Death And Redemption

Death and Redemption offers a fundamental reinterpretation of the role of the Gulag--the Soviet Union's vast system of forced-labor camps, internal exile, and prisons--in Soviet society. Soviet authorities undoubtedly had the means to exterminate all the prisoners who passed through the Gulag, but unlike the Nazis they did not conceive of their concentration camps as instruments of genocide. In this provocative book, Steven Barnes argues that the Gulag must be understood primarily as a penal institution where prisoners were given one final chance to reintegrate into Soviet society. Millions whom authorities deemed "reeducated" through brutal forced labor were allowed to leave. Millions more who "failed" never got out alive. Drawing on newly opened archives in Russia and Kazakhstan as well as memoirs by actual prisoners, Barnes shows how the Gulag was integral to the Soviet goal of building a utopian socialist society. He takes readers into the Gulag itself, focusing on one outpost of the Gulag system in the Karaganda region of Kazakhstan, a location that featured the full panoply of Soviet detention institutions. Barnes traces the Gulag experience from its beginnings after the 1917 Russian Revolution to its decline following the 1953 death of Stalin. Death and Redemption reveals how the Gulag defined the border between those who would reenter Soviet society and those who would be excluded through death.

Based on a true story. Texas death row inmate tells all from behind bars. From his horrendous childhood, to the three counts of kidnapping, two counts of attempted murder, and first degree murder charges that resulted in the judge declaring the words... "You are hereby sentenced to DEATH!" A hardened criminal opens his heart to reveal the stories of abuse, rejection, and abandonment that turned him into a monster... before finding Christ in a jail cell. This is the story of the Shreveport Slaughterer. This is... How I escaped DEATH ROW !

NEW YORK TIMES BESTSELLER • An “extraordinary, unforgettable” (Michelle Alexander, author of The New Jim Crow) memoir of redemption and second chances amidst America’s mass incarceration epidemic, from a member of Oprah’s SuperSoul 100 Shaka Senghor was raised in a middle-class neighborhood on Detroit’s east side during the height of the 1980s crack epidemic. An honor roll student and a natural leader, he dreamed of becoming a doctor—but at age eleven, his parents’ marriage began to unravel, and beatings from his mother worsened, which sent him on a downward spiral. He ran away from home, turned to drug dealing to survive, and ended up in prison for murder at the age of nineteen, full of anger and despair. Writing My Wrongs is the story of what came next. During his nineteen-year incarceration, seven of which were spent in solitary confinement, Senghor discovered literature, meditation, self-examination, and the kindness of others—tools he used to confront the demons of his past, forgive the people who hurt him, and begin atoning for the wrongs he had committed. Upon his release at age thirty-eight, Senghor became an activist and mentor to young men and women facing circumstances like his. His work in the community and the courage to share his story led him to fellowships at the MIT Media Lab and the Kellogg Foundation and invitations to speak at events like TED and the Aspen Ideas Festival. In equal turns, Writing My Wrongs is a page-turning portrait of life in the shadow of poverty, violence, and fear; an unforgettable story of redemption; and a compelling witness to our country’s need for rethinking its approach to crime, prison, and the men and women sent there.

"Former NFL star Kermit Alexander tells the ... true story of the ... massacre of his family and his subsequent years of despair, followed by a spiritual renewal that showed him a way to rebuild his family and reclaim his life"--Amazon.com.

This book is open access under a CC BY 4.0 licence. This book is a multidisciplinary work that investigates the notion of posthumous harm over time. The question what is and when is death, affects how we understand the possibility of posthumous harm and redemption. Whilst it is impossible to hurt the dead, it is possible to harm the wishes, beliefs and memories of persons that once lived. In this way, this book highlights the vulnerability of the dead, and makes connections to a historical oeuvre, to add critical value to similar concepts in history that are overlooked by most philosophers. There is a long historical view of case studies that illustrate the conceptual character of posthumous punishment; that is, dissection and gibbetting of the criminal corpse after the Murder Act (1752), and those shot at dawn during the First World War. A long historical view is also taken of posthumous harm; that is, body-snatching in the late Georgian period, and organ-snatching at Alder Hey in the 1990s.

