Deep Space And Sacred Time

Deep Space and Sacred Time examines for the first time in book-length form the many ways Star Trek has served as a mythic reference point for American society--and suggests that an understanding of this phenomenon can help us to see ourselves more clearly as a culture.

Today's media, cinema and TV screens are host to new manifestations of myth, their modes of storytelling radically transformed from those of ancient Greece. They present us with narratives of contemporary customs and belief systems: our modern-day myths. This book argues that the tools of transmedia merchandising and promotional material shape viewers' experiences of the hit television series Star Trek, to reinforce the mythology of the gargantuan franchise. Media marketing utilises the show's method of recycling the narratives of classical heritage, yet it also looks forward to the future. In this way, it reminds consumers of the Star Trek story's ongoing centrality within popular culture, whether in the form of the original 1960s series, the later additions such as Voyager and Discovery or J. J. Abrams' `reboot' films. Chapters examine how oral and literary traditions have influenced the series structure and its commercial image, how the cosmological role of humanity and the Earth are explored in title sequences across various Star Trek media platforms, and the multi-faceted way in which Internet, video game and event spin-offs create rituals to consolidate the space opera's fan base. Fusing key theory from film, TV, media and folklore studies, as well as anthropology and other specialisms, To Boldly Go is an authoritative guide to the function of myth across the whole Star Trek enterprise.

Religion and Outer Space examines religion in and on the final frontier. This book offers a first-of-its-kind roadmap for thinking about complex encounters of religion and outer space. A multidisciplinary group of scholarly experts takes up some of the most intriguing scientific, spiritual, trade/commercial, and even military dimensions of the complex entanglements of religion and outer space. Attending to the historical reality that the interconnections between religion and the heavens are as old as religions themselves, the volume starts with an examination of "outer space" elements in the most sacred writings of the world’s religions. It then explores some of the religious questions inevitable in this encounter, analyzing cultural constructions (both literary and actual) of religion and outer space. It ends with examinations of the role of religion in the very real and very present business of space exploration. What might motivate the spread of religion (or at least fantasies of religion in its myriad possibilities) into new interior and exterior dimensions of the cosmos? Only the future will tell. Religion and Outer Space is essential reading for students and academics with an interest in religion and space, religion and science, space exploration, religion and science fiction, popular culture, and religion in America.

Despite the fact that Star Trek: Deep Space Nine ended over twenty-five years ago, there has yet to be a stand-alone assessment of the series. This collection corrects that omission, examining what made Deep Space Nine so unique within the Star Trek universe, and how that uniqueness paved the way for an altogether new, entirely different vision for Star Trek. If the Star Trek slogan has always been "to boldly go where no one has gone before," then Deep Space Nine helped to bring in a new renaissance of serialized television that has become normal practice. Furthermore, Deep Space Nine ushered in critical discussions on race, gender, and faith for the franchise, science fiction television and American lives. It relished in a vast cast of supporting characters that allowed for the investigation of psychosocial relationships--from familial issues to interpersonal and interspecies conflict to regional strife--that the previous Star Trek series largely overlooked. Essays explore how Deep Space Nine became the most richly complicated "sci-fi" series in the entire Star Trek pantheon.

After Star Trek: Enterprise concluded in 2005, Star Trek went on hiatus until the 2009 film Star Trek and its sequels. With the success of these films, Star Trek returned to the small screen with series like Discovery, Picard, and Strange New Worlds. These films and series, in different ways, reflect cultural shifts in Western society. Theology and Star Trek gathers a group of scholars from various religious and theological disciplines to reflect upon the connection between theology and Star Trek anew. The essays in part one, “These are the Voyages,” explore the overarching themes of Star Trek and the thought of its creator, Gene Roddenberry. Part two, “Strange New Worlds,” discusses politics and technology. Part three, “To Explore and to Seek,” focuses on issues related to practice and formation. Part four, “To Boldly Go,” contemplates the future of Star Trek.

In 2016, Star Trek--arguably the most popular science fiction franchise of all time--turned 50. During that time the original series and its various offshoots have created some of the genre's most iconic characters and reiterated a vision of an egalitarian future where humans no longer discriminate against race, gender or sexuality. This collection of new essays provides a timely study of how well Star Trek has lived up to its own ideals of inclusivity and equality, and how well prepared it is to boldly go with everyone into the next half century.

Drawing on a number of methodologies and disciplinary perspectives, this book boldly goes where none has gone before by focusing on the interplay between Star Trek, religion, and American culture as revealed in the four different Trek television series, and the major motion pictures as well. Explored from a Trek perspective are the portrayal and treatment of religion; the religious and mythic elements; the ritual aspects of the fan following; and the relationship between religion and other issues of contemporary concern. Divided into three sections, this detailed study of religion, myth, and ritual in the Star Trek context extends the boundaries of the traditional categories of religious studies, and explores the process of the (re)creation of culture. The first section explores the ways in which religion has primarily been understood in the Star Trek franchise in relationship to science, technology, scientism, and 'secular humanism.' What do Star Trek and its creator Gene Roddenberry have to say about religion, and what does this reveal about changing American perceptions about the role, value, and place of religion in everyday life? Section Two examines the mythic power and appeal of Star Trek, and highlights the mythic and symbolic parallels between the series' story lines and themes taken from both western religious tradition and the scientific and technological components of contemporary North American Society. In the final section, contributors discuss the mythic and ritual aspects of Star Trek fandom. How have Star Trek fans found meaning and value in the television programs, and how do they express that meaning in their lives? Contributors include Robert Asa, Michael Jindra, Larry Kreitzer, Jeffrey S. Lamp, Peter Linford, Ian Maher, Anne Pearson, Gregory Peterson, and Jon Wagner.

A different kind of Star Trek television series debuted in 1993. Deep Space Nine was set not on a starship but a space station near a postcolonial planet still reeling from a genocidal occupation. The crew was led by a reluctant Black American commander and an extraterrestrial first officer who had until recently been an anticolonial revolutionary. DS9 extended Star Trek’s tradition of critical social commentary but did so by transgressing many of Star Trek’s previous taboos, including religion, money, eugenics, and interpersonal conflict. DS9 imagined a twenty-fourth century that was less a glitzy utopia than a critical mirror of contemporary U.S. racism, capitalism, imperialism, and heteropatriarchy. Thirty years after its premiere, DS9 is beloved by critics and fans but remains marginalized in scholarly studies of science fiction. Drawing on cultural geography, Black studies, and feminist and queer studies, A Different “Trek” is the first scholarly monograph dedicated to a critical interpretation of DS9’s allegorical world-building. If DS9 has been vindicated aesthetically, this book argues that its prophetic, place-based critiques of 1990s U.S. politics, which deepened the foundations of many of our current crises, have been vindicated politically, to a degree most scholars and even many fans have yet to fully appreciate.