Death Of An Assassin

From the depths of German and American archives comes a story one soldier never wanted told. The first volunteer killed defending Robert E. Lee's position in battle was really a German assassin. After fleeing to the United States to escape prosecution for murder, the assassin enlisted in a German company of the Pennsylvania Volunteers in the Mexican-American War and died defending Lee's battery at the Siege of Veracruz in 1847. Lee wrote a letter home, praising this unnamed fallen volunteer defender. Military records identify him, but none of the Americans knew about his past life of crime. Before fighting with the Americans, Lee's defender had assassinated Johann Heinrich Rieber, mayor of Bönnigheim, Germany, in 1835. Rieber's assassination became 19th-century Germany's coldest case ever solved by a non-law enforcement professional and the only 19th-century German murder ever solved in the United States. Thirty-seven years later, another suspect in the assassination who had also fled to America found evidence in Washington, D.C., that would clear his own name, and he forwarded it to Germany. The German prosecutor Ernst von Hochstetter corroborated the story and closed the case file in 1872, naming Lee's defender as Rieber's murderer. Relying primarily on German sources, Death of an Assassin tracks the never-before-told story of this German company of Pennsylvania volunteers. It follows both Lee's and the assassin's lives until their dramatic encounter in Veracruz and picks up again with the surprising case resolution decades later. This case also reveals that forensic ballistics--firearm identification through comparison of the striations on a projectile with the rifling in the barrel--is much older than previously thought. History credits Alexandre Laccasagne for inventing forensic ballistics in 1888. But more than 50 years earlier, Eduard Hammer, the magistrate who investigated the Rieber assassination in 1835, used the same technique to eliminate a forester's rifle as the murder weapon. A firearms technician with state police of Baden-Württemberg tested Hammer's technique in 2015 and confirmed its efficacy, cementing the argument that Hammer, not Laccasagne, should be considered the father of forensic ballistics. The roles the volunteer soldier/assassin and Robert E. Lee played at the Siege of Veracruz are part of American history, and the record-breaking, 19th-century cold case is part of German history. For the first time, Death of an Assassin brings the two stories together.

As an assassin of the Lifeless League, there are two rules I live by:1. Never kill another hunter.2. Obey orders.When I find that my newest set of targets are branded with the Mark of the Hunter, I don't know who I can trust anymore. I can't take their lives without knowing why these mysterious men turned their backs on the League.A choice will have to be made eventually. Even if they refuse to make anything easy for me. The four brooding ex-assassins give me trials, training, and tests to study my unusual powers and prove myself as one of them. A deadly plan is now in place but they've all made one grave mistake: Underestimating me. Because I'm adding a third and final rule to my list:3. Survive.This is a Reverse Harem Series, recommended for readers 18 and over.

Technically, Layla hasn't killed anyone. Ask the witnesses. It was a misstep here, a trip-and-fall there-accidents happen. And Layla is paid very well to ensure that they do. Her mother once traced their lineage back to ancient times. Go flip through The Odyssey. Some great-great-great grandmother is in there beckoning sailors to rocky deaths. For eons her kind has made it their business to bring hapless men to quick and messy ends. Layla can't help it that Saint Roch City has job listings for someone who can cause blameless death. You go where the work is. When the most difficult hit of her career goes sideways, Layla finds out that what she's been told about her own history may not be so accurate. And there is no forgiveness in the business of assassinations. When you're paid to kill someone, there better be a dead body. Either the mark's-or yours.

In the fifteenth-century kingdom of Brittany, seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where she learns that the god of Death has blessed her with dangerous gifts--and a violent destiny.

Many men killed Julius Caesar. Only one man was determined to kill the killers. From the spring of 44 BC through one of the most dramatic and influential periods in history, Caesar's adopted son, Octavian, the future Emperor Augustus, exacted vengeance on the assassins of the Ides of March, not only on Brutus and Cassius, immortalized by Shakespeare, but all the others too, each with his own individual story. The last assassin left alive was one of the lesser-known: Cassius Parmensis was a poet and sailor who chose every side in the dying Republic's civil wars except the winning one, a playwright whose work was said to have been stolen and published by the man sent to kill him. Parmensis was in the back row of the plotters, many of them Caesar's friends, who killed for reasons of the highest political principles and lowest personal piques. For fourteen years he was the most successful at evading his hunters but has been barely a historical foot note--until now. The Last Assassin dazzlingly charts an epic turn of history through the eyes of an unheralded man. It is a history of a hunt that an emperor wanted to hide, of torture and terror, politics and poetry, of ideas and their consequences, a gripping story of fear, revenge, and survival.

Part I. The eleven-year exile -- Part II. Anatomy of a murder.

The powerful true-life story of a Brazilian boy who could have been a fisherman but instead became the biggest professional killer known to the world--soon to be a major motion picture. Julio Santana as seen through the eyes of acclaimed investigative reporter Klester Cavalcanti is not a monster--he is a loyal son, a family man, a devout Christian who is tormented by his conscience with every shot. But in a cruel and lawless area of Brazil, where every life has its price, respect for life is a luxury that he can't afford. Trained by his uncle, an assassin, and initiated in murder at 17 years of age, Santana proved to be a natural. Without moralizing about mass murderer, The Name of Death attempts to show how such a career can be not so very different from other ordinary working lives. The portrait that emerges in this riveting narrative, based on seven years of phone conversations between Cavalcanti and Santana, is not only that of a man but also that of a country. Describing in detail only a handful of the almost 500 murders Santana carried out, Cavalcanti reveals just how lawless much of the interior of Brazil has been for the past 50 years. The state, the police, and the security forces play almost no part in establishing the rule of law--except when they are suppressing the guerrilla threat of the early 1970s. Cavalcanti shows just how easy it is for a boy like Julio to take the law into his own hands, and what a wild place Brazil has been and in many ways continues to be. The Name of Death is being adapted into a major motion picture produced by Fernando Meirelles (director of City of God, Blindness, and The Constant Gardener) and Globo Filmes, for release in Brazil in July 2017 and distribution in the U.S. the following year.