The Trial Of Mrs Rhinelander

Inspired by a real-life scandal that was shocking even for the tumultuous Roaring Twenties, this captivating novel tells the story of a pioneering Black journalist, a secret interracial marriage among the New York elite, and the sensational divorce case that ignited an explosive battle over race and class—and brought together three very different women fighting for justice, legitimacy, and the futures they risked everything to shape. For readers of Dolen Perkins-Valdez, Marie Benedict and Victoria Christopher Murray, a transporting work of fact-based historical fiction from Denny S. Bryce, bestselling author of Wild Women and the Blues, In the Face of the Sun, and Can't We Be Friends: A Novel of Ella Fitzgerald and Marilyn Monroe. New York, 1924. Born to English immigrants who’ve built a comfortable life, idealistic Alice Jones longs for the kind of true love her mother and father have. She believes she’s found it with Leonard “Kip” Rhinelander, the shy heir to his prominent white family’s real estate fortune. Alice too, is “white”, though she is vaguely aware of rumors that question her ancestry—gossip her parents dismiss. But when the lovers secretly wed, Kip’s parents threaten his inheritance unless he annuls the marriage. Devastated but determined, Alice faces overwhelming odds both legally and in the merciless court of public opinion. But there is one person who can either help her—or shatter her hopes for good: Reporter Marvel Cunningham. The proud daughter of an accomplished Black family, Marvel lives to chronicle social change and the Harlem Renaissance’s fiery creativity. At first, Marvel sees Alice’s case as a tabloid sensation generated by a self-hating woman who failed to “pass.” But the deeper she investigates, the more she will recognize just how much she and Alice have in common. For Rhinelander vs. Rhinelander will bring to light stunning truths that will force both women to confront who they are, and who they can be, in a world that is all too quick to judge.

Be one of the first to read this sneak preview sample edition! Inspired by a real-life scandal that was shocking even for the tumultuous Roaring Twenties, this captivating novel tells the story of a pioneering Black journalist, a secret interracial marriage among the New York elite, and the sensational divorce case that ignited an explosive battle over race and class—and brought together three very different women fighting for justice, legitimacy, and the futures they risked everything to shape. For readers of Dolen Perkins-Valdez, Marie Benedict and Victoria Christopher Murray, a transporting work of fact-based historical fiction from Denny S. Bryce, bestselling author of Wild Women and the Blues, In the Face of the Sun, and Can't We Be Friends: A Novel of Ella Fitzgerald and Marilyn Monroe. New York, 1924. Born to English immigrants who’ve built a comfortable life, idealistic Alice Jones longs for the kind of true love her mother and father have. She believes she’s found it with Leonard “Kip” Rhinelander, the shy heir to his prominent white family’s real estate fortune. Alice too, is “white”, though she is vaguely aware of rumors that question her ancestry—gossip her parents dismiss. But when the lovers secretly wed, Kip’s parents threaten his inheritance unless he annuls the marriage. Devastated but determined, Alice faces overwhelming odds both legally and in the merciless court of public opinion. But there is one person who can either help her—or shatter her hopes for good: Reporter Marvel Cunningham. The proud daughter of an accomplished Black family, Marvel lives to chronicle social change and the Harlem Renaissance’s fiery creativity. At first, Marvel sees Alice’s case as a tabloid sensation generated by a self-hating woman who failed to “pass.” But the deeper she investigates, the more she will recognize just how much she and Alice have in common. For Rhinelander vs. Rhinelander will bring to light stunning truths that will force both women to confront who they are, and who they can be, in a world that is all too quick to judge.

“Bryce excels at placing readers in a glamorous time and place…riveting and vibrant.” – Booklist Go On Girl Book Club 2021 New Author of the Year | She Reads Best Literary Historical Fiction Coming in 2022 | BookRiot 2022 Historical Fiction to Add to Your TBR Right Now | We are Bookish Historical Fiction Novels You’ll Want in Your Future | BiblioLifestyle Most Anticipated Books of 2022 | BookBub Best Books of Spring 2022 & Best Historical Fiction Books of 2022 | BookTrib Top Ten Historical Fiction Books for the Spring 2022 In this haunting novel, the author of Wild Women and the Blues weaves together two stories as they unfold decades apart, as a woman on the run from an abusive husband joins her intrepid aunt as they head across the country from Chicago to Los Angeles, and confront a painful and shadowy past that has reverberated across generations. 1928, Los Angeles: The newly-built Hotel Somerville is the hotspot for the city's glittering African-American elite. It embodies prosperity and dreams of equality for all—especially Daisy Washington. An up-and-coming journalist, Daisy anonymously chronicles fierce activism and behind-the-scenes Hollywood scandals in order to save her family from poverty. But power in the City of Angels is also fueled by racism, greed, and betrayal. And even the most determined young woman can play too many secrets too far . . . 1968, Chicago: For Frankie Saunders, fleeing across America is her only escape from an abusive husband. But her rescuer is her reckless, profane Aunt Daisy, still reeling from her own shattered past. Frankie doesn't want to know what her aunt is up to so long as Daisy can get her to LA—and safety. But Frankie finds there’s no hiding from long-held secrets—or her own surprising strength. Daisy will do whatever it takes to settle old scores and resolve the past—no matter the damage. And Frankie will come up against hard choices in the face of unexpected passion. Both must come to grips with what they need, what they’ve left behind—and all that lies ahead . . . “The scenes are cinematically vivid, the language fresh and vibrant, the characters complicated and real.” – Historical Novel Society “The author of Wild Women and the Blues is back with another historical fiction novel to dazzle and amaze.” – Book Riot “An engrossing family saga filled with heartbreak and love, victory, forgiveness, and loss, and a wonderful character study of several unforgettable women.” – All About Romance

