Death Goes Overboard

Gregor Slavinsky went overboard. Or did he? He was murdered. Or was he? It’s up to Detective Heath Barrington and his partner, police officer Alan Keyes, to find out as they search for clues and a missing twenty-five thousand dollars aboard an old lake steamer and throughout 1947 Milwaukee, Wisconsin. They are up against gangsters, con artists, and a very seductive Grant Riker, a fellow policeman who could come between Heath and Alan, upsetting their romance. The three of them race the clock to find the truth amidst lies, secrets, and possible scandal, while riding the waves of a potential love triangle.

Zack Decker wanted only one thing in life: to fight as a Marine Pathfinder. But his temper and his loathing for careerist officers cost him dearly. Forced into early retirement, with a wife who left him long ago, no job, no friends and no future, the former sergeant crawled into a bottle and stayed there, moving from planet to planet, looking for some reason to keep on living. Until, that is, he wandered into a bar owned by an old Marine buddy who offered to help. On the run after killing a corrupt cop, and nowhere to hide, he accepted. Decker would have done better to head for the hills, or surrender to the militia, however old friends could be persuasive and he soon found himself signing on as security officer of a starship with dubious owners and a dubious crew, doing things for his new employer that tested the old saying 'Once a Marine, always a Marine.' Curiosity was Decker's other major failing and in short order he was on the run, hunted by a shadowy government organisation, and in possession of a secret that could destroy the Commonwealth. It was a secret to die for, and the people on his trail wanted to make sure he did. Along the way, they forgot that he could still fight like one of the Few...

We share the experience of others through the stories they tell of the crucial events in their lives. This book provides a rich range of narratives that grip the reader's attention together with an analysis of how it is done. While remaining true to the facts, narrators use linguistic devices to present themselves in the best possible light and change the listener's perception of who is to blame for what has occurred. William Labov extends his widely used framework for narrative analysis to matters of greatest human concern: the danger of death, violence, premonitions and large-scale community conflicts. The book also examines traditional epic and historical texts, from Herodotus and the Old Testament to Macaulay, showing how these literary genres draw upon the techniques of personal narratives. Not only relevant to students of narratology, discourse and sociolinguistics, this book will be rewarding reading for anyone interested in the human condition.

The range of environments in which people can survive is extensive, yet most of the natural world cannot support human life. The Biology of Human Survival identifies the key determinants of life or death in extreme environments from a physiologist's perspective, integrating modern concepts of stress, tolerance, and adaptation into explanations of life under Nature's most austere conditions. The book examines how individuals survive when faced with extremes of immersion, heat, cold or altitude, emphasizing the body's recognition of stress and the brain's role in optimizing physiological function in order to provide time to escape or to adapt. In illustrating how human biology adapts to extremes, the book also explains how we learn to cope by blending behavior and biology, first by trial and error, then by rigorous scientific observation, and finally by technological innovation. The book describes life-support technology and how it enables humans to enter once unendurable realm, from the depths of the ocean to the upper reaches of the atmosphere and beyond. Finally, it explores the role that advanced technology might play in special environments of the future, such as long journeys into space.