Dearest Lenny

Much has been written about Leonard Bernstein, a musician of extraordinary talent who was legendary for his passionate love of life and many relationships. In this work, Mari Yoshihara reveals the deeply emotional connections Bernstein formed with two little-known Japanese individuals, which she narrates through their personal letters that have never been seen before. Dearest Lenny interweaves an intimate story of love and art with a history of Bernstein's transformation from an American icon to a world maestro during the second half of the twentieth century. The articulate, moving letters of Kazuko Amano--a woman who began writing fan letters to Bernstein in 1947 and became a close family friend--and Kunihiko Hashimoto--a young man who fell in love with the maestro in 1979 and later became his business representative--convey the meaning Bernstein and his music had at various stages of their lives. The letters also shed light on how Bernstein's compositions, recordings, and performances touched his audiences around the world. The book further traces the making of a global Bernstein amidst the shifting landscape of classical music that made this American celebrity turn increasingly to Europe and Japan. The dramatic change in Japan's place in the world and its relationship to the United States during the postwar decades shaped Bernstein's connection to the country. Ultimately, Dearest Lenny is a story of relationships--between the two individuals and Bernstein, the United States and the world, art and commerce, artists and the state, private and public, conventions and transgressions, dreams and realities--that were at the core of Bernstein's greatest achievements and challenges and that made him truly a maestro of the world. Dearest Lenny paints a poignant portrait of individuals connected across cultures, languages, age, and status through correspondence and music--and the world that shaped their relationships.

Much has been written about Leonard Bernstein, a musician of extraordinary talent who was legendary for his passionate love of life and many relationships. In this work, Mari Yoshihara reveals the deeply emotional connections Bernstein formed with two little-known Japanese individuals, which she narrates through their personal letters that have never been seen before. Dearest Lenny interweaves an intimate story of love and art with a history of Bernstein's transformation from an American icon to a world maestro during the second half of the twentieth century. The articulate, moving letters of Kazuko Amano--a woman who began writing fan letters to Bernstein in 1947 and became a close family friend--and Kunihiko Hashimoto--a young man who fell in love with the maestro in 1979 and later became his business representative--convey the meaning Bernstein and his music had at various stages of their lives. The letters also shed light on how Bernstein's compositions, recordings, and performances touched his audiences around the world. The book further traces the making of a global Bernstein amidst the shifting landscape of classical music that made this American celebrity turn increasingly to Europe and Japan. The dramatic change in Japan's place in the world and its relationship to the United States during the postwar decades shaped Bernstein's connection to the country. Ultimately, Dearest Lenny is a story of relationships--between the two individuals and Bernstein, the United States and the world, art and commerce, artists and the state, private and public, conventions and transgressions, dreams and realities--that were at the core of Bernstein's greatest achievements and challenges and that made him truly a maestro of the world. Dearest Lenny paints a poignant portrait of individuals connected across cultures, languages, age, and status through correspondence and music--and the world that shaped their relationships.

Designed for students, aficionados of classical music, and historians, this volume offers a wide-ranging, multi-disciplinary and comprehensive view of one of the most important musicians of the twentieth century at his 100th anniversary. Scholars from diverse backgrounds and fields have contributed rich insights into Bernstein's life and work in an approachable style, shedding light on Bernstein's social, professional and ideological contexts including his contemporaries and rivals on Broadway, his artistic collaborations, his celebrity status as a conductor on the international concert circuit, and his involvement in music education via broadcasting. From his early education, through his conducting and composing careers, to his fame as musical and cultural ambassador to the world, this book views Bernstein the man and the artist and provides a fascinating overview of American classical music culture during Bernstein's long career in the public spotlight.

