Death On The Rock

Lucy Trimble is retained by Greta Golden to find the identity of the man Greta is certain is following her.

Since leaving the army, Peter Blair has embraced a quiet life of solitude and sailing off the Salcombe coast. So it's an unpleasant shock when he stumbles across a body on the rocks off Prawle Point. The case seems simple, if sad - the woman is identified as Edna Brown, a mousy London secretary whose hotel room contains a suicide note. But all is not as it seems. Someone is very keen to keep Peter quiet, and before long he realises that if he wants to stay safe, it is up to him to solve the mystery of Edna's real identity - and who would kill to keep her quiet. In this first Peter Blair mystery, master of 1970s crime J.R.L. Anderson spins an exhilarating yarn. Disguises and codes, drug smuggling and murder: Peter must use all his wits to make sure his first investigation is not also his last.

In May 1987, a successful SAS ambush resulted in the deaths of eight IRA terrorists in Loughgall. Aware that retaliation was certain, British intelligence went on the alert, and eventually established that the IRA had selected Gibraltar as being a 'soft' target and one identified with British imperialism. In November, the terrorism experts of Madrid's Servicios de Información informed British intelligence that two male members of the IRA had arrived in Southern Spain under false names. British intelligence assumed immediately that the two men were intending wither to murder some of the British residents on the Costa del Sol or to attack a British Army target on Gibraltar. The changing guard outside the Governor of Gibraltar's residence was judged to provide the most likely opportunity for such an attack. The most likely date was 8 March 1988, when the band parade ceremony of the 1st Battalion of the Royal Anglian Regiment was due to take place. For the next few months, British and Spanish intelligence services kept the two men under surveillance, waiting for them to travel from Spain to Gibraltar. In February, MI5 reported that an Irishwoman travelling under a false identity had repeatedly visited the rock and attended the guard ceremony. Now that there appeared to be little doubt about the target, the British government decided to send a hit team to Gibraltar to prevent the planned bombing, if necessary by killing the terrorists. The only men even considered for this dangerous operation were the legendary Special Air Service the SAS! Soldier R SAS: Death on Gibraltar tells the story of what was to become the most controversial of all SAS campaigns: a deadly cat-and-mouse game that called into play all the expertise and tenacity at the SAS team's disposal.

The untimely deaths of Amy Winehouse (2011) and Whitney Houston (2012), and the ’resurrection’ of Tupac Shakur for a performance at the Coachella music festival in April 2012, have focused the media spotlight on the relationship between popular music, fame and death. If the phrase ’sex, drugs and rock’n’roll’ ever qualified a lifestyle, it has left many casualties in its wake, and with the ranks of dead musicians growing over time, so the types of death involved and the reactions to them have diversified. Conversely, as many artists who fronted the rock’n’roll revolution of the 1950s and 1960s continue to age, the idea of dying young and leaving a beautiful corpse (which gave rise, for instance, to the myth of the ’27 Club’) no longer carries the same resonance that it once might have done. This edited collection explores the reception of dead rock stars, ’rock’ being taken in the widest sense as the artists discussed belong to the genres of rock’n’roll (Elvis Presley), disco (Donna Summer), pop and pop-rock (Michael Jackson, Whitney Houston, Amy Winehouse), punk and post-punk (GG Allin, Ian Curtis), rap (Tupac Shakur), folk (the Dutchman André Hazes) and ’world’ music (Fela Kuti). When music artists die, their fellow musicians, producers, fans and the media react differently, and this book brings together their intertwining modalities of reception. The commercial impact of death on record sales, copyrights, and print media is considered, and the different justifications by living artists for being involved with the dead, through covers, sampling and tributes. The cultural representation of dead singers is investigated through obituaries, biographies and biopics, observing that posthumous fame provides coping mechanisms for fans, and consumers of popular culture more generally, to deal with the knowledge of their own mortality. Examining the contrasting ways in which male and female dead singers are portrayed in the media, the book

A series of horrific killings on the beaches of Devon, England, leads a police detective into a darkness that goes back decades . . . A homeless man has been beaten and thrown into a fire at the seaside. To make things worse for DCI Dan Hellier, images of the crime are all over social media—and there’s more to come. Soon Hellier is running through a maze that twists and turns through both a cult and the history of the Irish Troubles—to find a killer filled with bitterness and brutality, and stop yet another man from falling victim.

New proof of a nuclear catastrophe on Mars! In an epic story of discovery, strong evidence is presented for a dead civilization on Mars and the shocking reason for its demise: an ancient planetary-scale nuclear massacre leaving isotopic traces of vast explosions that endure to our present age. The story told by a wide range of Mars data is now clear. Mars was once Earth-like in climate, with an ocean and rivers, and for a long period became home to both plant and animal life, including a humanoid civilization. Then, for unfathomable reasons, a massive thermo-nuclear explosion ravaged the centers of the Martian civilization and destroyed the biosphere of the planet. But the story does not end there. This tragedy may explain Fermi's Paradox, the fact that the cosmos, seemingly so fertile and with so many planets suitable for life, is as silent as a graveyard. We must immediately send astronauts to Mars to maximize our knowledge of what happened there, and learn how to avoid Mars’ fate. Includes an 8-page color section.

Mass Extinction and Nuclear Catastrophe on Mars! Astrophysicist Brandenburg says that everything you have been taught about Mars is wrong. The terrible truth: Mars was actually Earthlike for most of its geologic history. Mars held a massive and evolving biosphere. Mars was the wracked by a mysterious and astonishing nuclear catastrophe. We are, biologically and culturally, the Children of Mars. Chapters include: Oasis Earth; The School of Mars; The Dream of Mars; The Vikings of Mars; The Oxygen of Mars; The Paleo-Ocean of Mars; The Crystal Palace of Mars; The Chixulube of Mars; The New Mars Synthesis; The Twilight of Mars; Endgame of Mars; The Moons of Mars; The Epilogue of Mars; more. Includes an 8-page color section.