Death S Long Shadow

The arrival of an unexpected guest means trouble ahead for the residents of Thorncroft House in this deftly-plotted Victorian mystery. On a freezing winter’s night, with the household in mourning following the death of the dowager Lady Croft, the residents of Thorncroft House are roused from their beds by the arrival of an unexpected visitor. Although Lady Stanton seems reluctant to explain the reasons for her visit, housekeeper Harriet Rowsley would never turn a stranger from the door; she offers Lady Stanton and her servants all the hospitality at her disposal, however secretive and arrogant the new guest might be. But tensions arise over the following days, with both visitors and servants trapped indoors by the snow, and Lady Stanton proving a difficult and demanding guest. The situation worsens on the discovery of the body of a young housemaid lying crumpled at the foot of the stairs. A tragic accident … or something more sinister? Who exactly is Lady Stanton, and why has she come to Thorncroft? Has her arrival anything to do with the housemaid’s death? As the household remains trapped and tensions escalate, Harriet and her husband Matthew are forced to face the fact that they may be harbouring a murderer in their midst …

“A haunted, haunting examination of mental illness and murder in a more or less ordinary American city…Mature and thoughtful…A Helter Skelter for our time, though without a hint of sensationalism—unsettling in the extreme but written with confidence and deep empathy” (Kirkus Reviews, starred review). On March 11, 2003, in Brownsville, Texas—one of America’s poorest cities—John Allen Rubio and Angela Camacho murdered their three young children. The apartment building in which the brutal crimes took place was already run down, and in their aftermath a consensus developed in the community that it should be destroyed. In 2008, journalist Laura Tillman covered the story for The Brownsville Herald. The questions it raised haunted her and set her on a six-year inquiry into the larger significance of such acts, ones so difficult to imagine or explain that their perpetrators are often dismissed as monsters alien to humanity. Tillman spoke with the lawyers who tried the case, the family’s neighbors and relatives and teachers, even one of the murderers: John Allen Rubio himself, whom she corresponded with for years and ultimately met in person. Her investigation is “a dogged attempt to understand what happened, a review of the psychological, sociological and spiritual explanations for the crime…a meditation on the death penalty and on the city of Brownsville” Star Tribune (Minneapolis). The result is a brilliant exploration of some of our age’s most important social issues and a beautiful, profound meditation on the truly human forces that drive them. “This thought-provoking…book exemplifies provocative long-form journalism that does not settle for easy answers” (Publishers Weekly, starred review).

Proper Regency ladies are not supposed to become magicians—but Miss Abigail Wilder is far from proper. The marriageable young ladies of London are dying mysteriously, and Abigail Wilder intends to discover why. Abigail’s father, the Lord Sorcier of England, believes that a dark lord of faerie is involved. But while Abigail is willing to match her magic against Lord Longshadow, neither her father nor high society believes that she is capable of doing so. Thankfully, Abigail is not the only one investigating the terrible events. Mercy, a street rat and self-taught magician, insists on joining Abigail in unraveling the mystery. Mercy is unpredictable, and her magic is strange and foreboding—but the greatest danger she poses may well be to Abigail’s heart. A queer romantic faerie tale of defiant hope and love against all odds, set in Olivia Atwater’s enchanting version of Regency England. Praise for the Regency Faerie Tales “A delightful, romantic romp. The definition of a comfort read.” —Hannah Whitten “Fully a delight! Whimsical, witty, and brimming over with charm.” —India Holton “Sweeps you off your feet in the swooniest way possible.” —Megan Bannen “I wolfed this down with great pleasure.” —KJ Charles “Whimsical but never frivolous, sweet but not sugary. I loved it.” —Alix E. Harrow “A perfect historical fantasy romance: Warm, sparkling with magic, dangerous, and delightful.” —Tasha Suri

Few countries attribute as much importance to the Second World War and its memory as Britain; arguably nowhere else has this conflict developed such longevity in cultural memory and retained such presence in contemporary culture. Long Shadows is about how literature and film have helped shape this process in Britain. More precisely, the essays collected here suggest that this is a continuous work in progress, subject to transgenerational revisions, political expediencies, commercial considerations, and the vicissitudes of popular taste. It would indeed be more accurate to speak of the meanings (plural) that the war has been given at various moments in British cultural life. These semantic variations and fluctuations in cultural import are rooted in the specificity of the British war experience, in the political aftermath of the war in Europe, and in its significance for Britain’s postwar position on the global stage. In other words, the books and films discussed in these essays respond to how the war has been interpreted and remembered; what is at stake is the way in which the war has been emplotted as a hegemonic cultural narrative about Britain.

Clark Griffith seeks to demonstrate that, if we come to terms with her true intellectual position, we find that Emily Dickinson is a tragic poet. He studies her special connection with the Age of Emerson, her dependence upon irony, her change in attitude from detachment to tragic involvement. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A vivid exploration of the many ways the classical world remains relevant today, this is a passionate justification of why we continue to read about and study the lives and works of the ancient Greeks and Romans. Challenging the way the phrase 'That's just ancient history' is used to dismiss something as being irrelevant, Greg and Alicia Aldrete demonstrate just how much ancient Greece and Rome have influenced and shaped our world today in ways both large and small. From the more commonly known influences on politics, law, literature and timekeeping through to the everyday rituals and routines we take for granted when we exercise, dine, marry and dress, we are rooted in the ancient world. Even the political upheaval, celebrity obsession and blurring of public and private boundaries that we see in current news betray ancient characteristics - now brought to the fore here in a new final chapter. If you have ever wondered how far exactly we still walk in the footsteps of the ancients or wanted to understand how study of the classical world can inform and explain our lives today, this is the book for you.

How do nations reinvent themselves after cataclysmic events? Who gets to decide what happened yesterday, then to propagate the tale, and what are the consequences of their choices? These are some of the questions author and historian Erna Paris carried with her through the United States, with its long-buried memory of slavery; to South Africa, to sit in on the Truth and Reconciliation Commission's attempts to heal the divisions of apartheid; to Japan, France and Germany and the unresolved pain of Hiroshima and the Holocaust; and to the former Yugoslavia where she exposes the cynical shaping of historical memory, and the way the world community responded to the lethal outcome of that half-imagined history. Combining gripping storytelling with insight and sharp observation, Paris takes us to the places of reckoning—be they courtrooms or concentration camps—and finds hope in the way ordinary people grapple with the defining events of their lives. Evocatively written, her journey illuminates a crucial subject that straddles the 20th and 21st centuries.