In The Ghost Horse, Joe Layden tells the inspiring true tale of a one-eyed, club-footed thoroughbred racehorse and a journeyman trainer, Tim Snyder, who scraped together every penny he had to purchase the broken and unwanted filly. Snyder helped the horse overcome its deficiencies, eventually naming her in part after his deceased wife, Lisa, the great and only love of his life—a bright and sweet-tempered woman whose gentle demeanor seemed eerily reflected in the horse. The trainer (and now owner) was by nature a crusty and combative sort, the yin to his wife's yang, a racetrack lifer not easily moved by new-age mysticism or sentiment. And yet in those final days back in 2003, when Lisa Snyder lay in bed, her body ravaged by cancer, she reassured her family with a weak smile. "It's okay," she'd say. "I'll see you again. I'm coming back as a horse." Tim Snyder did not then believe in reincarnation. But he acknowledged the strangeness of this journey, the series of coincidences that brought them together, and the undeniable similarities between the horse and his late wife. And so did those who knew the couple well, and who could now only marvel at the story of the filly, Lisa's Booby Trap, and the down-on-his-luck trainer who apparently had been given a new lease on life. The Ghost Horse is a powerful horseracing story of underdogs and second chances.

Poet and writer Alison Deming once noted, ÒIn the desert, one finds the way by tracing the aftermath of water . . . Ó Here, Ken Lamberton finds his way through a lifetime of exploring southern ArizonaÕs Santa Cruz River. This riverÑdry, still, and silent one moment, a thundering torrent of mud the nextÑserves as a reflection of the desert around it: a hint of water on parched sand, a path to redemption across a thirsty landscape. With his latest book, Lamberton takes us on a trek across the land of three nationsÑthe United States, Mexico, and the Tohono OÕodham NationÑas he hikes the riverÕs path from its source and introduces us to people who draw identity from the riverÑdedicated professionals, hardworking locals, and the authorÕs own family. These people each have their own stories of the river and its effect on their lives, and their narratives add immeasurable richness and depth to LambertonÕs own astute observations and picturesque descriptions. Unlike books that detail only the Santa CruzÕs decline, Dry River offers a more balanced, at times even optimistic, view of the river that ignites hope for reclamation and offers a call to action rather than indulging in despair and resignation. At once a fascinating cultural history lesson and an important reminder that learning from the past can help us fix what we have damaged, Dry River is both a story about the amazing complexity of this troubled desert waterway and a celebration of one manÕs lifelong journey with the people and places touched by it.

Munch Malone is one seriously inept golfer, but that hasn’t dimmed his enthusiasm for the game. Now, at seventy, Munch, a high handicapper, has drawn some unlikely attention—from the afterlife. From on high, two golfers—both quite deceased—have been scouring Earth on a quest to find the perfect golfer. But there are so many golfers on so many golf courses. If they are ever to play the game they both loved so much in life again, they need just the right golfer for a grand experiment from the Great Beyond. And then they find Munch. Target acquired, they settle back into their easy chairs in the great clubhouse in the sky, drinks in hand, to watch as their experiment plays itself out down on terra firma—on high-definition television, of course. Meanwhile, down on Earth, Munch is going about his life, oblivious to the role he is about to play in their game. He’s just invested in clubs that once belonged to scratch golfers— his secret strategy for success in the USGA Senior Men’s Amateur Championship. But his destiny to win the Open is derailed as Vegas operatives plot to steal his clubs. The escapade romps across The Greenbrier’s Old White Golf Course and into the hotel’s underground bunker—as the adventure is spiced up by sexual twists and Glocks being drawn on the course. Now, it’s a battle of wills—both terrestrial and heavenly—to see if Munch’s destiny or his ineptitude will reign supreme.