Tells the story of a young couple in love during World War II, and the difficulties they faced both at war and on the home front. We Are Going to Be Lucky tells the story of a first-generation Jewish American couple separated by war, captured in their own words. Lenny and Diana Miller were married just one year before America entered World War II. Deeply committed to social justice and bonded by love, both vowed to write to one another daily after Lenny enlisted in 1943. As Lenny made his way through basic training in Mississippi to the beaches of Normandy and eventually to the Battle of the Bulge, Diana struggled financially, giving up her job as a machinist to become a mother. Their contributions to the war effort—Lenny’s crucial missions as an Army scout and Diana’s work in the Brooklyn Navy Yard—are the backdrop to their daily correspondence, including insightful discussions of democracy, politics, and economic hardship. Faced with grueling conditions overseas, Lenny managed to preserve every letter his wife sent, mailing them back to her for safekeeping. The couple’s extraordinary letters, preserved in their entirety, reveal and reflect the excruciating personal sacrifices endured by both soldiers at war and their young families back home. After decades of gathering dust, their words have been carefully transcribed and thoughtfully edited and annotated by Elizabeth L. Fox, Lenny and Diana’s daughter. “This beautiful book reveals both the quotidian lives on the military and home front as well as big political issues of the day like the death of Mussolini and the fight against fascism. Throughout it all, the reader gets glimpses of American society through a first-generation Jewish American perspective as they comment on the mundane details of daily finances as well as looming issues like racial politics in the wartime United States. The result is a pure joy and a window into a lost world.” —David Shneer, author of Through Soviet Jewish Eyes: Photography, War, and the Holocaust “At the heart of this fascinating and educational tale about a soldier and his wife during wartime is a wonderful love story. Lenny and Diana become relatable almost immediately. Their excitement at their experiences—the eagerness with which they anticipate their few reunions, the battles he is in, the pregnancy and birth of their daughter—draws readers in and allows them to live through the era as ordinary people experienced it day in and day out.” — Richard Aquila, author of Home Front Soldier: The Story of a GI and His Italian American Family During World War II “This is a truly remarkable story, contextualized just enough by the editor to provide the reader with a sufficient understanding of the history of the times without taking away the daily realities of a young couple making their way through letters and the occasional souvenir, till their final reunion. It pulls you in in such a way that you will not want to put the book down until the finish.” — Melissa Suzanne Fisher, author of Wall Street Women “The correspondence of Lenny and Diana is a compelling account of the war though the eyes of an American soldier in Europe and his wife who stayed in the United States. The drama centers on the birth of their first child in America and Lenny’s increasingly dangerous war. Lenny was to go on to become an eminent scholar of John Milton, and these letters show the young scholar at work, struggling to obtain research materials while recovering from serious injuries sustained at the Battle of the Bulge.” — Gordon Campbell, University of Leicester “Is there any genre of writing more immediate and soul-bearing than the love letter? In We Are Going to Be Lucky, Elizabeth L. Fox allows us inside the lives of one New York couple as they endure the challenges of living apart through World War II—Lenny from the battlefront and Diana at home in Brooklyn. From arduous training to the difficulties of factory work, from the hopefulness of pregnancy to a near-fatal injury and painful convalescence, this carefully edited collection of correspondence reveals the pain, sacrifice, and everyday struggles—and magnanimity—of the Greatest Generation, and the universal beauty of human connection.” — Julie Scelfo, author of The Women Who Made New York

Aaron Copland and His World reassesses the legacy of one of America's best-loved composers at a pivotal moment--as his life and work shift from the realm of personal memory to that of history. This collection of seventeen essays by distinguished scholars of American music explores the stages of cultural change on which Copland's long life (1900 to 1990) unfolded: from the modernist experiments of the 1920s, through the progressive populism of the Great Depression and the urgencies of World War II, to postwar political backlash and the rise of serialism in the 1950s and the cultural turbulence of the 1960s. Continually responding to an ever-changing political and cultural panorama, Copland kept a firm focus on both his private muse and the public he served. No self-absorbed recluse, he was very much a public figure who devoted his career to building support systems to help composers function productively in America. This book critiques Copland's work in these shifting contexts. The topics include Copland's role in shaping an American school of modern dance; his relationship with Leonard Bernstein; his homosexuality, especially as influenced by the writings of André Gide; and explorations of cultural nationalism. Copland's rich correspondence with the composer and critic Arthur Berger, who helped set the parameters of Copland's reception, is published here in its entirety, edited by Wayne Shirley. The contributors include Emily Abrams, Paul Anderson, Elliott Antokoletz, Leon Botstein, Martin Brody, Elizabeth Crist, Morris Dickstein, Lynn Garafola, Melissa de Graaf, Neil Lerner, Gail Levin, Beth Levy, Vivian Perlis, Howard Pollack, and Larry Starr.

Inspired by a real-life scandal that was shocking even for the tumultuous Roaring Twenties, this captivating novel tells the story of a pioneering Black journalist, a secret interracial marriage among the New York elite, and the sensational divorce case that ignited an explosive battle over race and class—and brought together three very different women fighting for justice, legitimacy, and the futures they risked everything to shape. For readers of Dolen Perkins-Valdez, Marie Benedict and Victoria Christopher Murray, a transporting work of fact-based historical fiction from Denny S. Bryce, bestselling author of Wild Women and the Blues, In the Face of the Sun, and Can't We Be Friends: A Novel of Ella Fitzgerald and Marilyn Monroe. New York, 1924. Born to English immigrants who’ve built a comfortable life, idealistic Alice Jones longs for the kind of true love her mother and father have. She believes she’s found it with Leonard “Kip” Rhinelander, the shy heir to his prominent white family’s real estate fortune. Alice too, is “white”, though she is vaguely aware of rumors that question her ancestry—gossip her parents dismiss. But when the lovers secretly wed, Kip’s parents threaten his inheritance unless he annuls the marriage. Devastated but determined, Alice faces overwhelming odds both legally and in the merciless court of public opinion. But there is one person who can either help her—or shatter her hopes for good: Reporter Marvel Cunningham. The proud daughter of an accomplished Black family, Marvel lives to chronicle social change and the Harlem Renaissance’s fiery creativity. At first, Marvel sees Alice’s case as a tabloid sensation generated by a self-hating woman who failed to “pass.” But the deeper she investigates, the more she will recognize just how much she and Alice have in common. For Rhinelander vs. Rhinelander will bring to light stunning truths that will force both women to confront who they are, and who they can be, in a world that is all too quick to judge.