Mesopotamia, Ancient India, and Ancient China at the direction of the gods. Homo Saps increasing skills with the ITIS tools allowed them to develop independent Thought processing and break free of godly controls. The Ancient Greek Homo Sap Aristotle and his philosopher predecessors captured the moment by developing their own ITIS applications and demonstrated Homo Saps Thought processing freedoms. They developed the first user-friendly ITIS tool that would change their Earthly reality forever: the 22-letter alphabet. Dear Jim: Our History of IT IS traces the development of the ITIS tools OralITIS, ImageITIS, CalendarITIS, WritingITIS, and AlphabetITIS and their impact on civilizations before the death of Aristotle.

More than 30 years after Jim Henson's The Dark Crystal first appeared on screens, the Jim Henson Company hosted an author quest to find the new author of The Dark Crystal prequel fiction. The competition spanned three months and nearly 500 entries, the top five of which are presented in this e-book only special. Through the eyes of Gelfling and telling tales of Skesis, these 5 stories are a taste of what is to come in the world of Thra.

This multi-volume work began as a biography of Martha Wadsworth Coigney, who was a pioneering thought leader and advocate of internationalism in the American theatre during one of the most challenging periods in modern U.S. history. Coigney served as President of the International Theatre Institute (ITI) from 1966 to 2011. An independent NGO, ITI was devoted to the UNESCO mission of peace through mutual understanding, and, after World War II, often single-handedly sustained cultural exchange between artists on either side of the Iron Curtain, across religious divides, and in war zones. ITI was consistently in the vanguard of UNESCO's multi-lateral aim to bring all voices to the table, including former colonial peoples, developing nations, and indigenous cultures. In partnership with Rosamond Gilder and Ellen Stewart of La Mama E.T.C., Coigney led these landmark initiatives, including the representation of U.S. multicultural theatre leadership in Moscow in 1973. What was set in motion then is playing out today. Owing to the scope of Coigney’s work, William Wadsworth and Jim O’Quinn interviewed a wide range of her dramatist friends and professional colleagues. These conversations illumined a liberal cultural epoch (1954-86) and the U. S. Culture Wars that followed. The authors also recovered substantive original materials from Lincoln Center Performing Arts Library and the Rockefeller Archives about the life and work of Coigney, her mentor Rosamond Gilder, and Coigney’s longtime employer, the producer Roger Stevens. These materials document a sustained political effort by theatre people to socialize and liberalize post-WWII America. For these reasons, the work became much more than the story of one amazing person. It became a living history about relations between great artists and their milieu, told by the artists themselves. The Martha Coigney story has several key elements: • Coigney embodied the principle of internationalism as a counterforce to nationalism and fascism. • He career is a virtual how-to manual for re-visualizing and revitalizing American theatre. • Her life demonstrates the power of people-to-people diplomacy, based on the principles of individual human rights as established by the United Nations, the support of artistic freedom of expression, and the concept that every policy and funding mechanism finds its essence in the individual artist. • Coigney was one of the great theatre matchmakers and promoters of experimental and devised theatre work. Within this sector, she can be said to have revolutionized the theatre profession worldwide. • Gilder and Coigney, in their roles at ITI, led the movement to establish international theatre festivals in Europe, the USA, and globally. • Gilder and Coigney were collaborators with Roger Stevens, Donald Oenslager, Hal Prince, Nancy Rhodes, Edward Albee, and scores of other distinguished figures in the transmission of American dramatic art overseas. • Coigney served as advisor to and instrument for private theatre funders determined to create a national theatre accessible to working-class citizens and the poor, an investment, they believed, that was necessary to U.S. ascendency and world peace. In this they followed the inspiration of President John F. Kennedy, who articulated that to be influential, a great nation must have a great culture to contribute to the world.

This true life story tells of a young boy’s plight as the life he envisioned takes an alternative turn following the death of his own father. His fate leads him into the coal mines where he determines to reach a new goal and achieve his ambition against all the odds.

The most comprehensive account to date of the 9/11 attack on the Pentagon and aftermath, this volume includes unprecedented details on the impact on the Pentagon building and personnel and the scope of the rescue, recovery, and caregiving effort. It features 32 pages of photographs and more than a dozen diagrams and illustrations not previously available.

The study edition of book the Los Angeles Times called, "The most extensive review of U.S. intelligence-gathering tactics in generations." This is the complete Executive Summary of the Senate Intelligence Committee's investigation into the CIA's interrogation and detention programs -- a.k.a., The Torture Report. Based on over six million pages of secret CIA documents, the report details a covert program of secret prisons, prisoner deaths, interrogation practices, and cooperation with other foreign and domestic agencies, as well as the CIA's efforts to hide the details of the program from the White House, the Department of Justice, the Congress, and the American people. Over five years in the making, it is presented here exactly as redacted and released by the United States government on December 9, 2014, with an introduction by Daniel J. Jones, who led the Senate investigation. This special edition includes: • Large, easy-to-read format. • Almost 3,000 notes formatted as footnotes, exactly as they appeared in the original report. This allows readers to see obscured or clarifying details as they read the main text. • An introduction by Senate staffer Daniel J. Jones who led the investigation and wrote the report for the Senate Intelligence Committee, and a forward by the head of that committee, Senator Dianne Feinstein.