"Perfect for fans of The Seven Husbands of Evelyn Hugo...a dazzling depiction of passion, prohibition, and murder.“ —Shelf Awareness “Ambitious and stunning.” —Stephanie Dray, New York Times bestselling author "Vibrant…A highly entertaining read!” —Ellen Marie Wiseman New York Times Bestselling author of THE ORPHAN COLLECTOR “The music practically pours out of the pages of Denny S. Bryce's historical novel, set among the artists and dreamers of the 1920s.”—OprahMag.com Goodreads Debut Novel to Discover & Biggest Upcoming Historical Fiction Books Oprah Magazine, Parade, Ms. Magazine, SheReads, Bustle, BookBub, Frolic, & BiblioLifestyle Most Anticipated Books Marie Claire & Black Business Guide’s Books By Black Writers to Read TODAY & Buzzfeed Books for Bridgerton Fans SheReads Most Anticipated BIPOC Winter Releases 2021 Palm Beach Post Books for Your 2021 Reading List In a stirring and impeccably researched novel of Jazz-age Chicago in all its vibrant life, two stories intertwine nearly a hundred years apart, as a chorus girl and a film student deal with loss, forgiveness, and love…in all its joy, sadness, and imperfections. “Why would I talk to you about my life? I don't know you, and even if I did, I don't tell my story to just any boy with long hair, who probably smokes weed.You wanna hear about me. You gotta tell me something about you. To make this worth my while.” 1925: Chicago is the jazz capital of the world, and the Dreamland Café is the ritziest black-and-tan club in town. Honoree Dalcour is a sharecropper’s daughter, willing to work hard and dance every night on her way to the top. Dreamland offers a path to the good life, socializing with celebrities like Louis Armstrong and filmmaker Oscar Micheaux. But Chicago is also awash in bootleg whiskey, gambling, and gangsters. And a young woman driven by ambition might risk more than she can stand to lose. 2015: Film student Sawyer Hayes arrives at the bedside of 110-year-old Honoree Dalcour, still reeling from a devastating loss that has taken him right to the brink. Sawyer has rested all his hope on this frail but formidable woman, the only living link to the legendary Oscar Micheaux. If he’s right—if she can fill in the blanks in his research, perhaps he can complete his thesis and begin a new chapter in his life. But the links Honoree makes are not ones he’s expecting . . . Piece by piece, Honoree reveals her past and her secrets, while Sawyer fights tooth and nail to keep his. It’s a story of courage and ambition, hot jazz and illicit passions. And as past meets present, for Honoree, it’s a final chance to be truly heard and seen before it’s too late. No matter the cost . . . “Immersive, mysterious and evocative; factual in its history and nuanced in its creativity.” —Ms. Magazine “Perfect…Denny S. Bryce is a superstar!” —Julia Quinn, New York Times bestselling author of the Bridgerton series “Evocative and entertaining!” —Laura Kamoie, New York Times bestselling author “Wild Women and the Bluesdeftly delivers what historical fiction has been missing.” —Farrah Rochon USA Today bestselling author

div This landmark book looks at what it means to be a multiracial couple in the United States today. The book begins with a 1925 court case and shows how—almost a century later—our society has yet come to terms with interracial marriage. /DIV

"Too important to be ignored....A fascinating look at America's obsession with race, pride, and privilege."—Essence When Alice Jones, a former nanny, married Leonard Rhinelander in 1924, she became the first black woman to be listed in the Social Register as a member of one of New York's wealthiest families. Once news of the marriage became public, a scandal of race, class, and sex gripped the nation—and forced the couple into an annulment trial. "A compelling read."—Boston Globe "This is a great story....Earl Lewis and Heidi Ardizzone tell it very well."—Chicago Tribune

Includes information on AIDS (Acquired Immune Deficiency Syndrome), Laurie Anderson, authenticity, back up singing, Imamu Amiri Baraka (Leroi Jones), Black Arts movement, Black Like Me (Griffin), black masculinity, balck nationalism, Black Power movement, breakdancing, Diahann, Carroll, designatory terminology, femininity, Nikki Giovanni, Harlem Renaissance, HIV (human immunodeficiency virus), homosexuality, Jesse Jackson, Michael Jackson, Jane Doe v. State of Louisana, Earvin (Magic) Johnson, Motown Record Corporation, MTV, pop music, racial classificaton, racial passing, rap (music), Alice Beatrice Jones Rhinelander case, Max Robinson, Room 222 (television), Run DMC, RuPaul, O.J. Simpson, the Supremes, Stevie Wonder, etc.

Amidst the violent racism prevalent at the turn of the twentieth century, African American cultural elites, struggling to articulate a positive black identity, developed a middle-class ideology of racial uplift. Insisting that they were truly representative of the race's potential, black elites espoused an ethos of self-help and service to the black masses and distinguished themselves from the black majority as agents of civilization; hence the phrase 'uplifting the race.' A central assumption of racial uplift ideology was that African Americans' material and moral progress would diminish white racism. But Kevin Gaines argues that, in its emphasis on class distinctions and patriarchal authority, racial uplift ideology was tied to pejorative notions of racial pathology and thus was limited as a force against white prejudice. Drawing on the work of W. E. B. Du Bois, Anna Julia Cooper, Alice Dunbar-Nelson, Hubert H. Harrison, and others, Gaines focuses on the intersections between race and gender in both racial uplift ideology and black nationalist thought, showing that the meaning of uplift was intensely contested even among those who shared its aims. Ultimately, elite conceptions of the ideology retreated from more democratic visions of uplift as social advancement, leaving a legacy that narrows our conceptions of rights, citizenship, and social justice.